"Only me," I called back. "May I come in a minute?"

There was silence, filled with the tinkle of piano keys. After a moment, Bobby opened the door.

"Hey," he said. He stood smiling, looking rather peculiar-miscast-in a pin-striped dress shirt and jeans. I could see Jonathan within, sitting sulkily in his black boots and T-shirt.

"I didn't mean to bother you boys," I said, and was annoyed at the craven sound of my own voice. I might have been a poor relation, come for her annual duty dinner.

"It's okay," Bobby said. "It's fine."

"I just, well, I wondered what that music was. It sounded so...different."

"You like it?" Bobby asked.

It seemed a trick question. Would I open myself to ridicule? Then, brushing aside my own girlish fears, I answered like a woman of thirty-five. "It's lovely," I said. "Who is she?"

"Laura Nyro," Bobby said. "Yeah, she's good. It's an old one, you want to come in and hear it for a minute?"

I glanced at Jonathan. I should of course have said no. I should have gone about my offstage business, folding the towels and sheets. But I said, "All right, just for a minute," and stepped gratefully into the room to which I had previously enjoyed free access. During the past year, Jonathan had all but covered the walls with posters of scowling long-haired rock singers. The woman's voice, soaring and melancholy, filled the room rather tenuously, surrounded by all those hard masculine eyes.

Jonathan sat on the floor with his knees pulled up to his chest and his hands clasped over his shins. He had sat in just that way since the age of four-it was a sulking posture. I saw, perhaps for the first time, how the nascent man had always been folded up inside the boy. He would carry those same gestures with him right into adulthood. It surprised me a little, though it was the most ordinary of insights. I had rather imagined Jonathan transformed as an adult, appearing one day as a kind, solicitous stranger. I saw that I had been both right and wrong about that.

Bobby picked up the alb.u.m cover and held it out to me, as if I had come to consider buying it. "This is it," he said. When I took it from him his face flushed, either with pride or with embarra.s.sment.

The alb.u.m cover was dark, a murky chocolate color. It depicted a rather plain-looking woman with a high, pale forehead and limp black hair parted in the middle. She might have been a poetic, unpopular student at a girls' school, more an object of pity than of ridicule. I'd known such girls well enough. I'd felt in danger of becoming one myself, and so had forced myself to change. To speak up and take risks, to date boys you couldn't take home to mother. Ned Glover had driven down from Michigan in an electric-blue convertible, a suave, humorous man far too old for me.

"Lovely," I said. "She has such a pretty voice."

It sounded exactly like the response of a prim middle-aged woman. I handed the alb.u.m cover back quickly, as if it cost far more than I could afford.

"She quit singing," Bobby said. "She got married and, like, moved to Connecticut or something."

"I'm sorry," I said.

We stood there awkwardly, like strangers at a party. I could feel the force of Jonathan's desire impelling me from the room. It registered physically, a pressure on my forehead and shoulders. "Well," I said. "Thanks for letting an old lady barge in."

"Sure," Bobby said. One song had ended and another begun, a faster number I thought I recognized. Yes. "Jimmy Mack," once sung by Martha and the Vandellas.

"I know this one," I said. "I mean, I've heard it before."

"Yeah?" Bobby said.

And then he did something peculiar. He started to dance.

I can only think that language ran out on him, and he resorted to what he knew. He did it automatically, as if it were a logical extension of the conversation. He started swaying his hips in rhythm, and shifting his feet. His sneakers squeaked on the floorboards.

"Yes, indeed," I said. "This is an ancient one."

I glanced at Jonathan, who looked startled. He returned my glance, and for a moment we found our old complicity again. We were united in our consternation over the habits of the local people. I half expected that once we were alone together, he might do an imitation of Bobby-dancing big-shouldered and dim-faced-just to make me laugh.

But then Bobby took my hand and pulled me gently forward. "Come on," he said.

"Oh, no. Absolutely not."

"Can't take no," he said cheerfully. He did not let go of my hand.

"No ," I said again. But my refusal lacked force. Perhaps it was my Southern upbringing; my inbred determination to avoid social unpleasantness at any cost. I laughed a little as I said no, without quite having meant to. ," I said again. But my refusal lacked force. Perhaps it was my Southern upbringing; my inbred determination to avoid social unpleasantness at any cost. I laughed a little as I said no, without quite having meant to.

