"Yes, we shall be quite lost without you. And I wanted to say this to you, Don Ippolito, that if ever you change your mind again, and conclude to come to America, you must write to me, and let me help you just as I had intended to do."

The priest shivered, as if cold, and gave another look at Florida's veiled face.

"You are too good," he said.

"Yes, I really think I am," replied Mrs. Vervain, playfully.

"Considering that you were going to let me leave Venice without even trying to say good-by to me, I think I'm very good indeed."

Mrs. Vervain's mood became overcast, and her eyes filled with tears: "I hope you're sorry to have us going, Don Ippolito, for you know how very highly I prize your acquaintance. It was rather cruel of you, I think."

She seemed not to remember that he could not have known of their change of plan. Don Ippolito looked imploringly into her face, and made a touching gesture of deprecation, but did not speak.

"I'm really afraid you're _not_ well, and I think it's too bad of us to be going," resumed Mrs. Vervain; "but it can't be helped now: we are all packed, don't you see. But I want to ask one favor of you, Don Ippolito; and that is," said Mrs. Vervain, covertly taking a little _rouleau_ from her pocket, "that you'll leave these inventions of yours for a while, and give yourself a vacation. You need rest of mind. Go into the country, somewhere, do. That's what's preying upon you. But we must really be off, now. Shake hands with Florida--I'm going to be the last to part with you," she said, with a tearful smile.

Don Ippolito and Florida extended their hands. Neither spoke, and as she sank back upon the seat from which she had half risen, she drew more closely the folds of the veil which she had not lifted from her face.

Mrs. Vervain gave a little sob as Don Ippolito took her hand and kissed it; and she had some difficulty in leaving with him the rouleau, which she tried artfully to press into his palm. "Good-by, good-by," she said, "don't drop it," and attempted to close his fingers over it.

But he let it lie carelessly in his open hand, as the gondola moved off, and there it still lay as he stood watching the boat slip under a bridge at the next corner, and disappear. While he stood there gazing at the empty arch, a man of a wild and savage aspect approached. It was said that this man's brain had been turned by the death of his brother, who was betrayed to the Austrians after the revolution of '48, by his wife's confessor. He advanced with swift strides, and at the moment he reached Don Ippolito's side he suddenly turned his face upon him and cursed him through his clenched teeth: "Dog of a priest!"

Don Ippolito, as if his whole race had renounced him in the maniac's words, uttered a desolate cry, and hiding his face in his hands, tottered into his house.

The rouleau had dropped from his palm; it rolled down the shelving marble of the quay, and slipped into the water.

The young beggar who had held Mrs. Vervain's gondola to the sh.o.r.e while she talked, looked up and down the deserted quay, and at the doors and windows. Then he began to take off his clothes for a bath.

XVII.

Ferris returned at nightfall to his house, where he had not been since daybreak, and flung himself exhausted upon the bed. His face was burnt red with the sun, and his eyes were bloodshot. He fell into a doze and dreamed that he was still at Malamocco, whither he had gone that morning in a sort of craze, with some fishermen, who were to cast their nets there; then he was rowing back to Venice across the lagoon, that seemed a molten fire under the keel. He woke with a heavy groan, and bade Marina fetch him a light.

She set it on the table, and handed him the card Mrs. Vervain had left.

He read it and read it again, and then he laid it down, and putting on his hat, he took his cane and went out. "Do not Wait for me, Marina," he said, "I may be late. Go to bed."

He returned at midnight, and lighting his candle took up the card and read it once more. He could not tell whether to be glad or sorry that he had failed to see the Vervains again. He took it for granted that Don Ippolito was to follow; he would not ask himself what motive had hastened their going. The reasons were all that he should never more look upon the woman so hatefully lost to him, but a strong instinct of his heart struggled against them.

He lay down in his clothes, and began to dream almost before he began to sleep. He woke early, and went out to walk. He did not rest all day.

Once he came home, and found a letter from Mrs. Vervain, postmarked Verona, reiterating her lamentations and adieux, and explaining that the priest had relinquished his purpose, and would not go to America at all.

The deeper mystery in which this news left him was not less sinister than before.

In the weeks that followed, Ferris had no other purpose than to reduce the days to hours, the hours to minutes. The burden that fell upon him when he woke lay heavy on his heart till night, and oppressed him far into his sleep. He could not give his trouble certain shape; what was mostly with him was a formless loss, which he could not resolve into any definite shame or wrong. At times, what he had seen seemed to him some baleful trick of the imagination, some lurid and foolish illusion.

But he could do nothing, he could not ask himself what the end was to be. He kept indoors by day, trying to work, trying to read, marveling somewhat that he did not fall sick and die. At night he set out on long walks, which took him he cared not where, and often detained him till the gray lights of morning began to tremble through the nocturnal blue.

But even by night he shunned the neighborhood in which the Vervains had lived. Their landlord sent him a package of trifles they had left behind, but he refused to receive them, sending back word that he did not know where the ladies were. He had half expected that Mrs. Vervain, though he had not answered her last letter, might write to him again from England, but she did not. The Vervains had pa.s.sed out of his world; he knew that they had been in it only by the torment they had left him.

He wondered in a listless way that he should see nothing of Don Ippolito. Once at midnight he fancied that the priest was coming towards him across a campo he had just entered; he stopped and turned back into the calle: when the priest came up to him, it was not Don Ippolito.

In these days Ferris received a dispatch from the Department of State, informing him that his successor had been appointed, and directing him to deliver up the consular flags, seals, archives, and other property of the United States. No reason for his removal was given; but as there had never been any reason for his appointment, he had no right to complain; the balance was exactly dressed by this simple device of our civil service. He determined not to wait for the coming of his successor before giving up the consular effects, and he placed them at once in the keeping of the worthy ship-chandler who had so often transferred them from departing to arriving consuls. Then being quite ready at any moment to leave Venice, he found himself in nowise eager to go; but he began in a desultory way to pack up his sketches and studies.

