Stella turned and looked down at him with a gleam of interest.

"Oh, you've been playing solitaire with the books, have you? And he's found you out! I hope I'll never see that man again. Sugar face!" She said this with intense acrimony. Her forehead flushed delicately, and her eyes were full of hate. Young Remsen was not her idea of a "business man."

Stella went into the other room. When she came back she wore her evening coat and carried long gloves and a black scarf. This she began to arrange over her hair before the mirror above the false fireplace. Percy lay inert in the Morris chair and watched her. Yes, he understood; it was very difficult for a woman with hair like that to be shabby and to go without things. Her hair made her conspicuous, and it had to be lived up to. It had been the deciding factor in his fate.

Stella caught the lace over one ear with a large gold hairpin. She repeated this until she got a good effect. Then turning to Percy, she began to draw on her gloves.

"I'm not worrying any, because I'm going back into business," she said firmly. "I meant to, anyway, if you didn't get a raise the first of the year. I have the offer of a good position, and we can live in an apartment hotel."

Percy was on his feet in an instant.

"I won't have you grinding in any office. That's flat."

Stella's lower lip quivered in a commiserating smile. "Oh, I won't lose my health. Charley Greengay's a partner in his concern now, and he wants a private secretary."

Percy drew back.

"You can't work for Greengay. He's got too bad a reputation. You've more pride than that, Stella."

The thin sweep of color he knew so well went over Stella's face.

"His business reputation seems to be all right," she commented, working the kid on with her left hand.

"What if it is?" Percy broke out. "He's the cheapest kind of a skate. He gets into sc.r.a.pes with the girls in his own office. The last one got into the newspapers, and he had to pay the girl a wad."

"He don't get into sc.r.a.pes with his books, anyway, and he seems to be able to stand getting into the papers. I excuse Charley. His wife's a pill."

"I suppose you think he'd have been all right if he'd married you,"

said Percy, bitterly.

"Yes, I do." Stella b.u.t.toned her glove with an air of finishing something, and then looked at Percy without animosity. "Charley and I both have sporty tastes, and we like excitement. You might as well live in Newark if you're going to sit at home in the evening. You oughtn't to have married a business woman; you need somebody domestic. There's nothing in this sort of life for either of us."

"That means, I suppose, that you're going around with Greengay and his crowd?"

"Yes, that's my sort of crowd, and you never did fit into it. You're too intellectual. I've always been proud of you, Percy. You're better style than Charley, but that gets tiresome. You will never burn much red fire in New York, now, will you?"

Percy did not reply. He sat looking at the minute-hand of the eviscerated Mission clock. His wife almost never took the trouble to argue with him.

"You're old style, Percy," she went on. "Of course everybody marries and wishes they hadn't, but nowadays people get over it. Some women go ahead on the quiet, but I'm giving it to you straight. I'm going to work for Greengay. I like his line of business, and I meet people well. Now I'm going to the Burks'."

Percy dropped his hands limply between his knees.

"I suppose," he brought out, "the real trouble is that you've decided my earning power is not very great."

"That's part of it, and part of it is you're old-fashioned." Stella paused at the door and looked back. "What made you rush me, anyway, Percy?" she asked indulgently. "What did you go and pretend to be a spender and get tied up with me for?"

"I guess everybody wants to be a spender when he's in love," Percy replied.

Stella shook her head mournfully.

"No, you're a spender or you're not. Greengay has been broke three times, fired, down and out, black-listed. But he's always come back, and he always will. You will never be fired, but you'll always be poor." She turned and looked back again before she went out.

Six months later Bixby came to young Oliver Remsen one afternoon and said he would like to have twenty dollars a week held out of his pay until his debt was cleared off.

Oliver looked up at his sallow employee and asked him how he could spare as much as that.

"My expenses are lighter," Bixby replied. "My wife has gone into business with a ready-to-wear firm. She is not living with me any more."

Oliver looked annoyed, and asked him if nothing could be done to readjust his domestic affairs. Bixby said no; they would probably remain as they were.

"But where are you living, Bixby? How have you arranged things?" the young man asked impatiently.

"I'm very comfortable. I live in a boarding-house and have my own furniture. There are several fellows there who are fixed the same way. Their wives went back into business, and they drifted apart."

With a baffled expression Remsen stared at the uneven shoulders under the skin-fitting alpaca desk coat as his bookkeeper went out.

He had meant to do something for Percy, but somehow, he reflected, one never did do anything for a fellow who had been stung as hard as that.

_Century_, May 1916

_Ardessa_

The grand-mannered old man who sat at a desk in the reception-room of "The Outcry" offices to receive visitors and incidentally to keep the time-book of the employees, looked up as Miss Devine entered at ten minutes past ten and condescendingly wished him good morning. He bowed profoundly as she minced past his desk, and with an indifferent air took her course down the corridor that led to the editorial offices. Mechanically he opened the flat, black book at his elbow and placed his finger on D, running his eye along the line of figures after the name Devine. "It's banker's hours she keeps, indeed," he muttered. What was the use of entering so capricious a record? Nevertheless, with his usual preliminary flourish he wrote 10:10 under this, the fourth day of May.

The employee who kept banker's hours rustled on down the corridor to her private room, hung up her lavender jacket and her trim spring hat, and readjusted her side combs by the mirror inside her closet door. Glancing at her desk, she rang for an office boy, and reproved him because he had not dusted more carefully and because there were lumps in her paste. When he disappeared with the paste-jar, she sat down to decide which of her employer's letters he should see and which he should not.

Ardessa was not young and she was certainly not handsome. The coquettish angle at which she carried her head was a mannerism surviving from a time when it was more becoming. She shuddered at the cold candor of the new business woman, and was insinuatingly feminine.

