LETTER VIII.

Preparations for leaving-Paris.--Travelling arrangements.--Our Route.--The Chateau of Ecouen.--The _Croisee_.--Senlis.--Peronne.--Cambray.--Arrival at the Frontier.--Change in the National Character.--Mons.--Brussels.--A Fete.--The Picture Gallery.--Probable Part.i.tion of Belgium.

Dear ----,

We had been preparing for our summer excursion some time, but were unable to get away from Paris before the 18th of July. Our destination was undetermined, health and pleasure being the objects, though, a portion of our party having never seen Belgium, it was settled to visit that country in the commencement of the journey, let it end where it might The old caleche was repaired for the purpose, fitted with a new rumble to contain Francois and Jetty (the Saxon _femme de chambre_, hired in Germany), the _vache_ was crammed, sacks stowed, pa.s.sport signed, and orders were sent for horses. We are a little apt to boast of the facilities for travelling in America, and, certainly, so long as one can keep in the steam-boats or on the rail-roads, and be satisfied with mere velocity, no part of the world can probably compete with us, the distances considered; but we absolutely want the highest order of motion, which, I think, beyond all question, is the mode of travelling post. By this method, your privacy is sacred, you are master of your own hours, going where you please, and stopping when you please; and, as for speed, you can commonly get along at the rate of ten miles in the hour, by paying a trifle in addition, or you can go at half that rate should it better suit your humour. A good servant and a good carriage are indispensable, and both are to be had at very reasonable rates, in this part of the world.

I never felt the advantage of this mode of travelling, and I believe we have now tried nearly all the others, or the advantages of the Parisian plan of living, so strongly as on the present occasion. Up to the last moment, I was undecided by what route to travel. The furniture of the apartment was my own, and it was our intention to return to Paris, to pa.s.s the winter. The luggage had been stowed early in the morning, the carriage was in the court ready to hook on, and at ten we sat down quietly to breakfast, as usual, with scarcely a sign of movement about us. Like old campaigners, the baggage had been knowingly reduced to the very minimum admissible, no part of the furniture was deranged, but everything was in order, and you may form some idea of the facilities, when you remember that this was the condition of a family of strangers, that in half an hour was to start on a journey of several months'

duration, to go--they knew not whither.

A few minutes before ten, click-clack, click-clack, gave notice of the approach of the post-horses. The _porte-cochere_ opened, and two votaries of the old-fashioned boot enter, each riding one and leading another horse. All this is done quietly, and as a matter of course; the cattle are put before the carriage without a question being asked, and the two liveried roadsters place themselves by the sides of their respective beasts. In the mean time, we had entered the caleche, said adieu to the cook, who was left in charge of the apartment, a trust that might, however, equally well have been confided to the porter, kissed our hands to the family of M. de V----, and the other inmates of the hotel, who crowded the windows to see us off. Up to this moment, I had not decided even by what road to travel! The pa.s.sport had been taken out for Brussels, and last year, you may recollect, we went to that place by Dieppe, Abbeville, Douay, and Arras. The "Par quelle route, monsieur?"

of the postilion that rode the wheel-horse, who stood with a foot in the stirrup, ready to get up, brought me to a conclusion. "A St. Denis!" the question compelling a decision, and all my doubts terminating, as doubts are apt to terminate, by taking the most beaten path.

The day was cool and excessively windy, while the thermometer had stood the previous afternoon but one, at 93, in the shade. We were compelled to travel with the carriage-windows closed, the weather being almost wintry. As we drove through the streets, the common women cried after us, "They are running away from the cholera;" an accusation that we felt we did not merit, after having stood our ground during the terrible months of April and May. But popular impulses are usually just as undiscriminating as the favouritism of the great: the mistake is in supposing that one is any better than the other.

When we had reached the city where the Kings of France are buried, it was determined to sleep at Senlis, which was only four posts further, the little town that we visited with so much satisfaction in 1827. This deviation from the more direct road led us by Gonesse, and through a district of grain country, that is less monotonous than most of the great roads that lead from Paris. We got a good view of the chateau of Ecouen, looking vast and stately, seated on the side of a distant hill.

