"We are on the way to it," said Mr. Morgan, who sat behind them; "we have theatricals in the church parlors, which may grow into a nineteenth century subst.i.tute for the miracle-plays. You mustn't, Margaret, let Mr.

Henderson prejudice you against the country."

"No," said the latter, quickly; "I was only trying to defend the city.

We country people always do that. We must base our theatrical life on something in nature."

"What is the difference, Mr. Henderson," asked Margaret, "between the gossip in the boxes and the country gossip you spoke of?"

"In toleration mainly, and lack of exact knowledge. It is here rather cynical persiflage, not concentrated public opinion."

"I don't follow you," said Morgan. "It seems to me that in the city you've got gossip plus the stage."

"That is to say, we have the world."

"I don't like to believe that," said Margaret, seriously--"your definition of the world."

"You make me see that it was a poor jest," he said, rising to go.

"By-the-way, we have a friend of yours in our box tonight--a young Englishman."

"Oh, Mr. Lyon. We were all delighted with him. Such a transparent, genuine nature!"

"Tell him," said my wife, "that we should be happy to see him at our hotel."

When Henderson came back to his box Carmen did not look up, but she said, indifferently: "What, so soon? But your absence has made one person thoroughly miserable. Mr. Lyon has not taken his eyes off you. I never saw such an international attachment."

"What more could I do for Miss Esch.e.l.le than to leave her in such company?"

"I beg your pardon," said Lyon. "Miss Esch.e.l.le must believe that I thoroughly appreciate Mr. Henderson's self-sacrifice. If I occasionally looked over where he was, I a.s.sure you it was in pity."

"You are both altogether too self-sacrificing," the beauty replied, turning to Henderson a look that was sweetly forgiving. "They who sin much shall be forgiven much, you know."

"That leaves me," Mr. Lyon answered, with a laugh, "as you say over here, out in the cold, for I have pa.s.sed a too happy evening to feel like a transgressor."

"The sins of omission are the worst sort," she retorted.

"You see what you must do to be forgiven," Henderson said to Lyon, with that good-natured smile that was so potent to smooth away sharpness.

"I fear I can never do enough to qualify myself." And he also laughed.

"You never will," Carmen answered, but she accompanied the doubt with a witching smile that denied it.

"What is all this about forgiveness?" asked Mrs. Esch.e.l.le, turning to them from regarding the stage.

"Oh, we were having an experience meeting behind your back, mamma, only Mr. Henderson won't tell his experience."

"Miss Esch.e.l.le is in such a forgiving humor tonight that she absolves before any one has a chance to confess," he replied.

"Don't you think I am always so, Mr. Lyon?"

Mr. Lyon bowed. "I think that an opera-box with Miss Esch.e.l.le is the easiest confessional in the world."

"That's something like a compliment. You see" (to Henderson) "how much you Americans have to learn."

"Will you be my teacher?"

"Or your pupil," the girl said, in a low voice, standing near him as she rose.

The play was over. In the robing and descending through the corridors there were the usual chatter, meaning looks, confidential asides. It is always at the last moment, in the hurry, as in a postscript, that woman says what she means, or what for the moment she wishes to be thought to mean. In the crowd on the main stairway the two parties saw each other at a distance, but without speaking.

"Is it true that Lyon is 'epris' there?" Carmen whispered to Henderson when she had scanned and thoroughly inventoried Margaret.

"You know as much as I do."

"Well, you did stay a long time," she said, in a lower tone.

As Margaret's party waited for their carriage she saw Mrs. Esch.e.l.le and her daughter enter a shining coach, with footman and coachman in livery.

Henderson stood raising his hat. A little white hand was shaken to him from the window, and a sweet, innocent face leaned forward--a face with dark, eyes and golden hair, lit up with a radiant smile. That face for the moment was New York to Margaret, and New York seemed a vain show.

Carmen threw herself back in her seat as if weary. Mrs. Esch.e.l.le sat bolt-upright.

"What in the world, child, made you go on so tonight?"

"I don't know."

"What made you snub Mr. Lyon so often?"

"Did I? He won't mind much. Didn't you see, mother, that he was distrait the moment he espied that girl? I'm not going to waste my time. I know the signs. No fisheries imbroglio for me, thank you."

