"A car injury," he heard Willem's reply, as from across a great black lake.

But it wasn't until that night that he registered what Willem had said, and the word he had used: injury, not accident. Was it deliberate, he wondered? What did Willem know? He was so addled that he might have actually asked him, had Willem been around, but he wasn't-he was at his girlfriend's.

No one was there, he realized. The room was his. He felt the creature inside him-which he pictured as slight and raggedy and lemurlike, quick-reflexed and ready to sprint, its dark wet eyes forever scanning the landscape for future dangers-relax and sag to the ground. It was at these moments that he found college most enjoyable: he was in a warm room, and the next day he would have three meals and eat as much as he wanted, and in between he would go to classes, and no one would try to hurt him or make him do anything he didn't want to do. Somewhere nearby were his roommates-his friends-and he had survived another day without divulging any of his secrets, and placed another day between the person he once was and the person he was now. It seemed, always, an accomplishment worthy of sleep, and so he did, closing his eyes and readying himself for another day in the world.

It had been Ana, his first and only social worker, and the first person who had never betrayed him, who had talked to him seriously about college-the college he ended up attending-and who was convinced that he would get in. She hadn't been the first person to suggest this, but she had been the most insistent.

"I don't see why not," she said. It was a favorite phrase of hers. The two of them were sitting on Ana's porch, in Ana's backyard, eating banana bread that Ana's girlfriend had made. Ana didn't care for nature (too buggy, too squirmy, she always said), but when he made the suggestion that they go outdoors-tentatively, because at the time he was still unsure where the boundaries of her tolerance for him lay-she'd slapped the edges of her armchair and heaved herself up. "I don't see why not. Leslie!" she called into the kitchen, where Leslie was making lemonade. "You can bring it outside!"

Hers was the first face he saw when he had at last opened his eyes in the hospital. For a long moment, he couldn't remember where he was, or who he was, or what had happened, and then, suddenly, her face was above his, looking at him. "Well, well," she said. "He awakes."

She was always there, it seemed, no matter what time he woke. Sometimes it was day, and he heard the sounds of the hospital-the mouse squeak of the nurses' shoes, and the clatter of a cart, and the drone of the intercom announcements-in the hazy, half-formed moments he had before shifting into full consciousness. But sometimes it was night, when everything was silent around him, and it took him longer to figure out where he was, and why he was there, although it came back to him, it always did, and unlike some realizations, it never grew easier or fuzzier with each remembrance. And sometimes it was neither day nor night but somewhere in between, and there would be something strange and dusty about the light that made him imagine for a moment that there might after all be such a thing as heaven, and that he might after all have made it there. And then he would hear Ana's voice, and remember again why he was there, and want to close his eyes all over again.

They talked of nothing in those moments. She would ask him if he was hungry, and no matter his answer, she would have a sandwich for him to eat. She would ask him if he was in pain, and if he was, how intense it was. It was in her presence that he'd had the first of his episodes, and the pain had been so awful-unbearable, almost, as if someone had reached in and grabbed his spine like a snake and was trying to loose it from its bundles of nerves by shaking it-that later, when the surgeon told him that an injury like his was an "insult" to the body, and one the body would never recover from completely, he had understood what the word meant and realized how correct and well-chosen it was.

"You mean he's going to have these all his life?" Ana had asked, and he had been grateful for her outrage, especially because he was too tired and frightened to summon forth any of his own.

"I wish I could say no," said the surgeon. And then, to him, "But they may not be this severe in the future. You're young now. The spine has wonderful reparative qualities."

"Jude," she'd said to him when the next one came, two days after the first. He could hear her voice, but as if from far away, and then, suddenly, awfully close, filling his mind like explosions. "Hold on to my hand," she'd said, and again, her voice swelled and receded, but she seized his hand and he held it so tightly he could feel her index finger slide oddly over her ring finger, could almost feel every small bone in her palm reposition themselves in his grip, which had the effect of making her seem like something delicate and intricate, although there was nothing delicate about her in either appearance or manner. "Count," she commanded him the third time it happened, and he did, counting up to a hundred again and again, parsing the pain into negotiable increments. In those days, before he learned it was better to be still, he would flop on his bed like a fish on a boat deck, his free hand scrabbling for a halyard line to cling to for safety, the hospital mattress unyielding and uncaring, searching for a position in which the discomfort might lessen. He tried to be quiet, but he could hear himself making strange animal noises, so that at times a forest appeared beneath his eyelids, populated with screech owls and deer and bears, and he would imagine he was one of them, and that the sounds he was making were normal, part of the woods' unceasing soundtrack.