I do not know into whose hands this princely pile has fallen since the unhappy death of the last of the Condes, but it is to be hoped into those of the young Duc D'Aumale, for I believe he boasts the blood of the Montmorencies, through some intermarriage or other; and if not, he comes, at least, of a line accustomed to dwell in palaces. I do not like to see these historical edifices converted into manufactories, nor am I so much of a modern utilitarian as to believe the poetry of life is without its correcting and useful influences. Your cold, naked utilitarian, holds a sword that bruises as well as cuts; and your sneaking, trading aristocrat, like the pickpocket who runs against you in the crowd before he commits his theft, one that cuts as well as bruises.

We were at Ecouen not long before the death of its last possessor, and visited its wide but untenanted halls with strong interest. The house was first erected by some Montmorency, or other, at or near the time of the crusades, I believe; though it has been much altered since. Still it contains many curious vestiges of the taste of that remote age. The old domestic who showed us through the building was as quaint a relic as anything about the place. He had accompanied the family into exile, and pa.s.sed many years with them in England. In courtesy, respect, and delicate attention, he would have done credit to the court of Louis XIV; nor was his intelligence unworthy of his breeding. This man, by the way, was the only Frenchman whom I ever knew address an Englishman (or, as in my case, one whom he mistook for an Englishman), by the old appelation of _milord_. The practice is gone out, so far as my experience extends.

I remember to have learned from this courteous old servant, the origin of the common term _croisee_, which is as often used in large houses as that of _fenetre_. At the period when every man's heart and wishes were bound up in the excitement and enterprise of the crusades, and it was thought that heaven was to be entered sword in hand, the cross was a symbol used as a universal ornament. Thus the aperture for a window was left in the wall, and a stone cross erected in the centre. The several compartments in the cas.e.m.e.nts came from the shape of the cross, and the term _croisee_ from _croix_. All this is plain enough, and perhaps there are few who do not know it; but gazing at the ornaments of Ecouen, my eyes fell on the doors, where I detected crosses in the most familiar objects. There is scarcely a panelled door, twenty years old, in all America, that does not bear this evidence of the zeal, and, if you will, the superst.i.tion of those distant ages! The form of the door is made by the exterior stile; a cross is then built within it, and the open s.p.a.ces are filled with panels, as, in the case of the window, it is filled with the sash. The exact.i.tude of the form, the antiquity of the practice, its obvious connexion with the common feeling, and the inability to account for the usage in any other way, leave no doubt, in my mind, of its origin, though I do not remember to have ever met with such an account of it, in any author. If this conjecture be true, we Protestants, while fastidiously, not to say foolishly, abstaining from the use of a symbol that prejudice has led us to think peculiarly unsuited to our faith, have been unconsciously living with it constantly before our eyes. But the days of puritan folly and puritan vice (there is nothing more vicious than self-righteousness, and the want of charity it engenders) are numbered, and men are beginning to distinguish between the exaggerations of fanaticism and the meek toleration of pure Christianity. I can safely say that the lowest, the most degraded, and the most vulgar wickedness, both as to tone and deed, and the most disordered imaginations, that it has ever been my evil fortune to witness, or to a.s.sociate with, was met with at school, among the sons of those pious forefathers, who fancied they were not only saints themselves, but that they also were to be the progenitors of long lines of saints. It is a melancholy truth, that a gentleman-like training does more for the suppression of those abominations than all the dogmas that the pilgrims have imported into the country.

We reached Senlis in time for dinner, and while the repast was getting ready, we strolled through the place, in order to revive the sensations with which we had visited it five years before. But, alas! these are joys, which, like those of youth are not renewable at pleasure. I could hardly persuade myself it was the same town. The walls, that I had then fancied lined with the men-at-arms of the Charleses of France, and the English Henries and Edwards, had now lost all their peculiarities, appearing mean and common-place; and as to the gate, from which we had almost heard the trumpets of the heralds, and the haughty answer to a bold summons of surrender, we absolutely had difficulty in persuading ourselves that we had found it at all. Half Europe had been roamed over since the time when, fresh from America, we made the former visit, predisposed to gaze with enthusiasm at every relic of a former age and a different state of society.

If we were disagreeably disappointed in the antiquities of the town, we were as agreeably disappointed in the inn. It was clean, gave us a good dinner, and, as almost invariably proves to be the case in France, also gave us good beds. I do not remember ever to have been more fatigued than by the five posts between Paris and this place. The uneven _paves_, the random and careless driving of the postillions, with whom it is a point of honour to gallop over the broken streets of the villages, besides having a strong fellow-feeling for the smiths, always makes the eight or ten posts nearest to Paris, much the most disagreeable part of a journey to or from the French capital.

