Needless to say, George did not approve of the dancing class; and let it be known, both by words and deeds, that he was there under protest.

Nor did he regard with favour Honora's triumphal progress, but sat in a corner with several congenial spirits whose feelings ranged from scorn to despair, commenting in loud whispers upon those of his sex to whom the terpsichorean art came more naturally. Upon one Algernon Cartwright, for example, whose striking likeness to the Van Dyck portrait of a young king had been more than once commented upon by his elders, and whose velveteen suits enhanced the resemblance. Algernon, by the way, was the favourite male pupil of Mr. Meeker; and, on occasions, Algernon and Honora were called upon to give exhibitions for the others, the sight of which filled George with contemptuous rage. Algernon danced altogether too much with Honora,--so George informed his cousin.

The simple result of George's protests was to make Honora dance with Algernon the more, evincing, even at this period of her career, a commendable determination to resent dictation. George should have lived in the Middle Ages, when the spirit of modern American womanhood was as yet unborn. Once he contrived, by main force, to drag her out into the hall.

"George," she said, "perhaps, if you'd let me alone perhaps I'd like you better."

"Perhaps," he retorted fiercely, "if you wouldn't make a fool of yourself with those mother's darlings, I'd like you better."

"George," said Honora, "learn to dance."

"Never!" he cried, but she was gone. While hovering around the door he heard Mrs. Hayden's voice.

"Unless I am tremendously mistaken, my dear," that lady was remarking to Mrs. Dwyer, whose daughter Emily's future millions were powerless to compel youths of fourteen to dance with her, although she is now happily married, "unless I am mistaken, Honora will have a career. The child will be a raving beauty. And she has to perfection the art of managing men."

"As her father had the art of managing women," said Mrs. Dwyer. "Dear me, how well I remember Randolph! I would have followed him to--to Cheyenne."

Mrs. Hayden laughed. "He never would have gone to Cheyenne, I imagine,"

she said.

"He never looked at me, and I have reason to be profoundly thankful for it," said Mrs. Dwyer.

Virginia Hayden bit her lip. She remembered a saying of Mrs. Brice, "Blessed are the ugly, for they shall not be tempted."

"They say that poor Tom Leffingwell has not yet finished paying his debts," continued Mrs. Dwyer, "although his uncle, Eleanor Hanbury's father, cancelled what Randolph had had from him in his will. It was twenty-five thousand dollars. James Hanbury, you remember, had him appointed consul at Nice. Randolph Leffingwell gave the impression of conferring a favour when he borrowed money. I cannot understand why he married that penniless and empty-headed beauty."

"Perhaps," said Mrs. Hayden, "it was because of his ability to borrow money that he felt he could afford to."

The eyes of the two ladies unconsciously followed Honora about the room.

"I never knew a better or a more honest woman than Mary Leffingwell, but I tremble for her. She is utterly incapable of managing that child. If Honora is a complicated mechanism now, what will she be at twenty? She has elements in her which poor Mary never dreamed of. I overheard her with Emily, and she talks like a grown-up person."

Mrs. Hayden's dimples deepened.

"Better than some grown-up women," she said. "She sat in my room while I dressed the other afternoon. Mrs. Leffingwell had sent her with a note about that French governess. And, by the way, she speaks French as though she had lived in Paris."

Little Mrs. Dwyer raised her hands in protest.

"It doesn't seem natural, somehow. It doesn't seem exactly--moral, my dear."

"Nonsense," said Mrs. Hayden. "Mrs. Leffingwell is only giving the child the advantages which her companions have--Emily has French, hasn't she?"

"But Emily can't speak it--that way," said Mrs. Dwyer. "I don't blame Mary Leffingwell. She thinks she is doing her duty, but it has always seemed to me that Honora was one of those children who would better have been brought up on bread and butter and jam."

"Honora would only have eaten the jam," said Mrs. Hayden. "But I love her."

"I, too, am fond of the child, but I tremble for her. I am afraid she has that terrible thing which is called temperament."

George Hanbury made a second heroic rush, and dragged Honora out once more.

"What is this disease you've got?" he demanded.

"Disease?" she cried; "I haven't any disease."

"Mrs Dwyer says you have temperament, and that it is a terrible thing."

Honora stopped him in a corner.

"Because people like Mrs. Dwyer haven't got it," she declared, with a warmth which George found inexplicable.

"What is it?" he demanded.

"You'll never know, either, George," she answered; "it's soul."

"Soul!" he repeated; "I have one, and its immortal," he added promptly.

In the summer, that season of desolation for Honora, when George Hanbury and Algernon Cartwright and other young gentlemen were at the seashore learning to sail boats and to play tennis, Peter Erwin came to his own.