"Fish? Who said anything about fish?"

"Oh, the international business. Ask Mr. Henderson to explain it. The English want to fish in our waters, I believe. I think Mr. Lyon has had a nibble from a fresh-water fish. Perhaps it's the other way, and he's hooked. There be fishers of men, you know, mother."

"You are a strange child, Carmen. I hope you will be civil to both of them." And they rode on in silence.

VIII

In real life the opera or the theatre is only the prologue to the evening. Our little party supped at Delgardo's. The play then begins.

New York is quite awake by that time, and ready to amuse itself. After the public duty, the public att.i.tudinizing, after a.s.sisting at the artificial comedy and tragedy which imitate life under a mask, and suggest without satisfying, comes the actual experience. My gentle girl--G.o.d bless your sweet face and pure heart!--who looked down from the sky-parlor at the Metropolitan upon the legendary splendor of the stage, and the alluring beauty and wealth of the boxes, and went home to create in dreams the dearest romance in a maiden's life, you did not know that for many the romance of the night just began when the curtain fell.

The streets were as light as day. At no other hour were the pavements so thronged, was there such a crush of carriages, such a blockade of cars, such running, and shouting, greetings and decorous laughter, such a swirl of pleasurable excitement. Never were the fashionable cafes and restaurants so crowded and brilliant. It is not a carnival time; it is just the flow and ebb of a night's pleasure, an electric night which has all of the morning except its peace, a night of the gayest opportunity and unlimited possibility.

At each little table was a drama in progress, light or serious--all the more serious for being light at the moment and unconsidered. Morgan, who was so well informed in the gossip of society and so little involved in it--some men have this faculty, which makes them much more entertaining than the daily newspaper--knew the histories of half the people in the room. There were an Italian marquis and his wife supping together like lovers, so strong is the force of habit that makes this public life necessary even when the domestic life is established. There is a man who shot himself rather seriously on the doorsteps of the beauty who rejected him, and in a year married the handsome and more wealthy woman who sits opposite him in that convivial party. There is a Russian princess, a fair woman with cool observant eyes, making herself agreeable to a mixed company in three languages. In this brilliant light is it not wonderful how dazzlingly beautiful the women are--brunettes in yellow and diamonds, blondes in elaborately simple toilets, with only a bunch of roses for ornament, in the flush of the midnight hour, in a radiant glow that even the excitement and the lifted gla.s.s cannot heighten? That pretty girl yonder--is she wife or widow?--slight and fresh and fair, they say has an ambition to extend her notoriety by going upon the stage; the young lady with her, who does not seem to fear a public place, may be helping her on the road. The two young gentlemen, their attendants, have the air of taking life more seriously than the girls, but regard with respectful interest the mounting vivacity of their companions, which rises and sparkles like the bubbles in the slender gla.s.ses which they raise to their lips with the dainty grace of practice. The staid family parties who are supping at adjoining tables notice this group with curiosity, and express their opinion by elevated eyebrows.

Margaret leaned back in her chair and regarded the whole in a musing'

frame of mind. I think she apprehended nothing of it except the light, the color, the beauty, the movement of gayety. For her the notes of the orchestra sounded through it all--the voices of the singers, the hum of the house; it was all a spectacle and a play. Why should she not enjoy it? There was something in the nature of the girl that responded to this form of pleasure--the legitimate pleasure the senses take in being gratified. "It is so different," she said to me, "from the pleasure one has in an evening by the fire. Do you know, even Mr. Morgan seems worldly here."

It was a deeper matter than she thought, this about worldliness, which had been raised in Margaret's mind. Have we all double natures, and do we simply conform to whatever surrounds us? Is there any difference in kind between the country worldliness and the city worldliness? I do not suppose that Margaret formulated any of these ideas in words. Her knowledge of the city had hitherto been superficial. It was a place for shopping, for a day in a picture exhibition, for an evening in the theatre, no more a part of her existence than a novel or a book of travels: of the life of the town she knew nothing. That night in her room she became aware for the first time of another world, restless, fascinating, striving, full of opportunities. What must London be?