When it had ended, she would give him some water, a straw in the glass so he wouldn't have to raise his head. Beneath him, the floor tilted and bucked, and he was often sick. He had never been in the ocean, but he imagined this was what it might feel like, imagined the swells of water forcing the linoleum floor into quavering hillocks. "Good boy," she'd say as he drank. "Have a little more."

"It'll get better," she'd say, and he'd nod, because he couldn't begin to imagine his life if it didn't get better. His days now were hours: hours without pain and hours with it, and the unpredictability of this schedule-and his body, although it was his in name only, for he could control nothing of it-exhausted him, and he slept and slept, the days slipping away from him uninhabited.

Later, it would be easier to simply tell people that it was his legs that hurt him, but that wasn't really true: it was his back. Sometimes he could predict what would trigger the spasming, that pain that would extend down his spine into one leg or the other, like a wooden stake set aflame and thrust into him: a certain movement, lifting something too heavy or too high, simple tiredness. But sometimes he couldn't. And sometimes the pain would be preceded by an interlude of numbness, or a twinging that was almost pleasurable, it was so light and zingy, just a sensation of electric prickles moving up and down his spine, and he would know to lie down and wait for it to finish its cycle, a penance he could never escape or avoid. But sometimes it barged in, and those were the worst: he grew fearful that it would arrive at some terribly inopportune time, and before each big meeting, each big interview, each court appearance, he would beg his own back to still itself, to carry him through the next few hours without incident. But all of this was in the future, and each lesson he learned he did so over hours and hours of these episodes, stretched out over days and months and years.

As the weeks passed, she brought him books, and told him to write down titles he was interested in and she would go to the library and get them-but he was too shy to do so. He knew she was his social worker, and that she had been assigned to him, but it wasn't until more than a month had passed, and the doctors had begun to talk about his casts being removed in a matter of weeks, that she first asked him about what had happened.

"I don't remember," he said. It was his default answer for everything back then. It was a lie as well; in uninvited moments, he'd see the car's headlights, twinned glares of white, rushing toward him, and recall how he'd shut his eyes and jerked his head to the side, as if that might have prevented the inevitable.

She waited. "It's okay, Jude," she said. "We basically know what happened. But I need you to tell me at some point, so we can talk about it." She had interviewed him earlier, did he remember? There had apparently been a moment soon after he'd come out of the first surgery that he had woken, lucid, and answered all her questions, not only about what had happened that night but in the years before it as well-but he honestly didn't remember this at all, and he fretted about what, exactly, he had said, and what Ana's expression had been when he'd told her.

How much had he told her? he asked at one point.

"Enough," she said, "to convince me that there's a hell and those men need to be in it." She didn't sound angry, but her words were, and he closed his eyes, impressed and a little scared that the things that had happened to him-to him!-could inspire such passion, such vitriol.

She oversaw his transfer into his new home, his final home: the Douglasses'. They had two other fosters, both girls, both young-Rosie was eight and had Down syndrome, Agnes was nine and had spina bifida. The house was a maze of ramps, unlovely but sturdy and smooth, and unlike Agnes, he could wheel himself around without asking for assistance.

The Douglasses were evangelical Lutherans, but they didn't make him attend church with them. "They're good people," Ana said. "They won't bother you, and you'll be safe here. You think you can manage grace at the table for a little privacy and guaranteed security?" She looked at him and smiled. He nodded. "Besides," she continued, "you can always call me if you want to talk sin."

And indeed, he was in Ana's care more than in the Douglasses'. He slept in their house, and ate there, and when he was first learning how to move on his crutches, it was Mr. Douglass who sat on a chair outside the bathroom, ready to enter if he slipped and fell getting into or out of the bathtub (he still wasn't able to balance well enough to take a shower, even with a walker). But it was Ana who took him to most of his doctor's appointments, and Ana who waited at one end of her backyard, a cigarette in her mouth, as he took his first slow steps toward her, and Ana who finally got him to write down what had happened with Dr. Traylor, and kept him from having to testify in court. He had said he could do it, but she had told him he wasn't ready yet, and that they had plenty of evidence to put Dr. Traylor away for years even without his testimony, and hearing that, he was able to admit his own relief: relief at not having to say aloud words he didn't know how to say, and mostly, relief that he wouldn't have to see Dr. Traylor again. When he at last gave her the statement-which he'd written as plainly as possible, and had imagined while writing it that he was in fact writing about someone else, someone he had known once but had never had to talk to again-she read it through once, impassive, before nodding at him. "Good," she said briskly, and refolded it and placed it back in its envelope. "Good job," she added, and then, suddenly, she began to cry, almost ferociously, unable to stop herself. She was saying something to him, but she was weeping so hard he couldn't understand her, and she had finally left, though she had called him later that night to apologize.