One morning as he sat idle in his dismantled studio, Marina came to tell him that an old woman, waiting at the door below, wished to speak with him.

"Well, let her come up," said Ferris wearily, and presently Marina returned with a very ill-favored beldam, who stared hard at him while he frowningly puzzled himself as to where he had seen that malign visage before.

"Well?" he said harshly.

"I come," answered the old woman, "on the part of Don Ippolito Rondinelli, who desires so much to see your excellency."

Ferris made no response, while the old woman knotted the fringe of her shawl with quaking hands, and presently added with a tenderness in her voice which oddly discorded with the hardness of her face: "He has been very sick, poor thing, with a fever; but now he is in his senses again, and the doctors say he will get well. I hope so. But he is still very weak. He tried to write two lines to you, but he had not the strength; so he bade me bring you this word: That he had something to say which it greatly concerned you to hear, and that he prayed you to forgive his not coming to revere you, for it was impossible, and that you should have the goodness to do him this favor, to come to find him the quickest you could."

The old woman wiped her eyes with the corner of her shawl, and her chin wobbled pathetically while she shot a glance of baleful dislike at Ferris, who answered after a long dull stare at her, "Tell him I'll come."

He did not believe that Don Ippolito could tell him anything that greatly concerned him; but he was worn out with going round in the same circle of conjecture, and so far as he could be glad, he was glad of this chance to face his calamity. He would go, but not at once; he would think it over; he would go to-morrow, when he had got some grasp of the matter.

The old woman lingered.

"Tell him I'll come," repeated Ferris impatiently.

"A thousand excuses; but my poor master has been very sick. The doctors say he will get well. I hope so. But he is very weak indeed; a little shock, a little disappointment.... Is the signore very, _very_ much occupied this morning? He greatly desired,--he prayed that if such a thing were possible in the goodness of your excellency .... But I am offending the signore!"

"What do you want?" demanded Ferris.

The old wretch set up a pitiful whimper, and tried to possess herself of his hand; she kissed his coat-sleeve instead. "That you will return with me," she besought him.

"Oh, I'll go!" groaned the painter. "I might as well go first as last,"

he added in English. "There, stop that! Enough, enough, I tell you!

Didn't I say I was going with you?" he cried to the old woman.

"G.o.d bless you!" she mumbled, and set off before him down the stairs and out of the door. She looked so miserably old and weary that he called a gondola to his landing and made her get into it with him.

It tormented Don Ippolito's idle neighborhood to see Veneranda arrive in such state, and a pa.s.sionate excitement arose at the caffe, where the person of the consul was known, when Ferris entered the priest's house with her.

He had not often visited Don Ippolito, but the quaintness of the place had been so vividly impressed upon him, that he had a certain familiarity with the grape-arbor of the anteroom, the paintings of the parlor, and the puerile arrangement of the piano and melodeon. Veneranda led him through these rooms to the chamber where Don Ippolito had first shown him his inventions. They were all removed now, and on a bed, set against the wall opposite the door, lay the priest, with his hands on his breast, and a faint smile on his lips, so peaceful, so serene, that the painter stopped with a sudden awe, as if he had unawares come into the presence of death.

"Advance, advance," whispered the old woman.

Near the head of the bed sat a white-haired priest wearing the red stockings of a canonico; his face was fanatically stern; but he rose, and bowed courteously to Ferris.

The stir of his robes roused Don Ippolito. He slowly and weakly turned his head, and his eyes fell upon the painter. He made a helpless gesture of salutation with his thin hand, and began to excuse himself, for the trouble he had given, with a gentle politeness that touched the painter's heart through all the complex resentments that divided them.

It was indeed a strange ground on which the two men met. Ferris could not have described Don Ippolito as his enemy, for the priest had wittingly done him no wrong; he could not have logically hated him as a rival, for till it was too late he had not confessed to his own heart the love that was in it; he knew no evil of Don Ippolito, he could not accuse him of any betrayal of trust, or violation of confidence. He felt merely that this hapless creature, lying so deathlike before him, had profaned, however involuntarily, what was sacredest in the world to him; beyond this all was chaos. He had heard of the priest's sickness with a fierce hardening of the heart; yet as he beheld him now, he began to remember things that moved him to a sort of remorse. He recalled again the simple loyalty with which Don Ippolito had first spoken to him of Miss Vervain and tried to learn his own feeling toward her; he thought how trustfully at their last meeting the priest had declared his love and hope, and how, when he had coldly received his confession, Don Ippolito had solemnly adjured him to be frank with him; and Ferris could not. That pity for himself as the prey of fantastically cruel chances, which he had already vaguely felt, began now also to include the priest; ignoring all but that compa.s.sion, he went up to the bed and took the weak, chill, nerveless hand in his own.

The canonico rose and placed his chair for Ferris beside the pillow, on which lay a bra.s.s crucifix, and then softly left the room, exchanging a glance of affectionate intelligence with the sick man.

"I might have waited a little while," said Don Ippolito weakly, speaking in a hollow voice that was the shadow of his old deep tones, "but you will know how to forgive the impatience of a man not yet quite master of himself. I thank you for coming. I have been very sick, as you see; I did not think to live; I did not care.... I am very weak, now; let me say to you quickly what I want to say. Dear friend," continued Don Ippolito, fixing his eyes upon the painter's face, "I spoke to her that night after I had parted from you."

The priest's voice was now firm; the painter turned his face away.