To answer that question well one must needs be artist and engineer, and I am neither. Moreover, one must employ words and phrases that do not exist, for this world still does not dream of the things that may be done with thought and steel, when the engineer is sufficiently educated to be an artist, and the artistic intelligence has been quickened to the accomplishment of an engineer. How can one write of these things for a generation which rather admires that inconvenient and gawky muddle of ironwork and Flemish architecture, the London Tower Bridge. When before this, temerarious antic.i.p.ators have written of the mighty buildings that might someday be, the ill.u.s.trator has blended with the poor ineffectual splutter of the author's words, his powerful suggestion that it amounted simply to something bulbous, florid and fluent in the vein of the onion, and L'Art Nouveau. But here, it may be, the ill.u.s.trator will not intervene.

Art has scarcely begun in the world.

There have been a few forerunners and that is all. Leonardo, Michael Angelo; how they would have exulted in the liberties of steel! There are no more pathetic doc.u.ments in the archives of art than Leonardo's memoranda. In these, one sees him again and again reaching out as it were, with empty desirous hands, towards the unborn possibilities of the engineer. And Durer, too, was a Modern, with the same turn towards creative invention. In our times these men would have wanted to make viaducts, to bridge wild and inaccessible places, to cut and straddle great railways athwart the mountain ma.s.ses of the world. You can see, time after time, in Durer's work, as you can see in the imaginary architectural landscape of the Pompeian walls, the dream of structures, lighter and bolder than stone or brick can yield.... These Utopian town buildings will be the realisation of such dreams.

Here will be one of the great meeting places of mankind. Here--I speak of Utopian London--will be the traditional centre of one of the great races in the commonalty of the World State--and here will be its social and intellectual exchange. There will be a mighty University here, with thousands of professors and tens of thousands of advanced students, and here great journals of thought and speculation, mature and splendid books of philosophy and science, and a glorious fabric of literature will be woven and shaped, and with a teeming leisureliness, put forth. Here will be stupendous libraries, and a mighty organisation of museums. About these centres will cl.u.s.ter a great swarm of people, and close at hand will be another centre, for I who am an Englishman must needs stipulate that Westminster shall still be a seat of world Empire, one of several seats, if you will--where the ruling council of the world a.s.sembles.

Then the arts will cl.u.s.ter round this city, as gold gathers about wisdom, and here Englishmen will weave into wonderful prose and beautiful rhythms and subtly atmospheric forms, the intricate, austere and courageous imagination of our race.

One will come into this place as one comes into a n.o.ble mansion.

They will have flung great arches and domes of gla.s.s above the wider s.p.a.ces of the town, the slender beauty of the perfect metal-work far overhead will be softened to a fairy-like unsubstantiality by the mild London air. It will be the London air we know, clear of filth and all impurity, the same air that gives our October days their unspeakable clarity and makes every London twilight mysteriously beautiful. We shall go along avenues of architecture that will be emanc.i.p.ated from the last memories of the squat temple boxes of the Greek, the buxom curvatures of Rome; the Goth in us will have taken to steel and countless new materials as kindly as once he took to stone. The gay and swiftly moving platforms of the public ways will go past on either hand, carrying sporadic groups of people, and very speedily we shall find ourselves in a sort of central s.p.a.ce, rich with palms and flowering bushes and statuary. We shall look along an avenue of trees, down a wide gorge between the cliffs of crowded hotels, the hotels that are still glowing with internal lights, to where the shining morning river streams dawnlit out to sea.

Great mult.i.tudes of people will pa.s.s softly to and fro in this central s.p.a.ce, beautiful girls and youths going to the University cla.s.ses that are held in the stately palaces about us, grave and capable men and women going to their businesses, children meandering along to their schools, holiday makers, lovers, setting out upon a hundred quests; and here we shall ask for the two we more particularly seek. A graceful little telephone kiosk will put us within reach of them, and with a queer sense of unreality I shall find myself talking to my Utopian twin. He has heard of me, he wants to see me and he gives me clear directions how to come to him.