Ardessa's employer, like young Lochinvar, had come out of the West, and he had done a great many contradictory things before he became proprietor and editor of "The Outcry." Before he decided to go to New York and make the East take notice of him, O'Mally had acquired a punctual, reliable silver-mine in South Dakota. This silent friend in the background made his journalistic success comparatively easy.

He had figured out, when he was a rich n.o.body in Nevada, that the quickest way to cut into the known world was through the printing-press. He arrived in New York, bought a highly respectable publication, and turned it into a red-hot magazine of protest, which he called "The Outcry." He knew what the West wanted, and it proved to be what everybody secretly wanted. In six years he had done the thing that had hitherto seemed impossible: built up a national weekly, out on the news-stands the same day in New York and San Francisco; a magazine the people howled for, a moving-picture film of their real tastes and interests.

O'Mally bought "The Outcry" to make a stir, not to make a career, but he had got built into the thing more than he ever intended. It had made him a public man and put him into politics. He found the publicity game diverting, and it held him longer than any other game had ever done. He had built up about him an organization of which he was somewhat afraid and with which he was vastly bored. On his staff there were five famous men, and he had made every one of them. At first it amused him to manufacture celebrities. He found he could take an average reporter from the daily press, give him a "line" to follow, a trust to fight, a vice to expose,--this was all in that good time when people were eager to read about their own wickedness,--and in two years the reporter would be recognized as an authority. Other people--Napoleon, Disraeli, Sarah Bernhardt--had discovered that advertising would go a long way; but Marcus O'Mally discovered that in America it would go all the way--as far as you wished to pay its pa.s.sage. Any human countenance, plastered in three-sheet posters from sea to sea, would be revered by the American people. The strangest thing was that the owners of these grave countenances, staring at their own faces on newsstands and billboards, fell to venerating themselves; and even he, O'Mally, was more or less constrained by these reputations that he had created out of cheap paper and cheap ink.

Constraint was the last thing O'Mally liked. The most engaging and unusual thing about the man was that he couldn't be fooled by the success of his own methods, and no amount of "recognition" could make a stuffed shirt of him. No matter how much he was advertised as a great medicine-man in the councils of the nation, he knew that he was a born gambler and a soldier of fortune. He left his dignified office to take care of itself for a good many months of the year while he played about on the outskirts of social order. He liked being a great man from the East in rough-and-tumble Western cities where he had once been merely an unconsidered spender.

O'Mally's long absences const.i.tuted one of the supreme advantages of Ardessa Devine's position. When he was at his post her duties were not heavy, but when he was giving b.a.l.l.s in Goldfield, Nevada, she lived an ideal life. She came to the office every day, indeed, to forward such of O'Mally's letters as she thought best, to attend to his club notices and tradesmen's bills, and to taste the sense of her high connections. The great men of the staff were all about her, as contemplative as Buddhas in their private offices, each meditating upon the particular trust or form of vice confided to his care. Thus surrounded, Ardessa had a pleasant sense of being at the heart of things. It was like a mental ma.s.sage, exercise without exertion. She read and she embroidered. Her room was pleasant, and she liked to be seen at ladylike tasks and to feel herself a graceful contrast to the crude girls in the advertising and circulation departments across the hall. The younger stenographers, who had to get through with the enormous office correspondence, and who rushed about from one editor to another with wire baskets full of letters, made faces as they pa.s.sed Ardessa's door and saw her cool and cloistered, daintily plying her needle. But no matter how hard the other stenographers were driven, no one, not even one of the five oracles of the staff, dared dictate so much as a letter to Ardessa. Like a sultan's bride, she was inviolate in her lord's absence; she had to be kept for him.

Naturally the other young women employed in "The Outcry" offices disliked Miss Devine. They were all competent girls, trained in the exacting methods of modern business, and they had to make good every day in the week, had to get through with a great deal of work or lose their position. O'Mally's private secretary was a mystery to them. Her exemptions and privileges, her patronizing remarks, formed an exhaustless subject of conversation at the lunch-hour. Ardessa had, indeed, as they knew she must have, a kind of "purchase" on her employer.

When O'Mally first came to New York to break into publicity, he engaged Miss Devine upon the recommendation of the editor whose ailing publication he bought and rechristened. That editor was a conservative, scholarly gentleman of the old school, who was retiring because he felt out of place in the world of brighter, breezier magazines that had been flowering since the new century came in. He believed that in this vehement world young O'Mally would make himself heard and that Miss Devine's training in an editorial office would be of use to him.

When O'Mally first sat down at a desk to be an editor, all the cards that were brought in looked pretty much alike to him. Ardessa was at his elbow. She had long been steeped in literary distinctions and in the social distinctions which used to count for much more than they do now. She knew all the great men, all the nephews and clients of great men. She knew which must be seen, which must be made welcome, and which could safely be sent away. She could give O'Mally on the instant the former rating in magazine offices of nearly every name that was brought in to him. She could give him an idea of the man's connections, of the price his work commanded, and insinuate whether he ought to be met with the old punctiliousness or with the new joviality. She was useful in explaining to her employer the significance of various invitations, and the standing of clubs and a.s.sociations. At first she was virtually the social mentor of the bullet-headed young Westerner who wanted to break into everything, the solitary person about the office of the humming new magazine who knew anything about the editorial traditions of the eighties and nineties which, antiquated as they now were, gave an editor, as O'Mally said, a background.

Despite her indolence, Ardessa was useful to O'Mally as a social reminder. She was the card catalogue of his ever-changing personal relations. O'Mally went in for everything and got tired of everything; that was why he made a good editor. After he was through with people, Ardessa was very skilful in covering his retreat. She read and answered the letters of admirers who had begun to bore him.