I will give an instance (merely to ill.u.s.trate my thesis of unreality) from the paper that I know best. Here is a simple story, a little episode in the life of a journalist, which may be amusing and instructive: the tale of how I made a great mistake in quotation. There are really two stories: the story as seen from the outside, by a man reading the paper; and the story seen from the inside, by the journalists shouting and telephoning and taking notes in shorthand through the night.

This is the outside story; and it reads like a dreadful quarrel. The notorious G. K. Chesterton, a reactionary Torquemada whose one gloomy pleasure was in the defence of orthodoxy and the pursuit of heretics, long calculated and at last launched a denunciation of a brilliant leader of the New Theology which he hated with all the furnace of his fanatic soul. In this doc.u.ment Chesterton darkly, deliberately, and not having the fear of G.o.d before his eyes, a.s.serted that Shakespeare wrote the line "that wreathes its old fantastic roots so high." This he said because he had been kept in ignorance by Priests; or, perhaps, because he thought craftily that none of his dupes could discover a curious and forgotten rhyme called 'Elegy in a Country Churchyard'. Anyhow, that orthodox gentleman made a howling error; and received some twenty-five letters and post-cards from kind correspondents who pointed out the mistake.

But the odd thing is that scarcely any of them could conceive that it was a mistake. The first wrote in the tone of one wearied of epigrams, and cried, "What is the joke NOW?" Another professed (and practised, for all I know, G.o.d help him) that he had read through all Shakespeare and failed to find the line. A third wrote in a sort of moral distress, asking, as in confidence, if Gray was really a plagiarist. They were a n.o.ble collection; but they all subtly a.s.sumed an element of leisure and exact.i.tude in the recipient's profession and character which is far from the truth. Let us pa.s.s on to the next act of the external tragedy.

In Monday's issue of the same paper appeared a letter from the same culprit. He ingenuously confessed that the line did not belong to Shakespeare, but to a poet whom he called Grey. Which was another cropper—or whopper. This strange and illiterate outbreak was printed by the editor with the justly scornful t.i.tle, "Mr. Chesterton 'Explains'?" Any man reading the paper at breakfast saw at once the meaning of the sarcastic quotation marks. They meant, of course, "Here is a man who doesn't know Gray from Shakespeare; he tries to patch it up and he can't even spell Gray. And that is what he calls an Explanation."

That is the perfectly natural inference of the reader from the letter, the mistake, and the headline—as seen from the outside. The falsehood was serious; the editorial rebuke was serious. The stern editor and the sombre, baffled contributor confront each other as the curtain falls.

And now I will tell you exactly what really happened. It is honestly rather amusing; it is a story of what journals and journalists really are. A monstrously lazy man lives in South Bucks partly by writing a column in the Sat.u.r.day Daily News. At the time he usually writes it (which is always at the last moment) his house is unexpectedly invaded by infants of all shapes and sizes. His Secretary is called away; and he has to cope with the invading pigmies. Playing with children is a glorious thing; but the journalist in question has never understood why it was considered a soothing or idyllic one. It reminds him, not of watering little budding flowers, but of wrestling for hours with gigantic angels and devils. Moral problems of the most monstrous complexity besiege him incessantly. He has to decide before the awful eyes of innocence, whether, when a sister has knocked down a brother's bricks, in revenge for the brother having taken two sweets out of his turn, it is endurable that the brother should retaliate by scribbling on the sister's picture book, and whether such conduct does not justify the sister in blowing out the brother's unlawfully lighted match.

Just as he is solving this problem upon principles of the highest morality, it occurs to him suddenly that he has not written his Sat.u.r.day article; and that there is only about an hour to do it in. He wildly calls to somebody (probably the gardener) to telephone to somewhere for a messenger; he barricades himself in another room and tears his hair, wondering what on earth he shall write about. A drumming of fists on the door outside and a cheerful bellowing encourage and clarify his thoughts; and he is able to observe some newspapers and circulars in wrappers lying on the table. One is a dingy book catalogue; the second is a shiny pamphlet about petrol; the third is a paper called The Christian Commonwealth. He opens it anyhow, and sees in the middle of a page a sentence with which he honestly disagrees. It says that the sense of beauty in Nature is a new thing, hardly felt before Wordsworth. A stream of images and pictures pour through his head, like skies chasing each other or forests running by. "Not felt before Wordsworth!" he thinks. "Oh, but this won't do... bare ruined choirs where late the sweet birds sang... night's candles are burnt out... glowed with living sapphires... leaving their moon-loved maze... antique roots fantastic...

antique roots wreathed high... what is it in As You Like It?"