Nearly every evening after dinner, while the light was still lingering under the shade trees of the street, and Aunt Mary still placidly sewing in the wicker chair on the lawn, and Uncle Tom making the tour of flowers with his watering pot, the gate would slam, and Peter's tall form appear.

It never occurred to Honora that had it not been for Peter those evenings would have been even less bearable than they were. To sit indoors with a light and read in a St. Louis midsummer was not to be thought of. Peter played backgammon with her on the front steps, and later on--chess. Sometimes they went for a walk as far as Grand Avenue.

And sometimes when Honora grew older--she was permitted to go with him to Uhrig's Cave. Those were memorable occasions indeed!

What Saint Louisan of the last generation does not remember Uhrig's Cave? nor look without regret upon the thing which has replaced it, called a Coliseum? The very name, Uhrig's Cave, sent a shiver of delight down one's spine, and many were the conjectures one made as to what might be enclosed in that half a block of impassible brick wall, over which the great trees stretched their branches. Honora, from comparative infancy, had her own theory, which so possessed the mind of Edith Hanbury that she would not look at the wall when they passed in the carriage. It was a still and sombre place by day; and sometimes, if you listened, you could hear the whisperings of the forty thieves on the other side of the wall. But no one had ever dared to cry "Open, Sesame!"

at the great wooden gates.

At night, in the warm season, when well brought up children were at home or at the seashore, strange things were said to happen at Uhrig's Cave.

Honora was a tall slip of a girl of sixteen before it was given her to know these mysteries, and the Ali Baba theory a thing of the past. Other theories had replaced it. Nevertheless she clung tightly to Peter's arm as they walked down Locust Street and came in sight of the wall. Above it, and under the big trees, shone a thousand glittering lights: there was a crowd at the gate, and instead of saying, "Open, Sesame," Peter slipped two bright fifty-cent pieces to the red-faced German ticketman, and in they went.

First and most astounding of disillusions of passing childhood, it was not a cave at all! And yet the word "disillusion" does not apply. It was, after all, the most enchanting and exciting of spots, to make one's eye shine and one's heart beat. Under the trees were hundreds of tables surrounded by hovering ministering angels in white, and if you were German, they brought you beer; if American, ice-cream. Beyond the tables was a stage, with footlights already set and orchestra tuning up, and a curtain on which was represented a gentleman making decorous love to a lady beside a fountain. As in a dream, Honora followed Peter to a table, and he handed her a programme.

"Oh, Peter," she cried, "it's going to be 'Pinafore'!"

Honora's eyes shone like stars, and elderly people at the neighbouring tables turned more than once to smile at her that evening. And Peter turned more than once and smiled too. But Honora did not consider Peter.

He was merely Providence in one of many disguises, and Providence is accepted by his beneficiaries as a matter of fact.

The rapture of a young lady of temperament is a difficult thing to picture. The bird may feel it as he soars, on a bright August morning, high above amber cliffs jutting out into indigo seas; the novelist may feel it when the four walls of his room magically disappear and the profound secrets of the universe are on the point of revealing themselves. Honora gazed, and listened, and lost herself. She was no longer in Uhrig's Cave, but in the great world, her soul a-quiver with harmonies.

"Pinafore," although a comic opera, held something tragic for Honora, and opened the flood-gates to dizzy sensations which she did not understand. How little Peter, who drummed on the table to the tune of:

"Give three cheers and one cheer more For the hearty captain of the Pinafore,"

imagined what was going on beside him! There were two factors in his pleasure; he liked the music, and he enjoyed the delight of Honora.

What is Peter? Let us cease looking at him through Honora's eyes and taking him like daily bread, to be eaten and not thought about. From one point of view, he is twenty-nine and elderly, with a sense of humour unsuspected by young persons of temperament. Strive as we will, we have only been able to see him in his role of Providence, or of the piper.

Has he no existence, no purpose in life outside of that perpetual gentleman in waiting? If so, Honora has never considered it.

After the finale had been sung and the curtain dropped for the last time, Honora sighed and walked out of the garden as one in a trance.

Once in a while, as he found a way for them through the crowd, Peter glanced down at her, and something like a smile tugged at the corners of a decidedly masculine mouth, and lit up his eyes. Suddenly, at Locust Street, under the lamp, she stopped and surveyed him. She saw a very real, very human individual, clad in a dark nondescript suit of clothes which had been bought ready-made, and plainly without the bestowal of much thought, on Fifth Street. The fact that they were a comparative fit was in itself a tribute to the enterprise of the Excelsior Clothing Company, for Honora's observation that he was too long one way had been just. He was too tall, his shoulders were too high, his nose too prominent, his eyes too deep-set; and he wore a straw hat with the brim turned up.