He turned with me gently, moving in rhythm. He was a better dancer than his ordinary manner let on. I'd been quite a dancer myself as a girl-it was one of the resolutions I'd made, a salient feature of the person I'd meant to become-and I recognized the signs. There were boys you knew you could trust on the dance floor; you knew it almost instantly, more by feel than by appearance. Certain dancers imparted to the air itself a sense of confidence and inevitability. They had a generous grace that took you in; they told you just by the touch of their hands that you were incapable of making a wrong move. Bobby was that kind of dancer. I could not have been more surprised if he'd snapped a flock of live pigeons from under his pin-striped cuffs.

I responded. I took his other hand and danced with him as well as I could in that cramped room, under the disapproving eyes of my son and the sullen stares of the rock singers. Bobby smiled shyly. The woman's voice ran through the notes with sorrowful abandon, like somebody's gawky cousin set briefly, deliriously free.

After the song had ended I took back my hands and touched my hair. "Lord," I said. "Look what you drove an old lady to do."

"You're good," Bobby said. "You can dance."

"Used to. In the early Pleistocene."

"Naw," he said. "Come on."

I looked again at Jonathan, and saw what I expected: all sense of complicity was burned out of his face. He stared at me not so much with resentment as with nonrecognition, as if I were someone who only resembled his mother.

"Stroke of midnight," I said. "Love to stay, but I've got sheets to fold."

I got quickly out of the room. In less than a minute the melancholy woman had been replaced by a driving male voice and a cacophony of electric guitars.

Ned came home late that night, after I'd gone to sleep. I awoke and found him beside me, breathing deeply and frowning over a dream. I lay on my side watching him for a while. Ned had once been a boy. Perhaps the fact had never quite impressed itself on me, though of course I'd seen the pictures: little Ned grinning under an oversized bowler hat, Ned scrawny and big-footed in sandals at the beach. I had personally packed a carton of his iron cars and lead soldiers into the attic. Still, I'd never fully apprehended it. This man here was what grew from a boy. He had been twenty-six and I seventeen when we met; by my lights he'd been middle-aged even then. He might have been born an adult. Those pictures and toys might have been the artifacts of a boy who had died young, the former inhabitant of an old house who took his sense of limitless possibility out of the world with him when he went. What remained was china stored behind gla.s.s and the patience of African violets-an unhurried elderly life. But now, as if for the first time, lying beside Ned, I could see the boyish crook of his elbow under the pillow, the young muscles of a chest gone hairy and slack. Poor thing, I thought. Poor boy.

I reached over to stroke his shoulder. I might have kissed him. I might have let my hand stray down to the lush tangle of his chest. But my new sense of his innocent beauty was still too delicate. If he awoke and kissed me hard, if he mauled my ribs, it might collapse altogether. So I contented myself with watching him, and petting the soft, furred mound of his shoulder.

BOBBY.

M Y FATHER Y FATHER has bought himself a new pair of gla.s.ses-aviator style, with spindly pink-gold rims. He comes to my bedroom door and poses there, one elbow crooked jauntily against the frame. has bought himself a new pair of gla.s.ses-aviator style, with spindly pink-gold rims. He comes to my bedroom door and poses there, one elbow crooked jauntily against the frame.

"Bobby, what do you think?" he asks.

"Huh?" I say. I've been lying in the dark with the headphones on, smoking a joint and listening to Jethro Tull. The music has scooped out my thoughts and I need a few minutes to reenter the world of cause and effect.

"Bobby, what do you think?" he asks again.

"I don't know," I answer eventually. He will have to give me more time with the question.

My father points to his head. He is standing in light. Hundred-watt rays stream around him, cut through the dusk of my room.

What do I think of his head? It is in fact an expansive question, probably beyond my scope.

"Well," I say. I let the syllable hang.

"My gla.s.ses," he says. "Bobby, I got new gla.s.ses today."

A st.i.tch of time pa.s.ses. He says, "What do you think? Are they a little young for me?"

"I don't know," I say. I can hear how foolish I sound; how empty. But I am helpless before his questions. He might as well be an angel, posing riddles.

He sighs, a slow punctured hissing sound. "Okay," he says. "I'll start dinner."

"Good, Dad," I say, in a voice I hope comes out cheerful and cooperative. I check with myself-is it his night or mine to make dinner? This is Tuesday. His. I have got that right.

Only after he's removed his shape from the doorway do I realize his questions were simple ones. He's traded in his tortoisesh.e.l.ls for a racier model, and wants rea.s.surance. I should follow him to the kitchen, start the conversation over. But I don't do that. I collapse under the weight of my own self-interest, and permit myself a return to the music and the dark.