He sits down desperately; the messenger rings at the bell; the children drum on the door; the servants run up from time to time to say the messenger is getting bored; and the pencil staggers along, making the world a present of fifteen hundred unimportant words, and making Shakespeare a present of a portion of Gray's Elegy; putting "fantastic roots wreathed high" instead of "antique roots peep out." Then the journalist sends off his copy and turns his attention to the enigma of whether a brother should commandeer a sister's necklace because the sister pinched him at Littlehampton. That is the first scene; that is how an article is really written.

The scene now changes to the newspaper office. The writer of the article has discovered his mistake and wants to correct it by the next day: but the next day is Sunday. He cannot post a letter, so he rings up the paper and dictates a letter by telephone. He leaves the t.i.tle to his friends at the other end; he knows that they can spell "Gray," as no doubt they can: but the letter is put down by journalistic custom in a pencil scribble and the vowel may well be doubtful. The friend writes at the top of the letter "'G. K. C.' Explains," putting the initials in quotation marks. The next man pa.s.sing it for press is bored with these initials (I am with him there) and crosses them out, subst.i.tuting with austere civility, "Mr. Chesterton Explains." But and now he hears the iron laughter of the Fates, for the blind bolt is about to fall—but he neglects to cross out the second "quote" (as we call it) and it goes up to press with a "quote" between the last words.

Another quotation mark at the end of "explains" was the work of one merry moment for the printers upstairs. So the inverted commas were lifted entirely off one word on to the other and a totally innocent t.i.tle suddenly turned into a blasting sneer. But that would have mattered nothing so far, for there was nothing to sneer at. In the same dark hour, however, there was a printer who was (I suppose) so devoted to this Government that he could think of no Gray but Sir Edward Grey.

He spelt it "Grey" by a mere misprint, and the whole tale was complete: first blunder, second blunder, and final condemnation.

That is a little tale of journalism as it is; if you call it egotistic and ask what is the use of it I think I could tell you. You might remember it when next some ordinary young workman is going to be hanged by the neck on circ.u.mstantial evidence.

THE SENTIMENTAL SCOT

Of all the great nations of Christendom, the Scotch are by far the most romantic. I have just enough Scotch experience and just enough Scotch blood to know this in the only way in which a thing can really be known; that is, when the outer world and the inner world are at one. I know it is always said that the Scotch are practical, prosaic, and puritan; that they have an eye to business. I like that phrase "an eye" to business.

Polyphemus had an eye for business; it was in the middle of his forehead. It served him admirably for the only two duties which are demanded in a modern financier and captain of industry: the two duties of counting sheep and of eating men. But when that one eye was put out he was done for. But the Scotch are not one-eyed practical men, though their best friends must admit that they are occasionally business-like.

They are, quite fundamentally, romantic and sentimental, and this is proved by the very economic argument that is used to prove their harshness and hunger for the material. The ma.s.s of Scots have accepted the industrial civilisation, with its factory chimneys and its famine prices, with its steam and smoke and steel—and strikes. The ma.s.s of the Irish have not accepted it. The ma.s.s of the Irish have clung to agriculture with claws of iron; and have succeeded in keeping it. That is because the Irish, though far inferior to the Scotch in art and literature, are hugely superior to them in practical politics. You do need to be very romantic to accept the industrial civilisation. It does really require all the old Gaelic glamour to make men think that Glasgow is a grand place. Yet the miracle is achieved; and while I was in Glasgow I shared the illusion. I have never had the faintest illusion about Leeds or Birmingham. The industrial dream suited the Scots. Here was a really romantic vista, suited to a romantic people; a vision of higher and higher chimneys taking hold upon the heavens, of fiercer and fiercer fires in which adamant could evaporate like dew. Here were taller and taller engines that began already to shriek and gesticulate like giants. Here were thunderbolts of communication which already flashed to and fro like thoughts. It was unreasonable to expect the rapt, dreamy, romantic Scot to stand still in such a whirl of wizardry to ask whether he, the ordinary Scot, would be any the richer.