I wonder if my own voice sounds like that.

"Yes," I say, "then I will come as soon as we have been to our hotel."

We indulge in no eloquence upon this remarkable occasion. Yet I feel an unusual emotional stir. I tremble greatly, and the telephonic mouthpiece rattles as I replace it.

And thence the botanist and I walk on to the apartments that have been set aside for us, and into which the poor little rolls of the property that has acc.u.mulated about us in Utopia, our earthly raiment, and a change of linen and the like, have already been delivered. As we go I find I have little to say to my companion, until presently I am struck by a transitory wonder that he should have so little to say to me.

"I can still hardly realise," I say, "that I am going to see myself--as I might have been."

"No," he says, and relapses at once into his own preoccupation.

For a moment my wonder as to what he should be thinking about brings me near to a double self-forgetfulness.

I realise we are at the entrance of our hotel before I can formulate any further remark.

"This is the place," I say.

CHAPTER THE EIGHTH

My Utopian Self

Section 1

It falls to few of us to interview our better selves. My Utopian self is, of course, my better self--according to my best endeavours--and I must confess myself fully alive to the difficulties of the situation. When I came to this Utopia I had no thought of any such intimate self-examination.

The whole fabric of that other universe sways for a moment as I come into his room, into his clear and ordered work-room. I am trembling.

A figure rather taller than myself stands against the light.

He comes towards me, and I, as I advance to meet him, stumble against a chair. Then, still without a word, we are clasping hands.

I stand now so that the light falls upon him, and I can see his face better. He is a little taller than I, younger looking and sounder looking; he has missed an illness or so, and there is no scar over his eye. His training has been subtly finer than mine; he has made himself a better face than mine.... These things I might have counted upon. I can fancy he winces with a twinge of sympathetic understanding at my manifest inferiority. Indeed, I come, trailing clouds of earthly confusion and weakness; I bear upon me all the defects of my world. He wears, I see, that white tunic with the purple band that I have already begun to consider the proper Utopian clothing for grave men, and his face is clean shaven. We forget to speak at first in the intensity of our mutual inspection. When at last I do gain my voice it is to say something quite different from the fine, significant openings of my premeditated dialogues.

"You have a pleasant room," I remark, and look about a little disconcerted because there is no fireplace for me to put my back against, or hearthrug to stand upon. He pushes me a chair, into which I plump, and we hang over an immensity of conversational possibilities.

"I say," I plunge, "what do you think of me? You don't think I'm an impostor?"

"Not now that I have seen you. No."

"Am I so like you?"

"Like me and your story--exactly."

"You haven't any doubt left?" I ask.

"Not in the least, since I saw you enter. You come from the world beyond Sirius, twin to this. Eh?"

"And you don't want to know how I got here?"

"I've ceased even to wonder how I got here," he says, with a laugh that echoes mine.

He leans back in his chair, and I in mine, and the absurd parody of our att.i.tude strikes us both.

"Well?" we say, simultaneously, and laugh together.

I will confess this meeting is more difficult even than I antic.i.p.ated.

Section 2

Our conversation at that first encounter would do very little to develop the Modern Utopia in my mind. Inevitably, it would be personal and emotional. He would tell me how he stood in his world, and I how I stood in mine. I should have to tell him things, I should have to explain things----.

No, the conversation would contribute nothing to a modern Utopia.

And so I leave it out.

Section 3

But I should go back to my botanist in a state of emotional relaxation. At first I should not heed the fact that he, too, had been in some manner stirred. "I have seen him," I should say, needlessly, and seem to be on the verge of telling the untellable.

Then I should fade off into: "It's the strangest thing."

He would interrupt me with his own preoccupation. "You know," he would say, "I've seen someone."

I should pause and look at him.

"She is in this world," he says.

"Who is in this world?"

"Mary!"