"I'm sorry, Jude," she said. "That was really unprofessional of me. I just read what you wrote and I just-" She was silent for a period, and then took a breath. "It won't happen again."

It was also Ana who, after the doctors determined he wouldn't be strong enough to go to school, found him a tutor so he could finish high school, and it was she who made him discuss college. "You're really smart, did you know that?" she asked him. "You could go anywhere, really. I talked to some of your teachers in Montana, and they think so as well. Have you thought about it? You have? Where would you want to go?" And when he told her, preparing himself for her to laugh, she instead only nodded: "I don't see why not."

"But," he began, "do you think they'd take someone like me?"

Once again, she didn't laugh. "It's true, you haven't had the most-traditional-of educations"-she smiled at him-"but your tests are terrific, and although you probably don't think so, I promise you know more than most, if not all, kids your age." She sighed. "You may have something to thank Brother Luke for after all." She studied his face. "So I don't see why not."

She helped him with everything: she wrote one of his recommendations, she let him use her computer to type up his essay (he didn't write about the past year; he wrote about Montana, and how he'd learned there to forage for mustard shoots and mushrooms), she even paid for his application fee.

When he was accepted-with a full scholarship, as Ana had predicted-he told her it was all because of her.

"Bullshit," she said. She was so sick by that point that she could only whisper it. "You did it yourself." Later he would scan through the previous months and see, as if spotlit, the signs of her illness, and how, in his stupidity and self-absorption, he had missed one after the next: her weight loss, her yellowing eyes, her fatigue, all of which he had attributed to-what? "You shouldn't smoke," he'd said to her just two months earlier, confident enough around her now to start issuing orders; the first adult he'd done so to. "You're right," she'd said, and squinted her eyes at him while inhaling deeply, grinning at him when he sighed at her.

Even then, she didn't give up. "Jude, we should talk about it," she'd say every few days, and when he shook his head, she'd be silent. "Tomorrow, then," she'd say. "Do you promise me? Tomorrow we'll talk about it."

"I don't see why I have to talk about it at all," he muttered at her once. He knew she had read his records from Montana; he knew she knew what he was.

She was quiet. "One thing I've learned," she said, "you have to talk about these things while they're fresh. Or you'll never talk about them. I'm going to teach you how to talk about them, because it's going to get harder and harder the longer you wait, and it's going to fester inside you, and you're always going to think you're to blame. You'll be wrong, of course, but you'll always think it." He didn't know how to respond to that, but the next day, when she brought it up again, he shook his head and turned away from her, even though she called after him. "Jude," she said, once, "I've let you go on for too long without addressing this. This is my fault."

"Do it for me, Jude," she said at another point. But he couldn't; he couldn't find the language to talk about it, not even to her. Besides, he didn't want to relive those years. He wanted to forget them, to pretend they belonged to someone else.

By June she was so weak she couldn't sit. Fourteen months after they'd met, she was the one in bed, and he was the one next to her. Leslie worked the day shift at the hospital, and so often, it was just the two of them in the house. "Listen," she said. Her throat was dry from one of her medications, and she winced as she spoke. He reached for the jug of water, but she waved her hand, impatiently. "Leslie's going to take you shopping before you leave; I made a list for her of things you'll need." He started to protest, but she stopped him. "Don't argue, Jude. I don't have the energy."

She swallowed. He waited. "You're going to be great at college," she said. She shut her eyes. "The other kids are going to ask you about how you grew up, have you thought about that?"

"Sort of," he said. It was all he thought about.

"Mmph," she grunted. She didn't believe him either. "What are you going to tell them?" And then she opened her eyes and looked at him.

"I don't know," he admitted.

"Ah, yes," she said. They were quiet. "Jude," she began, and then stopped. "You'll find your own way to discuss what happened to you. You'll have to, if you ever want to be close to anyone. But your life-no matter what you think, you have nothing to be ashamed of, and none of it has been your fault. Will you remember that?"