He, the ordinary Scot, is very much the poorer. Glasgow is not a rich city. It is a particularly poor city ruled by a few particularly rich men. It is not, perhaps, quite so poor a city as Liverpool, London, Manchester, Birmingham, or Bolton. It is vastly poorer than Rome, Rouen, Munich, or Cologne. A certain civic vitality notable in Glasgow may, perhaps, be due to the fact that the high poetic patriotism of the Scots has there been reinforced by the cutting common sense and independence of the Irish. In any case, I think there can be no doubt of the main historical fact. The Scotch were tempted by the enormous but unequal opportunities of industrialism, because the Scotch are romantic. The Irish refused those enormous and unequal opportunities, because the Irish are clear-sighted. They would not need very clear sight by this time to see that in England and Scotland the temptation has been a betrayal. The industrial system has failed.

I was coming the other day along a great valley road that strikes out of the westland counties about Glasgow, more or less towards the east and the widening of the Forth. It may, for all I know (I amused myself with the fancy), be the way along which Wallace came with his crude army, when he gave battle before Stirling Brig; and, in the midst of mediaeval diplomacies, made a new nation possible. Anyhow, the romantic quality of Scotland rolled all about me, as much in the last reek of Glasgow as in the first rain upon the hills. The tall factory chimneys seemed trying to be taller than the mountain peaks; as if this landscape were full (as its history has been full) of the very madness of ambition. The wageslavery we live in is a wicked thing. But there is nothing in which the Scotch are more piercing and poetical, I might say more perfect, than in their Scotch wickedness. It is what makes the Master of Ballantrae the most thrilling of all fict.i.tious villains. It is what makes the Master of Lovat the most thrilling of all historical villains.

It is poetry. It is an intensity which is on the edge of madness or (what is worse) magic. Well, the Scotch have managed to apply something of this fierce romanticism even to the lowest of all lordships and serfdoms; the proletarian inequality of today. You do meet now and then, in Scotland, the man you never meet anywhere else but in novels; I mean the self-made man; the hard, insatiable man, merciless to himself as well as to others. It is not "enterprise"; it is kleptomania. He is quite mad, and a much more obvious public pest than any other kind of kleptomaniac; but though he is a cheat, he is not an illusion. He does exist; I have met quite two of him. Him alone among modern merchants we do not weakly flatter when we call him a bandit. Something of the irresponsibility of the true dark ages really clings about him. Our scientific civilisation is not a civilisation; it is a smoke nuisance.

Like smoke it is choking us; like smoke it will pa.s.s away. Only of one or two Scotsmen, in my experience, was it true that where there is smoke there is fire.

But there are other kinds of fire; and better. The one great advantage of this strange national temper is that, from the beginning of all chronicles, it has provided resistance as well as cruelty. In Scotland nearly everything has always been in revolt—especially loyalty.

If these people are capable of making Glasgow, they are also capable of wrecking it; and the thought of my many good friends in that city makes me really doubtful about which would figure in human memories as the more huge calamity of the two. In Scotland there are many rich men so weak as to call themselves strong. But there are not so many poor men weak enough to believe them.

As I came out of Glasgow I saw men standing about the road. They had little lanterns tied to the fronts of their caps, like the fairies who used to dance in the old fairy pantomimes. They were not, however, strictly speaking, fairies. They might have been called gnomes, since they worked in the chasms of those purple and chaotic hills. They worked in the mines from whence comes the fuel of our fires. Just at the moment when I saw them, moreover, they were not dancing; nor were they working.

They were doing nothing. Which, in my opinion (and I trust yours), was the finest thing they could do.

THE SECTARIAN OF SOCIETY

A fixed creed is absolutely indispensable to freedom. For while men are and should be various, there must be some communication between them if they are to get any pleasure out of their variety. And an intellectual formula is the only thing that can create a communication that does not depend on mere blood, cla.s.s, or capricious sympathy. If we all start with the agreement that the sun and moon exist, we can talk about our different visions of them. The strong-eyed man can boast that he sees the sun as a perfect circle. The shortsighted man may say (or if he is an impressionist, boast) that he sees the moon as a silver blur. The colour-blind man may rejoice in the fairy-trick which enables him to live under a green sun and a blue moon. But if once it be held that there is nothing but a silver blur in one man's eye or a bright circle (like a monocle) in the other man's, then neither is free, for each is shut up in the cell of a separate universe.

But, indeed, an even worse fate, practically considered, follows from the denim of the original intellectual formula. Not only does the individual become narrow, but he spreads narrowness across the world like a cloud; he causes narrowness to increase and multiply like a weed.