Sometime later, my father calls me to dinner. He has made chopped steak and squares of frozen hash browns. He sips Scotch from a gla.s.s decorated with pictures of orange slices round and evenly spoked as wagon wheels.

We eat for a while without talking. Once they've established themselves, our silences are hard to break. They are tough and seamless as shrink-wrap. Finally I say, "Those gla.s.ses look okay. I mean, I like them."

"I think they're probably a bit too young," he says. "I suspect a man my age probably looks a little foolish in gla.s.ses like these."

"Naw. All kinds of people wear that kind. They look fine."

"Do you honestly think so?"

"Uh-huh," I say.

"Well," he says. "I'm glad to hear that. I'm glad to have a younger person's opinion on the subject."

"They do. They look, you know, real nice."

"Good."

Silverware clicks against the plates. I can hear the action of my father's throat, swallowing.

For weeks now, he has been dyeing his hair. He is on a strand-by-strand agenda-every few days, he dyes a few more. In this way he hopes to present the change as natural, as if time had reversed itself against his personal will.

This is his solution-to age in big-collared shirts and leather vests, to try every combination of mustache, beard, and sideburns. I've seen him in the old courtship pictures, big-armed in T-shirts, a meandering, hard-drinking musician who b.u.mped up against the limits of his own talent and fell in love with a farm woman, a widow who knew about seeds and harvest.

Then I remember. It comes to me: today is the anniversary. It is two years ago today.

He replenishes his drink from the Ballantine bottle and says, "Let me ask you another question."

"Okay."

"What would you think about a new car?"

"I don't know," I answer. "Isn't the one we've got okay?"

He sets his drink down hard enough to splash Scotch and a thumbnail-sized ice cube on the tabletop. "You're right," he says. "You're absolutely right. There is absolutely no need for change of any kind. I couldn't agree more."

The grandfather clock ticks. I say, "A new car would be okay, Dad."

"I was just thinking about something a little snazzier," he says. "Perhaps a foreign model, with a sunroof."

"Uh-huh. Good."

"Something that would let a little air in."

"Yeah."

We work our way through dinner. My father's face is remote and optimistic as he eats. He is taking the gray out, hair by hair. His eyes swim behind the oval lenses of his new gla.s.ses.

She left by slow degrees before making it official. She lived in the guest room, made rare silent appearances in a pale turquoise robe. Once, when she pa.s.sed me in the hall on her way to the bathroom, she stopped long enough to stroke my hair. She didn't speak. She looked at me as if she was standing on a platform in a flat, dry country and I was pulling away on a train that traveled high into an alpine world.

After my father and I found her he made the calls and we sat together, he and I, in the empty living room. We left her alone-it seemed like the polite thing to do. We sat quietly, waiting for the police and the paramedics to arrive. We didn't speak.

In the dining room, the autumn farm scene hasn't changed. Cows still cast orange shadows, trees still sprout yellow leaves. My father nibbles demurely at his steak, doesn't touch the square potatoes. I finish my dinner, take my plate to the kitchen and add it to the pile. An enormous fly, iridescent, roams ecstatically over a quarter moon of yellowed lamb fat. The curtains still sport blue teapots.

Later, after my father has gone to bed, I get up and walk around. I took a hit of Dexedrine after school, thinking I might clean up the house, but I fell into music instead. Two joints haven't dulled the speed enough to allow anything like sleep, so once my father has killed the bottle and settled into bed, I take a walk through the rooms, my head crackling and blazing like a light bulb. Under the gathering disorder is a perfect replica of a house, like the period reproductions they put together in small-town museums. Here is their living room, a cherry-red sofa once considered brash, and an old copper washtub, where logs would be kept if fires were built in the hearth. Here is the front door, yellow oak with a single frosted-gla.s.s window through which strangers can be seen but not identified. And here is the rumpus room, paneled, with a rag rug like a bull's-eye on the brown linoleum floor.

After the accident, my father tried to sell the house. But in six months the single interested party offered slightly more than half the market value. This section of Cleveland was not a growth proposition.

Music plays inside my head. I walk down the hall to my father's door. My head is an illuminated radio-for a moment I believe the music will wake him up. I stand in front of his door, watching the grain of the wood. I open the door and creep inside.

My father breathes noisily. His digital clock flips the red seconds away. I stand, just stand, with time pa.s.sing on the bedside table. My head plays "Aqualung." At that moment, I get the point of psycho killers. I could take his head in my hands, stroke his dead-black hair. I could punch him and feel his teeth break like sugar cubes, hear them scatter on the floor. I get it about the dark silence of the world, and your own crackling internal light and noise. I get the s.p.a.ce-suit feeling.