It was the closest they had ever gotten to discussing not only the previous year but the years that preceded it, too. "Yes," he told her.

She glared at him. "Promise me."

"I promise."

But even then, he couldn't believe her.

She sighed. "I should've made you talk more," she said. It was the last thing she ever said to him. Two weeks later-July third-she was dead. Her service was the week after that. By this point he had a summer job at a local bakery, where he sat in the back room spackling cakes with fondant, and in the days following the funeral he sat until night at his workstation, plastering cake after cake with carnation-pink icing, trying not to think of her.

At the end of July, the Douglasses moved: Mr. Douglass had gotten a new job in San Jose, and they were taking Agnes with them; Rosie was being reassigned to a different family. He had liked the Douglasses, but when they told him to stay in touch, he knew he wouldn't-he was so desperate to move away from the life he was in, the life he'd had; he wanted to be someone whom no one knew and who knew no one.

He was put into emergency shelter. That was what the state called it: emergency shelter. He'd argued that he was old enough to be left on his own (he imagined, also illogically, that he would sleep in the back room of the bakery), and that in less than two months he'd be gone anyway, out of the system entirely, but no one agreed with him. The shelter was a dormitory, a sagging gray honeycomb populated by other kids who-because of what they had done or what had been done to them or simply how old they were-the state couldn't easily place.

When it was time for him to leave, they gave him some money to buy supplies for school. They were, he recognized, vaguely proud of him; he might not have been in the system for long, but he was going to college, and to a superior college at that-he would forever after be claimed as one of their successes. Leslie drove him to the Army Navy Store. He wondered, as he chose things he thought he might need-two sweaters, three long-sleeve shirts, pants, a gray blanket that resembled the clotty stuffing that vomited forth from the sofa in the shelter's lobby-if he was getting the correct things, the things that might have been on Ana's list. He couldn't stop himself from thinking that there was something else on that list, something essential that Ana thought he needed that he would now never know. At nights, he craved that list, sometimes more than he craved her; he could picture it in his mind, the funny up-and-down capitalizations she inserted into a single word, the mechanical pencil she always used, the yellow legal pads, left over from her years as a lawyer, on which she made her notes. Sometimes the letters solidified into words, and in the dream life he'd feel triumphant; ah, he'd think, of course! Of course that's what I need! Of course Ana would know! But in the mornings, he could never remember what those things were. In those moments he wished, perversely, that he had never met her, that it was surely worse to have had her for so brief a period than to never have had her at all.

They gave him a bus ticket north; Leslie came to the station to see him off. He had packed his things in a double-layered black garbage bag, and then inside the backpack he'd bought at the Army Navy Store: everything he owned in one neat package. On the bus he stared out the window and thought of nothing. He hoped his back wouldn't betray him on the ride, and it didn't.

He had been the first to arrive in their room, and when the second boy came in-it had been Malcolm-with his parents and suitcases and books and speakers and television and phones and computers and refrigerator and flotillas of digital gadgetry, he had felt the first sensations of sickening fear, and then anger, directed irrationally at Ana: How could she let him believe he might be equipped to do this? Who could he say he was? Why had she never told him exactly how poor, how ugly, what a scrap of bloodied, muddied cloth, his life really was? Why had she let him believe he might belong here?

As the months passed, this feeling dampened, but it never disappeared; it lived on him like a thin scum of mold. But as that knowledge became more acceptable, another piece became less so: he began to realize that she was the first and last person to whom he would never have to explain anything. She knew that he wore his life on his skin, that his biography was written in his flesh and on his bones. She would never ask him why he wouldn't wear short sleeves, even in the steamiest of weather, or why he didn't like to be touched, or, most important, what had happened to his legs or back: she knew already. Around her he had felt none of the constant anxiety, nor watchfulness, that he seemed condemned to feel around everyone else; the vigilance was exhausting, but it eventually became simply a part of life, a habit like good posture. Once, she had reached out to (he later realized) embrace him, but he had reflexively brought his hands up over his head to protect himself, and although he had been embarrassed, she hadn't made him feel silly or overreactive. "I'm an idiot, Jude," she'd said instead. "I'm sorry. No more sudden movements, I promise."

But now she was gone, and no one knew him. His records were sealed. His first Christmas, Leslie had sent him a card, addressed to him through the student affairs office, and he had kept it for days, his last link to Ana, before finally throwing it away. He never wrote back, and he never heard from Leslie again. It was a new life. He was determined not to ruin it for himself.

