It was a sporting chance. Aaron packed his bag and got a passport, and wrote to Lilly to say he would join him, as invited, at Sir William Franks'. He hoped Lilly's answer would arrive before he left London. But it didn't.

Therefore behold our hero alighting at Novara, two hours late, on a wet, dark evening. He hoped Lilly would be there: but nobody. With some slight dismay he faced the big, crowded station. The stream of people carried him automatically through the barrier, a porter having seized his bag, and volleyed various unintelligible questions at him. Aaron understood not one word. So he just wandered after the blue blouse of the porter.

The porter deposited the bag on the steps of the station front, fired off more questions and gesticulated into the half-illuminated space of darkness outside the station. Aaron decided it meant a cab, so he nodded and said "Yes." But there were no cabs. So once more the blue-bloused porter slung the big bag and the little bag on the strap over his shoulder, and they plunged into the night, towards some lights and a sort of theatre place.

One carriage stood there in the rain--yes, and it was free.

"Keb? Yes--orright--sir. Whe'to? Where you go? Sir William Franks? Yes, I know. Long way go--go long way. Sir William Franks."

The cabman spattered his few words of English. Aaron gave the porter an English shilling. The porter let the coin lie in the middle of his palm, as if it were a live beetle, and darted to the light of the carriage to examine the beast, exclaiming volubly. The cabman, wild with interest, peered down from the box into the palm of the porter, and carried on an impassioned dialogue. Aaron stood with one foot on the step.

"What you give--he? One franc?" asked the driver.

"A shilling," said Aaron.

"One sheeling. Yes. I know that. One sheeling English"--and the driver went off into impassioned exclamations in Torinese. The porter, still muttering and holding his hand as if the coin might sting him, filtered away.

"Orright. He know--sheeling--orright. English moneys, eh? Yes, he know.

You get up, sir."

And away went Aaron, under the hood of the carriage, clattering down the wide darkness of Novara, over a bridge apparently, past huge rain-wet statues, and through more rainy, half-lit streets.

They stopped at last outside a sort of park wall with trees above. The big gates were just beyond.

"Sir William Franks--there." In a mixture of Italian and English the driver told Aaron to get down and ring the bell on the right. Aaron got down and in the darkness was able to read the name on the plate.

"How much?" said Aaron to the driver.

"Ten franc," said the fat driver.

But it was his turn now to screw down and scrutinise the pink ten-shilling note. He waved it in his hand.

"Not good, eh? Not good moneys?"

"Yes," said Aaron, rather indignantly. "Good English money. Ten shillings. Better than ten francs, a good deal. Better--better--"

"Good--you say? Ten sheeling--" The driver muttered and muttered, as if dissatisfied. But as a matter of fact he stowed the note in his waistcoat pocket with considerable satisfaction, looked at Aaron curiously, and drove away.

Aaron stood there in the dark outside the big gates, and wished himself somewhere else. However, he rang the bell. There was a huge barking of dogs on the other side. Presently a light switched on, and a woman, followed by a man, appeared cautiously, in the half-opened doorway.

"Sir William Franks?" said Aaron.

"Si, signore."

And Aaron stepped with his two bags inside the gate. Huge dogs jumped round. He stood in the darkness under the trees at the foot of the park. The woman fastened the gate--Aaron saw a door--and through an uncurtained window a man writing at a desk--rather like the clerk in an hotel office. He was going with his two bags to the open door, when the woman stopped him, and began talking to him in Italian. It was evident he must not go on. So he put down the bags. The man stood a few yards away, watchfully.

Aaron looked down at the woman and tried to make out something of what she was saying, but could not. The dogs still barked spasmodically, drops fell from the tall, dark trees that rose overhead.

"Is Mr. Lilly here? Mr. Lilly?" he asked.

"Signor Lillee. No, Signore--"

And off the woman went in Italian. But it was evident Lilly was not at the house. Aaron wished more than ever he had not come, but had gone to an hotel.

He made out that the woman was asking him for his name--"Meester--?

Meester--?" she kept saying, with a note of interrogation.

"Sisson. Mr. Sisson," said Aaron, who was becoming impatient. And he found a visiting card to give her. She seemed appeased--said something about telephone--and left him standing.

The rain had ceased, but big drops were shaken from the dark, high trees. Through the uncurtained window he saw the man at the desk reach the telephone. There was a long pause. At length the woman came back and motioned to him to go up--up the drive which curved and disappeared under the dark trees.

"Go up there?" said Aaron, pointing.

That was evidently the intention. So he picked up his bags and strode forward, from out of the circle of electric light, up the curved drive in the darkness. It was a steep incline. He saw trees and the grass slopes. There was a tang of snow in the air.

Suddenly, up ahead, a brilliant light switched on. He continued uphill through the trees along the path, towards it, and at length, emerged at the foot of a great flight of steps, above which was a wide glass entrance, and an Italian manservant in white gloves hovering as if on the brink.

Aaron emerged from the drive and climbed the steps. The manservant came down two steps and took the little bag. Then he ushered Aaron and the big bag into a large, pillared hall, with thick Turkish carpet on the floor, and handsome appointments. It was spacious, comfortable and warm; but somewhat pretentious; rather like the imposing hall into which the heroine suddenly enters on the film.

Aaron dropped his heavy bag, with relief, and stood there, hat in hand, in his damp overcoat in the circle of light, looking vaguely at the yellow marble pillars, the gilded arches above, the shadowy distances and the great stairs. The butler disappeared--reappeared in another moment--and through an open doorway came the host. Sir William was a small, clean old man with a thin, white beard and a courtly deportment, wearing a black velvet dinner jacket faced with purple silk.

"How do you do, Mr. Sisson. You come straight from England?"

Sir William held out his hand courteously and benevolently, smiling an old man's smile of hospitality.

"Mr. Lilly has gone away?" said Aaron.

"Yes. He left us several days ago."

Aaron hesitated.

"You didn't expect me, then?"

"Yes, oh, yes. Yes, oh, yes. Very glad to see you--well, now, come in and have some dinner--"

At this moment Lady Franks appeared--short, rather plump, but erect and definite, in a black silk dress and pearls round her throat.

"How do you do? We are just at dinner," she said. "You haven't eaten?

No--well, then--would you like a bath now, or--?"

It was evident the Franks had dispensed much hospitality: much of it charitable. Aaron felt it.

"No," he said. "I'll wash my hands and come straight in, shall I?"

"Yes, perhaps that would be better--"

"I'm afraid I am a nuisance."