"Do--do!"

"In the morning, to lunch, and to spend a long day."

Suddenly she remembered the Marchesino and the sound of his voice when he had spoken of his friend.

"Lunch?" she said.

Instantly he caught her hesitation, her dubiety.

"It isn't convenient, perhaps?"

"Perfectly, only--only the Marchesino is coming."

"To-morrow--To lunch?"

The hardness of the Marchesino's voice was echoed now in the voice of Artois. There was antagonism between these men. Hermione realized it.

"Yes. I invited him this evening."

There was a slight pause. Then Artois said:

"I'll come some other day, Hermione. Well, my friend, au revoir, and bon voyage to the island."

His voice had suddenly become cold, and he signed to his boatman.

"Avanti!"

The boat slipped away and was lost in the darkness.

Hermione had said nothing. Once again--why, she did not know--her friend had made her feel guilty.

Andrea, the boatman, still paused. Now she saw him staring into her face, and she felt like a woman publicly deserted, almost humiliated.

"Avanti, Andrea!" she said.

Her voice trembled as she spoke.

He bent to his oars and rowed on.

And man is the nomad, and the camel--and the desert.

Yes, she carried the desert within her, and she was wandering in it alone. She saw herself, a poor, starved, shrinking figure, travelling through a vast, a burning, a waterless expanse, with an iron sky above her, a brazen land beneath. She was in rags, barefoot, like the poorest nomad of them all.

But even the poorest nomad carries something.

Against her breast, to her heart, she clasped--a memory--the sacred memory of him who had loved her, who had taken her to be his, who had given her himself.

CHAPTER XX

That night when Hermione drew near to the island she saw the Saint's light shining, and remembered how, in the storm, she had longed for it--how, when she had seen it above the roaring sea, she had felt that it was a good omen. To-night it meant nothing to her. It was just a lamp lit, as a lamp might be lit in a street, to give illumination in darkness to any one who pa.s.sed. She wondered why she had thought of it so strangely.

Gaspare met her at the landing. She noticed at once a suppressed excitement in his manner. He looked at Andrea keenly and suspiciously.

"How late you are, Signora!"

He put out his strong arm to help her to the land.

"Am I, Gaspare? Yes, I suppose I am--you ought all to be in bed."

"I should not go to bed while you were out, Signora."

Again she linked Gaspare with her memory, saw the nomad not quite alone on the journey.

"I know."

"Have you been to Naples, Signora?"

"No--only to--"

"To Mergellina?"

He interrupted her almost sharply.

"No, to the Scoglio di Frisio. Pay the boatman this, Gaspare.

Good-night, Andrea."

"Good-night, Signora."

Gaspare handed the man his money, and at once the boat set out on its return to Posilipo.

Hermione stood at the water's edge watching its departure. It pa.s.sed below the Saint, and the gleam of his light fell upon it for a moment.

In the gleam the black figure of Andrea was visible stooping to the water. He was making the fishermen's sign of the Cross. The cross on Peppina's face--was it an enemy of the Cross that carried with it San Francesco's blessing? Vere's imagination! She turned to go up to the house.

"Is the Signorina in bed yet, Gaspare?"

"No, Signora."

"Where is she? Still out?"

"Si, Signora."

"Did she think I was lost?"

"Signora, the Signorina is on the cliff with Ruffo."

"With Ruffo?"