Still, sometimes, he thought back to their final conversations, mouthing them aloud. This was at night, when his roommates-in various configurations, depending on who was in the room at the time-slept above and next to him. "Don't let this silence become a habit," she'd warned him shortly before she died. And: "It's all right to be angry, Jude; you don't have to hide it." She had been wrong about him, he always thought; he wasn't what she thought he was. "You're destined for greatness, kid," she'd said once, and he wanted to believe her, even though he couldn't. But she was right about one thing: it did get harder and harder. He did blame himself. And although he tried every day to remember the promise he'd made to her, every day it became more and more remote, until it was just a memory, and so was she, a beloved character from a book he'd read long ago.

"The world has two kinds of people," Judge Sullivan used to say. "Those who are inclined to believe, and those who aren't. In my courtroom, we value belief. Belief in all things."

He made this proclamation often, and after doing so, he would groan himself to his feet-he was very fat-and toddle out of the room. This was usually at the end of the day-Sullivan's day, at least-when he left his chambers and came over to speak to his law clerks, sitting on the edge of one of their desks and delivering often opaque lectures that were interspersed with frequent pauses, as if his clerks were not lawyers but scriveners, and should be writing down his words. But no one did, not even Kerrigan, who was a true believer and the most conservative of the three of them.

After the judge left, he would grin across the room at Thomas, who would raise his eyes upward in a gesture of helplessness and apology. Thomas was a conservative, too, but "a thinking conservative," he'd remind him, "and the fact that I even have to make that distinction is fucking depressing."

He and Thomas had started clerking for the judge the same year, and when he had been approached by the judge's informal search committee-really, his Business Associations professor, with whom the judge was old friends-the spring of his second year of law school, it had been Harold who had encouraged him to apply. Sullivan was known among his fellow circuit court judges for always hiring one clerk whose political views diverged from his own, the more wildly, the better. (His last liberal law clerk had gone on to work for a Hawaiian rights sovereignty group that advocated for the islands' secession from the United States, a career move that had sent the judge into a fit of apoplectic self-satisfaction.) "Sullivan hates me," Harold had told him then, sounding pleased. "He'll hire you just to spite me." He smiled, savoring the thought. "And because you're the most brilliant student I've ever had," he added.

The compliment made him look at the ground: Harold's praise tended to be conveyed to him by others, and was rarely handed to him directly. "I'm not sure I'm liberal enough for him," he'd replied. Certainly he wasn't liberal enough for Harold; it was one of the things-his opinions; the way he read the law; how he applied it to life-that they argued about.

Harold snorted. "Trust me," he said. "You are."

But when he went to Washington for his interview the following year, Sullivan had talked about the law-and political philosophy-with much less vigor and specificity than he had anticipated. "I hear that you sing," Sullivan said instead after an hour of conversation about what he had studied (the judge had attended the same law school), and his position as the articles editor on the law review (the same position the judge himself had held), and his thoughts on recent cases.

"I do," he replied, wondering how the judge had learned that. Singing was his comfort, but he rarely did it in front of others. Had he been singing in Harold's office and been overheard? Or sometimes he sang in the law library, when he was re-shelving books late at night and the space was as quiet and still as a church-had someone overheard him there?

"Sing me something," said the judge.

"What would you like to hear, sir?" he asked. Normally, he would have been much more nervous, but he had heard that the judge would make him do a performance of some sort (legend had it that he'd made a previous applicant juggle), and Sullivan was a known opera lover.

The judge put his fat fingers to his fat lips and thought. "Hmm," he said. "Sing me something that tells me something about you."

He thought, and then sang. He was surprised to hear what he chose-Mahler's "Ich bin der Welt abhanden gekommen"-both because he didn't even really like Mahler that much and because the lied was a difficult one to perform, slow and mournful and subtle and not meant for a tenor. And yet he liked the poem itself, which his voice teacher in college had dismissed as "second-rate romanticism," but which he had always thought suffered unfairly from a poor translation. The standard interpretation of the first line was "I am lost to the world," but he read it as "I have become lost to the world," which, he believed, was less self-pitying, less melodramatic, and more resigned, more confused. I have become lost to the world / In which I otherwise wasted so much time. The lied was about the life of an artist, which he was definitely not. But he understood, primally almost, the concept of losing, of loosing oneself from the world, of disappearing into a different place, one of retreat and safety, of the twinned yearnings of escape and discovery. It means nothing to me / Whether the world believes me dead / I can hardly say anything to refute it / For truly, I am no longer a part of the world.

