A Chair on the Boulevard - Part 46
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Part 46

He hesitated.

"I am in a difficulty. If I seem to disparage my wife, I shall be a cad; if I let you think we have been as happy together as people imagine, you will not understand the importance of what I am going to tell you. I will say this: before our honeymoon was over, I bored her fearfully. While we were engaged, I had talked to her of my illusions about herself; when we were married, I talked to her of my convictions about my art. The change appalled her. She was chilled, crushed, dumfounded. I looked to her to share my interests. For response, she yawned--and wept.

"Oh, her tears! her hourly tears! the tears that drowned my love!

"The philosopher is made, not born; in the first few years I rebelled furiously. I wanted a companion, a confidant, and I had never felt so desperately alone.

"We had a flat in the rue de Sontay then, and the telephone was in my workroom. One night late, as I sat brooding there, the bell startled me; and a voice--a woman's voice, said:

"'I am so lonely; I want to talk to you before I sleep.'

"I cannot describe the strangeness of that appeal, reaching me so suddenly out of the distance. I knew that it was a mistake, of course, but it was as if, away in the city, some nameless soul had echoed the cry in my own heart. I obeyed an impulse; I said:

"'I, too, am very lonely--I believe I have been waiting for you.'

"There was a pause, and then she asked, dismayed:

"'Who are you?'

"'Not the man you thought,' I told her. 'But a very wistful one.'

"I heard soft laughter, 'How absurd!' she murmured.

"'Be merciful,' I went on; 'we are both sad, and Fate clearly intends us to console each other. It cannot compromise you, for I do not even know who you are. Stay and talk to me for five minutes.'

"'What do you ask me to talk about?'

"'Oh, the subject to interest us both--yourself.'

"After a moment she answered, 'I am shaking my head.'

"'It is very unfeeling of you,' I said. 'And I have not even the compensation of seeing you do it.'

"Imagine another pause, and then her voice in my ear again:

"'I will tell you what I can do for you--I can tell you a story.'

"'The truth would please me more,' I owned. 'Still, if my choice must be made between your story and your silence, I certainly choose the story.'

"'I applaud your taste,' she said. 'Are you comfortable--are you sitting down?'

"I sat down, smiling. 'Madame--'

"She did not reply.

"Then, 'Mademoiselle--'

"Again no answer.

"'Well, say at least if I have your permission to smoke while I listen to you?'

"She laughed: 'You carry courtesy far!'

"'How far?' I asked quickly.

"But she would not even hint from what neighbourhood she was speaking to me. 'Attend!' she commanded--and began:

"'It is a story of two lovers,' she said, 'Paul and Rosamonde. They were to have married, but Rosamonde died too soon. When she was dying, she gave him a curl of the beautiful brown hair that he used to kiss.

"Au revoir, dear love," she whispered; "it will be very stupid in Heaven until you come. Remember that I am waiting for you and be faithful. If your love for me fades, you will see that curl of mine fade too."

"'Every day through the winter Paul strewed flowers on her tomb, and sobbed. And in the spring he strewed flowers and sighed. And in the summer he paid that flowers might be strewn there for him. Sometimes, when he looked at the dead girl's hair, he thought that it was paler than it had been, but, as he looked at it seldom now, he could easily persuade himself that he was mistaken.

"'Then he met a woman who made him happy again; and the wind chased the withered flowers from Rosamonde's grave and left it bare. One day Paul's wife found a little packet that lay forgotten in his desk. She opened it jealously, before he could prevent her. Paul feared that the sight would give her pain, and watched her with anxious eyes. But in a moment she was laughing. "What an idiot I am," she exclaimed--"I was afraid that it was the hair of some girl you had loved!" The curl was snow-white.'

"Her fantastic tale," continued Noulens, "which was told with an earnestness that I cannot reproduce, impressed me very much. I did not offer any criticism, I did not pay her any compliment; I said simply:

"'Who are you?'

"'That,' she warned me, 'is a question that you must not ask. Well, are you still bored?'

"'No.'

"'Interested, a little?'

"'Very much so.'

"'I, too, am feeling happier than I did. And now, bonsoir!'

"'Wait,' I begged. 'Tell me when I shall speak to you again.'

"She hesitated; and I a.s.sure you that I had never waited for a woman's answer with more suspense while I held her hand, than I waited for the answer of this woman whom I could not see. 'To-morrow?' I urged. 'In the morning?'

"'In the morning it would be difficult.'

"'The afternoon?'

"'In the afternoon it would be impossible,'

"'Then the evening--at the same hour?'

"'Perhaps,' she faltered--'if I am free.'

"'My number,' I told her, 'is five-four-two, one-nine. Can you write it now?'

"'I have written it.'

"'Please repeat, so that there may be no mistake.'