We dined at six, exhausted the curiosities of Senlis, and went to bed by daylight!

The next morning was fresh and bland, and I walked ahead of the carriage. A wood-cutter was going to the forests to make f.a.ggots, and we fell into discourse. This man a.s.sured me that he should get only ten sous for his day's work! The view of the princ.i.p.al church-tower of Senlis as beautiful, and, in a slight degree, it carried the mind back to the fifteenth century.

You have travelled to and from Paris with me so often, that I can only add we found the same fatiguing monotony, on this occasion, as on all the others. We reached Peronne early, and ordered beds. Before dinner we strolled around the ramparts, which are pleasant of themselves though the place stands in a marsh, which renders its position not only strong, but strongly disagreeable. We endeavoured in vain to find some features to revive the pictures of "Quentin Durward." There was no sign of a soldier in the place, though barracks were building. The French are evidently less jealous of this frontier, than of that on the east, or the one next the Austrians.

The next morning we breakfasted at Cambray. Here we found a garrison, and considerable activity. The citadel is well placed, and the esplanade is a pretty walk. We visited the cathedral, which contains a monument to Fenelon, by our friend David. We were much gratified by this work, which ranks among his best. Near Valenciennes we broke a tire, and were detained two hours. Here the garrison was still stronger, the place in better condition, and the troops mounted guard with their marching accoutrements about them; all of which, I presume, was owing to the fact, that this is the last fortified town on the road. We did not get to the frontier until seven, and the French postilions broke another bolt before we got fairly rid of them, compelling us to wait an hour to have it mended. We were now in a low wet country, or one perfectly congenial to cholera; it was just the hour when the little demons of miasma are said to be the most active, and to complete the matter, we learned that the disease was in the village. The carriage-windows were closed, while I walked about, from door to door, to pacify uneasiness by curiosity. Use, however, had made us all tolerably indifferent, and little P---- settled the matter by remarking it was nothing after all, for here only two or three died daily, while at Paris there had been a thousand! Older heads than his, often take material facts more in a lump than this.

The change in the national character is so evident, immediately on crossing into Belgium, as to occasion surprise. The region was, at no remote period, all Flanders. The same language is still spoken, the same religion professed in both countries, and yet a certain secret moral influence appears to have extended itself from the capital of each country, until they have met on the frontier, where both have been arrested within their proper geographical limits. We had come into this village on a gallop, driven with the lighthearted _etourderie_ of French vanity, and we left it gravely, under the guidance of postilions who philosophically smoked, as their cattle trotted along like elephants.

It was quite late when we reached Mons, where we found a good house, of unexceptionable neatness: of course we were in no haste to quit it the next day. The distance to Brussels was so short that we took it leisurely, reaching the Hotel de l'Europe at three. It was a fete, on account of the anniversary of the arrival of Leopold, who had now reigned just a twelvemonth. He pa.s.sed our window, while we were still at table, on his way to the theatre. The royal cortege was not very brilliant, consisting of four carriages, each drawn by two horses, which, by the way, are quite enough for any coachman to manage, in descending the formidable hill that leads from the great square.

You have now been with me three times, in Brussels, and I shall not go over the old ground again. We revisited some of the more prominent places of interest, and went to a few others that were neglected on former occasions. Among the rest we took a look at the public picture-gallery, which greatly disappointed us. The Flemish school naturally awakened our expectations, but a fine Gerard Douw and a few other old paintings were all that struck us, and as a whole, we gave a preference to the paintings of the present day.

The King appears to be personally popular, even those who have no faith in the duration of the present order of things, and who politically are his opponents, speaking well of him. The town has but few strangers, though the presence of a court renders it a little more gay than it was last year. The aspect of everything is gloomy, for the country may be again engaged in a war of existence, in a week. Many still think the affair will end in a part.i.tion; France, Prussia, and Holland getting the princ.i.p.al shares. I make no doubt that everybody will profit more by the change than they who brought it about.

LETTER IX.

Malines.--Its Collection of Pictures.--Antwerp.--The Cathedral.--A Flemish Quack.--Flemish Names.--The Picture Gallery at Antwerp.--Mr.