When he finished, he opened his eyes to the judge clapping and laughing. "Bravo," he said. "Bravo! But I think you might be in the wrong profession altogether, you know." He laughed again. "Where'd you learn to sing like that?"

"The brothers, sir," he'd replied.

"Ah, a Catholic boy?" asked the judge, sitting up fatly in his chair and looking ready to be pleased.

"I was raised Catholic," he began.

"But you're not now?" the judge asked, frowning.

"No," he said. He had worked for years to keep the apology out of his voice when he said this.

Sullivan made a noncommittal grunting noise. "Well, whatever they gave you should have offered at least some sort of protection against whatever Harold Stein's been filling your head with for the past few years," he said. He looked at his resume. "You're his research assistant?"

"Yes," he said. "For more than two years."

"A good mind, wasted," Sullivan declared (it was unclear whether he meant his or Harold's). "Thanks for coming down, we'll be in touch. And thanks for the lied; you have one of the most beautiful tenors I've heard in a long time. Are you sure you're in the right field?" At this, he smiled, the last time he would ever see Sullivan smile with such pleasure and sincerity.

Back in Cambridge, he told Harold about his meeting ("You sing?" Harold asked him, as if he'd just told him he flew), but that he was certain he wouldn't get the clerkship. A week later, Sullivan called: the job was his. He was surprised, but Harold wasn't. "I told you so," he said.

The next day, he went to Harold's office as usual, but Harold had his coat on. "Normal work is suspended today," he announced. "I need you to run some errands with me." This was unusual, but Harold was unusual. At the curb, he held out the keys: "Do you want to drive?"

"Sure," he said, and went to the driver's side. This was the car he'd learned to drive in, just a year ago, while Harold sat next to him, far more patient outside the classroom than he was in it. "Good," he'd said. "Let go of the clutch a little moregood. Good, Jude, good."

Harold had to pick up some shirts he'd had altered, and they drove to the small, expensive men's store on the edge of the square where Willem had worked his senior year. "Come in with me," Harold instructed him, "I'm going to need some help carrying these out."

"My god, Harold, how many shirts did you buy?" he asked. Harold had an unvarying wardrobe of blue shirts, white shirts, brown corduroys (for winter), linen pants (for spring and summer), and sweaters in various shades of greens and blues.

"Quiet, you," said Harold.

Inside, Harold went off to find a salesperson, and he waited, running his fingers over the ties in their display cases, rolled and shiny as pastries. Malcolm had given him two of his old cotton suits, which he'd had tailored and had worn throughout both of his summer internships, but he'd had to borrow his roommate's suit for the Sullivan interview, and he had tried to move carefully in it the entire time it was his, aware of its largeness and the fineness of its wool.

Then "That's him," he heard Harold say, and when he turned, Harold was standing with a small man who had a measuring tape draped around his neck like a snake. "He'll need two suits-a dark gray and a navy-and let's get him a dozen shirts, a few sweaters, some ties, socks, shoes: he doesn't have anything." To him he nodded and said, "This is Marco. I'll be back in a couple of hours or so."

"Wait," he said. "Harold. What are you doing?"

"Jude," said Harold, "you need something to wear. I'm hardly an expert on this front, but you can't show up to Sullivan's chambers wearing what you're wearing."

He was embarrassed: by his clothes, by his inadequacy, by Harold's generosity. "I know," he said. "But I can't accept this, Harold."

He would've continued, but Harold stepped between him and Marco and turned him away. "Jude," he said, "accept this. You've earned it. What's more, you need it. I'm not going to have you humiliating me in front of Sullivan. Besides, I've already paid for it, and I'm not getting my money back. Right, Marco?" he called behind him.

"Right," said Marco, immediately.

"Oh, leave it, Jude," Harold said, when he saw him about to speak. "I've got to go." And he marched out without looking back.

And so he found himself standing before the triple-leafed mirror, watching the reflection of Marco busying about his ankles, but when Marco reached up his leg to measure the inseam, he flinched, reflexively. "Easy, easy," Marco said, as if he were a nervous horse, and patted his thigh, also as if he were a horse, and when he gave another involuntary half kick as Marco did the other leg, "Hey! I have pins in my mouth, you know."