For what happens is this: that all the shortsighted people come together and build a city called Myopia, where they take short-sightedness for granted and paint short-sighted pictures and pursue very short-sighted policies. Meanwhile all the men who can stare at the sun get together on Salisbury Plain and do nothing but stare at the sun; and all the men who see a blue moon band themselves together and a.s.sert the blue moon, not once in a blue moon, but incessantly. So that instead of a small and varied group, you have enormous monotonous groups. Instead of the liberty of dogma, you have the tyranny of taste.

Allegory apart, instances of what I mean will occur to every one; perhaps the most obvious is Socialism. Socialism means the ownership by the organ of government (whatever it is) of all things necessary to production. If a man claims to be a Socialist in that sense he can be any kind of man he likes in any other sense—a bookie, a Mahatma, a man about town, an archbishop, a Margate n.i.g.g.e.r. Without recalling at the moment clear-headed Socialists in all of these capacities, it is obvious that a clear-headed Socialist (that is, a Socialist with a creed) can be a soldier, like Mr. Blatchford, or a Don, like Mr. Ball, or a Bathchairman like Mr. Meeke, or a clergyman like Mr. Conrad Noel, or an artistic tradesman like the late Mr. William Morris.

But some people call themselves Socialists, and will not be bound by what they call a narrow dogma; they say that Socialism means far, far more than this; all that is high, all that is free, all that is, etc., etc. Now mark their dreadful fate; for they become totally unfit to be tradesmen, or soldiers, or clergymen, or any other stricken human thing, but become a particular sort of person who is always the same. When once it has been discovered that Socialism does not mean a narrow economic formula, it is also discovered that Socialism does mean wearing one particular kind of clothes, reading one particular kind of books, hanging up one particular kind of pictures, and in the majority of cases even eating one particular kind of food. For men must recognise each other somehow. These men will not know each other by a principle, like fellow citizens. They cannot know each other by a smell, like dogs. So they have to fall back on general colouring; on the fact that a man of their sort will have a wife in pale green and Walter Crane's "Triumph of Labour" hanging in the hall.

There are, of course, many other instances; for modern society is almost made up of these large monochrome patches. Thus I, for one, regret the supersession of the old Puritan unity, founded on theology, but embracing all types from Milton to the grocer, by that newer Puritan unity which is founded rather on certain social habits, certain common notions, both permissive and prohibitive, in connection with Particular social pleasures.

Thus I, for one, regret that (if you are going to have an aristocracy) it did not remain a logical one founded on the science of heraldry; a thing a.s.serting and defending the quite defensible theory that physical genealogy is the test; instead of being, as it is now, a mere machine of Eton and Oxford for varnishing anybody rich enough with one monotonous varnish.

And it is supremely so in the case of religion. As long as you have a creed, which every one in a certain group believes or is supposed to believe, then that group will consist of the old recurring figures of religious history, who can be appealed to by the creed and judged by it; the saint, the hypocrite, the brawler, the weak brother. These people do each other good; or they all join together to do the hypocrite good, with heavy and repeated blows. But once break the bond of doctrine which alone holds these people together and each will gravitate to his own kind outside the group. The hypocrites will all get together and call each other saints; the saints will get lost in a desert and call themselves weak brethren; the weak brethren will get weaker and weaker in a general atmosphere of imbecility; and the brawler will go off looking for somebody else with whom to brawl.

This has very largely happened to modern English religion; I have been in many churches, chapels, and halls where a confident pride in having got beyond creeds was coupled with quite a paralysed incapacity to get beyond catchwords. But wherever the falsity appears it comes from neglect of the same truth: that men should agree on a principle, that they may differ on everything else; that G.o.d gave men a law that they might turn it into liberties.

There was hugely more sense in the old people who said that a wife and husband ought to have the same religion than there is in all the contemporary gushing about sister souls and kindred spirits and auras of identical colour. As a matter of fact, the more the s.e.xes are in violent contrast the less likely they are to be in violent collision. The more incompatible their tempers are the better. Obviously a wife's soul cannot possibly be a sister soul. It is very seldom so much as a first cousin. There are very few marriages of identical taste and temperament; they are generally unhappy. But to have the same fundamental theory, to think the same thing a virtue, whether you practise or neglect it, to think the same thing a sin, whether you punish or pardon or laugh at it, in the last extremity to call the same thing duty and the same thing disgrace—this really is necessary to a tolerably happy marriage; and it is much better represented by a common religion than it is by affinities and auras. And what applies to the family applies to the nation. A nation with a root religion will be tolerant. A nation with no religion will be bigoted. Lastly, the worst effect of all is this: that when men come together to profess a creed, they come courageously, though it is to hide in catacombs and caves. But when they come together in a clique they come sneakishly, eschewing all change or disagreement, though it is to dine to a bra.s.s band in a big London hotel. For birds of a feather flock together, but birds of the white feather most of all.