Wapper's Carvings in Wood.--Mr. Van Lankeren's Pictures.--The Boulevards at Brussels.--Royal Abodes.--Palace of the Prince of Orange.--Prince Auguste d'Ahremberg's Gallery of Pictures.--English Ridicule of America.

Dear ----,

After a consultation with Francois, I sent the carriage to get a set of entirely new wheels, Brussels being a coach-making town, and taking a _voiture de remise_, we drove down to Antwerp. While the horses rested, we looked at the pictures in Malines. The "Miraculous Draught of Fishes"

is thought by many to be the chef-d'oeuvre of Rubens, but, after conceding it a hardy conception and magnificent colouring, I think one finds too much of the coa.r.s.e mannerism of the artist, even for such a subject. The most curious part of the study of the different schools is to observe how much all have been influenced by external objects, and how completely conventional, after all, the _beau ideal_ of an artist necessarily becomes. It would be impossible, for one who knew the several countries, to mistake the works of Murillo, Rubens, or Raphael, for the works of artists of different schools, and this without reference to their peculiar manners, but simply as Flemings, Spaniards, and Italians. Rubens, however, is, I think, a little apt to out-Dutch the Dutch. He appears to me to have delighted in the coa.r.s.e, while Raphael revelled in the pretty. But Raphael could and often did step out of himself and rise to the grand; and then he was perfect, because his grandeur was chastened.

We reached Antwerp some time before dinner. The situation of the town was singular, the Dutch holding the citadel; the place, which was peopled by their enemies, as a matter of course, lying quite at their mercy. The road from Brussels is partly commanded by them, and we saw their flag rising out of the low mounds--for in Flanders the art of fortifying consists in burrowing as deep as possible--as we approached the town. Several Dutch gun-boats were in the river, off the town, and, in the reaches of the Scheldt below, we got glimpses of divers frigates and corvettes, riding at anchor. As an offset to the works of their enemies, the Belgians had made a sort of entrenched camp, by enclosing the docks with temporary ramparts, the defences of the town aiding them, in part, in effecting their object.

One of our first visits was to the cathedral. This beautiful edifice had escaped without material damage from the recent conflicts, though the garrison of the citadel have thrown a few shots at its tower, most probably with a view to drive curious eyes out of it, the great height enabling one to get a complete bird's-eye view of what is going on within their walls. The celebrated Rubenses were cased in ma.s.sive timber to render them bomb-proof, and, of course, were invisible.

Processions of peasants were pa.s.sing from church to church, the whole day, to implore succour against the cholera, which, by the way, and contrary to all rule for a low and moist country, is said to be very light here. The Flemings have the reputation of being among the most bigoted Catholics, and the most ignorant population of Europe. This accounts, in some measure, for the existence of the latter quality among the first inhabitants of New York, most of whom were from Flanders, rather than from Holland. I have found many of our names in Antwerp, but scarcely one in Holland. The language at home, too, is much nearer the Flemish than the Dutch; though it is to be presumed that there must have been some colonists from Holland, in a province belonging to that nation. I listened to-day to a fellow vending quack medicines and vilely printed legends, to a song which, tune and all, I am quite sure to have heard in Albany, when a schoolboy. The undeviating character and habits of the people, too, appear to be very much like those which existed among ourselves, before the influx of eastern emigration swallowed up everything even to the _suppan_. I remember to have heard this same quack singing this same song, in the very same place in June, 1828, when we first visited Antwerp. The effect was exceedingly ludicrous, for it seemed to me, that the fellow had been occupying the same spot, employed in the same pursuits, for the last five years, although the country had been revolutionized. This is also a little characteristic, for some of our own Communipaws are said to believe we are still the property of the United Provinces.

The Flemish language has many words that are French in the spelling, but which have entirely different meanings, representing totally different things or ideas. _De_ is one. In French this word, p.r.o.nounced _der_, without dwelling on the last letter, is a preposition generally meaning "of." Before a name, without being incorporated with it, it is an invariable sign of n.o.bility, being even frequently affixed, like the German _von_, to the family name, on attaining that rank. In Flemish it is an article, and is p.r.o.nounced precisely as a Dutchman is apt to p.r.o.nounced _the_, meaning the same. Thus De Witt, means _the_ White, or White; the Flemings using the article to express things or qualities in the abstract, like the French. Myn Heer De Witt is just the same as Monsieur le Blanc, or Monsieur Du Bois, in French; one of which means Monsieur White, and the other Monsieur Wood. So nearly does this language resemble the English, that I have repeatedly comprehended whole sentences, in pa.s.sing through the streets. Now in New York, we used to think the Dutch had become corrupted by the English, but I fancy that the corruption has been just the other way.