"I'm sorry," he said, and held himself still.

When Marco was finished, he looked at himself in his new suit: here was such anonymity, such protection. Even if someone were to accidentally graze his back, he was wearing enough layers so that they'd never be able to feel the ridges of scars beneath. Everything was covered, everything was hidden. If he was standing still, he could be anyone, someone blank and invisible.

"I think maybe half an inch more," Marco said, pinching the back of the jacket in around the waist. He swatted some threads off his sleeve. "Now all you need's a good haircut."

He found Harold waiting for him in the tie area, reading a magazine. "Are you done?" he asked, as if the entire trip had been his idea and Harold had been the one indulging his whimsy.

Over their early dinner, he tried to thank Harold again, but every time he tried, Harold stopped him with increasing impatience. "Has anyone ever told you that sometimes you just need to accept things, Jude?" he finally asked.

"You said to never just accept anything," he reminded Harold.

"That's in the classroom and in the courtroom," Harold said. "Not in life. You see, Jude, in life, sometimes nice things happen to good people. You don't need to worry-they don't happen as often as they should. But when they do, it's up to the good people to just say 'thank you,' and move on, and maybe consider that the person who's doing the nice thing gets a bang out of it as well, and really isn't in the mood to hear all the reasons that the person for whom he's done the nice thing doesn't think he deserves it or isn't worthy of it."

He shut up then, and after dinner he let Harold drive him back to his apartment on Hereford Street. "Besides," Harold said as he was getting out of the car, "you looked really, really nice. You're a great-looking kid; I hope someone's told you that before." And then, before he could protest, "Acceptance, Jude."

So he swallowed what he was going to say. "Thank you, Harold. For everything."

"You're very welcome, Jude," said Harold. "I'll see you Monday."

He stood on the sidewalk and watched Harold's car drive away, and then went up to his apartment, which was on the second floor of a brownstone adjacent to an MIT fraternity house. The brownstone's owner, a retired sociology professor, lived on the ground floor and leased out the remaining three floors to graduate students: on the top floor were Santosh and Federico, who were getting their doctorates in electrical engineering at MIT, and on the third floor were Janusz and Isidore, who were both Ph.D. candidates at Harvard-Janusz in biochemistry and Isidore in Near Eastern religions-and directly below them were he and his roommate, Charlie Ma, whose real name was Chien-Ming Ma and whom everyone called CM. CM was an intern at Tufts Medical Center, and they kept almost entirely opposite schedules: he would wake and CM's door would be closed and he would hear his wet, snuffly snores, and when he returned home in the evenings at eight, after working with Harold, CM would be gone. What he saw of CM he liked-he was from Taipei and had gone to boarding school in Connecticut and had a sleepy, roguish grin that made you want to smile back at him-and he was a friend of Andy's friend, which was how they had met. Despite his perpetual air of stoned languor, CM was tidy as well, and liked to cook: he'd come home sometimes and find a plate of fried dumplings in the center of the table, with a note beneath that read EAT ME, or, occasionally, receive a text instructing him to rotate the chicken in its marinade before he went to bed, or asking him to pick up a bunch of cilantro on his way home. He always would, and would return to find the chicken simmered into a stew, or the cilantro minced and folded into scallop pancakes. Every few months or so, when their schedules intersected, all six of them would meet in Santosh and Federico's apartment-theirs was the largest-and eat and play poker. Janusz and Isidore would worry aloud that girls thought they were gay because they were always hanging out with each other (CM cut his eyes toward him; he had bet him twenty dollars that they were sleeping together but were trying to pretend they were straight-at any rate, an impossible thing to prove), and Santosh and Federico would complain about how stupid their students were, and about how the quality of MIT undergraduates had really gone downhill since their time there five years ago.

His and CM's was the smallest of the apartments, because the landlord had annexed half of the floor to make a storage room. CM paid significantly more of the rent, so he had the bedroom. He occupied a corner of the living room, the part with the bay window. His bed was a floppy foam egg-carton pallet, and his books were lined up under the windowsill, and he had a lamp, and a folding paper screen to give him some privacy. He and CM had bought a large wooden table, which they placed in the dining-room alcove, and which had two metal folding chairs, one discarded from Janusz, the other from Federico. One half of the table was his, the other half CM's, and both halves were stacked with books and papers and their laptops, both emitting their chirps and burbles throughout the day and night.