I could have come to murder my father. Now, right now, I could sneak up and press a pillow over his face. He's too drunk to fight. I can see myself doing it. The movie plays inside my head, with Jethro Tull on the sound track. A snow-white pillow and my own body pinning his; a brief struggle and then the rapture of the drowned. Aqualung my friend, don't you start away uneasy. Aqualung my friend, don't you start away uneasy.

Or I could plant a kiss on his worried head. He's drunk enough to sleep through that, too. I could crawl into bed with him and lose myself in the musky warmth, the smells of Scotch and underarm and British Sterling. I stand a minute beside his bed, considering the possibilities.

What I finally do is leave. I go out of my father's room, down the hall, and through the front door into the starry, streetlighted Cleveland night.

The Glovers live less than a mile away, in a house with diamond-pane windows. A white-wicker swing sways creakily on the front porch, crisp as frozen lace. I watch their house from among the irises. It is early June; flowers whisper around my knees. Careful as a thief I survey their property, keeping to the shadows. There is the light in Jonathan's window, a feeble ivory glow from the gooseneck lamp beside his bed. He is reading John Steinbeck for school, and will tell me the story afterward. I creep behind a mulberry tree. Kitchen light throws a long rectangle onto the gra.s.s as Alice dries the spoons and the measuring cups. I can't see her but I know her moves-she is fast and certain as science itself, though she cares more about perfection than she does about order. The cast-iron skillets are always oiled, but the Sunday paper still sits in the living room on a Wednesday night. The Glovers keep a nourishing, semi-clean house that has little to do with neatness. Things catch and hold here.

I wait breathing in the dark as she turns out the kitchen light and goes upstairs. Ned won't be home for another hour or more. I sneak around in time to see the light go on in her bedroom window. I watch her window and I watch the others, the ones that open onto empty rooms. Behind paired black windows is the gleaming darkness of the dining room, its silver tea service putting out an icy glitter. Behind a third, smaller window is the laundry room, with its scoured smell. Upstairs, Alice sends a brief shadow across the windowscreen.

I wait, watching, until Ned's car pulls up. I can see him walk from the garage to the front door, his white shirt brilliant in the porchlight, coins jingling in his pockets. Ned slicks his hair with Vitalis; he wears Sansabelt slacks. I hear the click of his key in the door-a perfect fit. He douses the light and goes upstairs. I can feel his tread. Alice is waiting for him, her hair pulled up off her neck. Jonathan still reads in his own room, taking in the story he'll tell me tomorrow.

I sit in the bushes until every light is out, until the house has settled itself for the night. Then I walk a slow circle around it, with stars and planets shining overhead. Above us, suns nova and collapse, punching holes in the galaxy, pulling their light after them into the next world. Here below, on an earth night humming with gnats and crickets, I orbit the Glovers' house.

ALICE.

B OBBY OBBY rid his voice of its droning, metronomic quality and acquired a boyish lilt, finishing sentences on a high note, so that any statement sounded like an eager, tentative question. His electric hair, when submitted to a barber's shears, emerged as the ordinary, dryly windblown crop of a teenager p.r.o.ne to cowlicks. Once, as he stood grinning before our front door at noon, I saw that he had daubed his acne with a concealing flesh-colored ointment. rid his voice of its droning, metronomic quality and acquired a boyish lilt, finishing sentences on a high note, so that any statement sounded like an eager, tentative question. His electric hair, when submitted to a barber's shears, emerged as the ordinary, dryly windblown crop of a teenager p.r.o.ne to cowlicks. Once, as he stood grinning before our front door at noon, I saw that he had daubed his acne with a concealing flesh-colored ointment.

Still, he never managed the complete transition. He retained a subvert, slightly dangerous quality-something ravenous and watchful. It came out at dinner, as he scoured his plate, and it came out in his insistent, unfailing politeness. Only fugitives are capable of flawless courtesy from morning till night. And, besides, the boy Bobby was struggling to become could never have danced like he did.

He took to bringing over records he thought I'd like-a sweeter, more melodic music than the sort Jonathan favored. Every now and then he'd call down from Jonathan's room: "Mrs. Glover? If you're not too busy, come on up and listen to something?" I'd almost always go on up. How busy could I be, cooking and washing clothes?

I learned a collection of new names: Joni Mitch.e.l.l, Neil Young, Boz Scaggs. Sometimes I just sat with the boys, listening. Sometimes, when an upbeat song came on, I accepted Bobby's invitation to dance.