THE FOOL

For many years I had sought him, and at last I found him in a club. I had been told that he was everywhere; but I had almost begun to think that he was nowhere. I had been a.s.sured that there were millions of him; but before my late discovery I inclined to think that there were none of him. After my late discovery I am sure that there is one; and I incline to think that there are several, say, a few hundreds; but unfortunately most of them occupying important positions. When I say "him," I mean the entire idiot.

I have never been able to discover that "stupid public" of which so many literary men complain. The people one actually meets in trains or at tea parties seem to me quite bright and interesting; certainly quite enough so to call for the full exertion of one's own wits. And even when I have heard brilliant "conversationalists" conversing with other people, the conversation had much more equality and give and take than this age of intellectual sn.o.bs will admit. I have sometimes felt tired, like other people; but rather tired with men's talk and variety than with their stolidity or sameness; therefore it was that I sometimes longed to find the refreshment of a single fool.

But it was denied me. Turn where I would I found this monotonous brilliancy of the general intelligence, this ruthless, ceaseless sparkle of humour and good sense. The "mostly fools" theory has been used in an anti-democratic sense; but when I found at last my priceless a.s.s, I did not find him in what is commonly called the democracy; nor in the aristocracy either. The man of the democracy generally talks quite rationally, sometimes on the anti-democratic side, but always with an idea of giving reasons for what he says and referring to the realities of his experience. Nor is it the aristocracy that is stupid; at least, not that section of the aristocracy which represents it in politics.

They are often cynical, especially about money, but even their boredom tends to make them a little eager for any real information or originality. If a man like Mr. Winston Churchill or Mr. Wyndham made up his mind for any reason to attack Syndicalism he would find out what it was first. Not so the man I found in the club.

He was very well dressed; he had a heavy but handsome face; his black clothes suggested the City and his gray moustaches the Army; but the whole suggested that he did not really belong to either, but was one of those who dabble in shares and who play at soldiers. There was some third element about him that was neither mercantile nor military. His manners were a shade too gentlemanly to be quite those of a gentleman.

They involved an unction and over-emphasis of the club-man: then I suddenly remembered feeling the same thing in some old actors or old playgoers who had modelled themselves on actors. As I came in he said, "If I was the Government," and then put a cigar in his mouth which he lit carefully with long intakes of breath. Then he took the cigar out of his mouth again and said, "I'd give it 'em," as if it were quite a separate sentence. But even while his mouth was stopped with the cigar his companion or interlocutor leaped to his feet and said with great heartiness, s.n.a.t.c.hing up a hat, "Well, I must be off. Tuesday!". I dislike these dark suspicions, but I certainly fancied I recognised the sudden geniality with which one takes leave of a bore.

When, therefore, he removed the narcotic stopper from his mouth it was to me that he addressed the belated epigram. "I'd give it 'em."

"What would you give them," I asked, "the minimum wage?"

"I'd give them beans," he said. "I'd shoot 'em down shoot 'em down, every man Jack of them. I lost my best train yesterday, and here's the whole country paralysed, and here's a handful of obstinate fellows standing between the country and coal. I'd shoot 'em down!"

"That would surely be a little harsh," I pleaded. "After all, they are not under martial law, though I suppose two or three of them have commissions in the Yeomanry."

"Commissions in the Yeomanry!" he repeated, and his eyes and face, which became startling and separate, like those of a boiled lobster, made me feel sure that he had something of the kind himself.

"Besides," I continued, "wouldn't it be quite enough to confiscate their money?"

"Well, I'd send them all to penal servitude, anyhow," he said, "and I'd confiscate their funds as well."

"The policy is daring and full of difficulty," I replied, "but I do not say that it is wholly outside the extreme rights of the republic. But you must remember that though the facts of property have become quite fantastic, yet the sentiment of property still exists. These coal-owners, though they have not earned the mines, though they could not work the mines, do quite honestly feel that they own the mines.

Hence your suggestion of shooting them down, or even of confiscating their property, raises very—"