We had made the acquaintance of a Flemish artist of extraordinary merit, at Paris; and this gentleman (Mr. Wappers) kindly called this morning to take us to see the gallery. The collection is not particularly large, nor is it rich in cabinet pictures, being chiefly composed of altar-pieces taken from churches. The works are princ.i.p.ally those of Rubens, Vand.y.k.e, and a few of the older masters. The Vand.y.k.es, I think, are the best. On the whole, it struck me there were more curious than pleasing pictures in this gallery, although they are all valuable as belonging to a school. The study of the "Descent from the Cross" is among them, and it gave me more pleasure than anything else. Vand.y.k.e certainly rose in our estimation, after this close comparison with his great rival: he is altogether more human than Rubens, who is a sort of Dutch giant in the art; out of the natural proportions, and always a giant.

Mr. Wappers permitted us to see his own painting-room. He is of the school of the great Flemish masters, and, I think, quite at the head of his profession, in many of its leading points. It was curious to trace in the works of this young artist the effects of having Rubens and Vand.y.k.e constantly before him, corrected by the suggestions of his own genius. His style is something between the two; broader and bolder than Vand.y.k.e, and less robust than Rubens.

We went the round of the churches, for, if Italy be the land of marbles, Belgium is, or rather has been, the very paradise of those who carved in wood. I have seen more delicate and highly-finished works of this sort, in a small way, in other countries; as in the high reliefs of Santa Maria della Salute, at Venice; but nowhere else is so much attempted, or, indeed, so much achieved in this branch of art, as here. Many of the churches are quite surrounded by oak confessionals that are highly and allegorically ornamented; though, in general, the pulpits contain the most elaborate designs, and the greatest efforts of this curious work.

One at Brussels has the Conversion of St. Paul, horse, rider and all, larger than life. The whole is well wrought, even to the expression. But the best specimens of carving in wood that I remember, were a few figures over the door of an hospital that we saw in 1828, though I now forget whether it was at Gorc.u.m or at Breda. One often sees statuary of great pretension and a wide-spread reputation, that is wanting in the nature, simplicity, and repose of these figures.

We went to see a collection of pictures owned by Mr. Van Lankeren. It is a very fine gallery, but there are few paintings by very great artists.

A Van der Heyden (an old New York name, by the way), surpa.s.sed anything I know, in its atmosphere. Poussin, and our own artist Cole, excel in this high merit, but this picture of Van der Heyden has a cold, gray transparency that seems actually to have transferred a Dutch atmosphere to the canva.s.s.

We returned to Brussels in time to dine. At Malines I stood with admiration beneath the great tower, which possesses a rare majesty. Had it been completed according to the original plan, I believe it would have been the highest church-tower in Europe. In the evening we had a call from Mr. and Mrs. ----, and made an appointment to visit the palace of the Prince of Orange in the morning.

I was up betimes next day, and took a walk round the park, and on the upper boulevards. The injuries done in the fight have been, in some measure, repaired, but the place was deserted and melancholy. The houses line one side of the boulevards, the other being open to the fields, which are highly cultivated and unenclosed. This practice of cutting off a town like a cheese-paring is very common on the continent of Europe, and the effect is odd to those who are accustomed to straggling suburbs, as in America and England.

At ten we went to the palace, according to appointment. The royal abodes at Brussels are very plain edifices, being nothing more than long unbroken buildings, with very few external ornaments. This of the Prince of Orange stands in the park, near that of the King, and is a simple parallelogram with two gates. The princ.i.p.al apartments are in the same form, being an entire suite that are entered on one side and left on the other. There is great good taste and elegance in the disposition of the rooms. A few are rich, especially the _salle de bal_, which is really magnificent. The place was kept just as it had been left by its last occupants, Leopold, with good taste, not to say good feeling, religiously respecting their rights. A pair of gloves belonging to the princess were shown us, precisely on the spot where she had left them; and her shawls and toys were lying carelessly about, as if her return were momentarily expected. This is true royal courtesy, which takes thrones without remorse, while it respects the baubles.

This palace had many good pictures, and among others a Raphael. There was a Paul Potter or two, and a couple of pictures, in the same stile, as pendants, by a living artist of the name of Verboeckhoven, whose works sustained the comparison wonderfully well.

We were shown the window at which the robber entered who stole the jewels of the princess; an event that has given room to the enemies of the house of Na.s.sau to torture into an accusation of low guilt against her husband.[18] I have never met a gentleman here, who appeared to think the accusation worthy of any credit, or who treated it as more than the gossip of underlings, exaggerated by the agents of the press.

[Footnote 18: This affair of the jewels of the Princess of Orange is one proof, among many others, of the influence of the vilest portion of mankind over their fellow-creatures. It suited the convenience and views of some miscreant who pandered for the press (and the world is full of them), to throw out a hint that the Prince of Orange had been guilty of purloining the jewels to pay his gambling debts, and the ignorant, the credulous, and the wonder-mongers, believed a charge of this nature, against a frank and generous soldier! It was a charge, that, in the nature of things, could only be disproved by detecting the robber, and one that a prince and a gentleman would scarcely stoop to deny. Accident favoured the truth. The jewels have, oddly enough, been discovered in New York, and the robber punished. Now, the wretch who first started this groundless calumny against the Prince of Orange, belongs exactly to that school whose members impart to America more than half her notions of the distinguished men of Europe.]

From the palace of the Prince of Orange we went to the house of Prince Auguste d'Ahremberg, to see his collection. This is one of the best private galleries in Europe, though not particularly large. It is rich in the works of Teniers,[19] Woovermans, Both, Cuyp, Potter, Rembrandt, and the other masters of the country. Among others is a first-rate Gerard Douw (another New York name).

[Footnote 19: One hears of occasionally discovering good pictures in the streets, an event that actually once occurred to the writer. Shortly after the revolution of 1830, in pa.s.sing through the Carrousel, he bought a female portrait, that was covered with dirt, but not materially injured. Finding it beautifully painted, curiosity led him to question the man who had sold it. This person affirmed that it was a portrait of the wife of David Teniers painted by himself. He was not believed, of course, and the thing was forgotten, until two picture-dealers, who accidentally saw it, at different times, affirmed that it was by Teniers, though neither knew the original of the likeness. On examining the catalogues, the writer found that such a picture had existed in Paris, before the revolution, and that it was now lost. But this picture was square, while that was oval and much larger. The dealer was questioned again, on the appearance of the picture, without giving him any clue to the object, and he explained the matter at once, by saying that it had once been oval, but the canva.s.s getting an injury, he had reduced it to its present form. Since then, an engraving has been discovered that scarce leaves a doubt as to the originality of the portrait.]

I pa.s.sed the evening at the house of an English gentleman, where the master of the last-named gallery was one of the company. A guest, a Sir ----, amused me by the peculiarly _British_ manner in which he conveyed a few remarks on America. Speaking of a countrywoman of ours, who had lately been at Brussels, he said that she called standing up to dance, "taking the floor," and he was curious to know if it were a usual form of expression with us. I had to tell him, we said a horse "took the track," in racing, and as this lady came from a racing region, she might have used it, _con amore_, especially in the gallopade. Capt. ----, of the navy, once called out to the ladies of a quadrille to "shove off,"

when he thought the music had got the start of them; and it is lucky that this Sir ---- did not hear him, or he would have set it down at once as an Americanism. These people are constantly on the hunt for something peculiar and ridiculous in Americans, and make no allowance for difference in station, provincialisms, or traits of character.

Heaven knows that we are not so very original as to be thus ruthlessly robbed of any little individuality we may happen to possess.

LETTER X.

School System in America.--American Maps.--Leave Brussels.--Louvain.--Quarantine.--Liege.--The Soleil d'Or.--King Leopold and Brother.--Royal Intermarriages.--Environs of Liege.--The Cathedral and the Church of St. Jacques.--Ceremonies of Catholic Worship.--Churches of Europe.--Taverns of America.--Prayer in the Fields.--Scott's error as regards the Language spoken in Liege.--Women of Liege.--Illumination in honour of the King.