A BOOK OF MYTHS.

by Jean Lang.

PROMETHEUS AND PANDORA.

Those who are interested in watching the mental development of a child must have noted that when the baby has learned to speak even a little, it begins to show its growing intelligence by asking questions. "What is this?" it would seem at first to ask with regard to simple things that to it are still mysteries. Soon it arrives at the more far-reaching inquiries--"Why is this so?" "How did this happen?" And as the child's mental growth continues, the painstaking and conscientious parent or guardian is many times faced by questions which lack of knowledge, or a sensitive honesty, prevents him from answering either with a.s.surance or with ingenuity.

As with the child, so it has ever been with the human race. Man has always come into the world asking "How?" "Why?" "What?" and so the Hebrew, the Greek, the Maori, the Australian blackfellow, the Norseman--in a word, each race of mankind--has formed for itself an explanation of existence, an answer to the questions of the groping child-mind--"Who made the world?" "What is G.o.d?" "What made a G.o.d think of fire and air and water?" "Why am I, I?"

Into the explanation of creation and existence given by the Greeks come the stories of Prometheus and of Pandora. The world, as first it was, to the Greeks was such a world as the one of which we read in the Book of Genesis--"without form, and void." It was a sunless world in which land, air, and sea were mixed up together, and over which reigned a deity called Chaos. With him ruled the G.o.ddess of Night and their son was Erebus, G.o.d of Darkness. When the two beautiful children of Erebus, Light and Day, had flooded formless s.p.a.ce with their radiance, Eros, the G.o.d of Love, was born, and Light and Day and Love, working together, turned discord into harmony and made the earth, the sea, and the sky into one perfect whole. A giant race, a race of t.i.tans, in time populated this newly-made earth, and of these one of the mightiest was Prometheus. To him, and to his brother Epimethus, was entrusted by Eros the distribution of the gifts of faculties and of instincts to all the living creatures in the world, and the task of making a creature lower than the G.o.ds, something less great than the t.i.tans, yet in knowledge and in understanding infinitely higher than the beasts and birds and fishes. At the hands of the t.i.tan brothers, birds, beasts, and fishes had fared handsomely. They were t.i.tanic in their generosity, and so prodigal had they been in their gifts that when they would fain have carried out the commands of Eros they found that nothing was left for the equipment of this being, to be called Man. Yet, nothing daunted, Prometheus took some clay from the ground at his feet, moistened it with water, and fashioned it into an image, in form like the G.o.ds. Into its nostrils Eros breathed the spirit of life, Pallas Athene endowed it with a soul, and the first man looked wonderingly round on the earth that was to be his heritage. Prometheus, proud of the beautiful thing of his own creation, would fain have given Man a worthy gift, but no gift remained for him. He was naked, unprotected, more helpless than any of the beasts of the field, more to be pitied than any of them in that he had a soul to suffer.

Surely Zeus, the All Powerful, ruler of Olympus, would have compa.s.sion on Man? But Prometheus looked to Zeus in vain; compa.s.sion he had none. Then, in infinite pity, Prometheus bethought himself of a power belonging to the G.o.ds alone and unshared by any living creature on the earth.

"We shall give Fire to the Man whom we have made," he said to Epimethus. To Epimethus this seemed an impossibility, but to Prometheus nothing was impossible. He bided his time and, unseen by the G.o.ds, he made his way into Olympus, lighted a hollow torch with a spark from the chariot of the Sun and hastened back to earth with this royal gift to Man. a.s.suredly no other gift could have brought him more completely the empire that has since been his. No longer did he tremble and cower in the darkness of caves when Zeus hurled his lightnings across the sky. No more did he dread the animals that hunted him and drove him in terror before them.

Armed with fire, the beasts became his va.s.sals. With fire he forged weapons, defied the frost and cold, coined money, made implements for tillage, introduced the arts, and was able to destroy as well as to create.

From his throne on Olympus, Zeus looked down on the earth and saw, with wonder, airy columns of blue-grey smoke that curled upwards to the sky. He watched more closely, and realised with terrible wrath that the moving flowers of red and gold that he saw in that land that the t.i.tans shared with men, came from fire, that had hitherto been the G.o.ds' own sacred power. Speedily he a.s.sembled a council of the G.o.ds to mete out to Prometheus a punishment fit for the blasphemous daring of his crime. This council decided at length to create a thing that should for evermore charm the souls and hearts of men, and yet, for evermore, be man's undoing.

To Vulcan, G.o.d of fire, whose province Prometheus had insulted, was given the work of fashioning out of clay and water the creature by which the honour of the G.o.ds was to be avenged. "The lame Vulcan," says Hesiod, poet of Greek mythology, "formed out of the earth an image resembling a chaste virgin. Pallas Athene, of the blue eyes, hastened to ornament her and to robe her in a white tunic. She dressed on the crown of her head a long veil, skilfully fashioned and admirable to see; she crowned her forehead with graceful garlands of newly-opened flowers and a golden diadem that the lame Vulcan, the ill.u.s.trious G.o.d, had made with his own hands to please the puissant Jove. On this crown Vulcan had chiselled the innumerable animals that the continents and the sea nourish in their bosoms, all endowed with a marvellous grace and apparently alive. When he had finally completed, instead of some useful work, this ill.u.s.trious masterpiece, he brought into the a.s.sembly this virgin, proud of the ornaments with which she had been decked by the blue-eyed G.o.ddess, daughter of a powerful sire." To this beautiful creature, destined by the G.o.ds to be man's destroyer, each of them gave a gift. From Aphrodite she got beauty, from Apollo music, from Hermes the gift of a winning tongue. And when all that great company in Olympus had bestowed their gifts, they named the woman Pandora--"Gifted by all the G.o.ds." Thus equipped for victory, Pandora was led by Hermes to the world that was thenceforward to be her home. As a gift from the G.o.ds she was presented to Prometheus.

But Prometheus, gazing in wonder at the violet blue eyes bestowed by Aphrodite, that looked wonderingly back into his own as if they were indeed as innocent as two violets wet with the morning dew, hardened his great heart, and would have none of her. As a hero--a worthy descendant of t.i.tans--said in later years, "Timeo Danaos et dona ferentes,"--"I fear the Greeks, even when they bring gifts." And Prometheus, the greatly-daring, knowing that he merited the anger of the G.o.ds, saw treachery in a gift outwardly so perfect. Not only would he not accept this exquisite creature for his own, but he hastened to caution his brother also to refuse her.

But well were they named Prometheus (Forethought) and Epimethus (Afterthought). For Epimethus it was enough to look at this peerless woman, sent from the G.o.ds, for him to love her and to believe in her utterly. She was the fairest thing on earth, worthy indeed of the deathless G.o.ds who had created her. Perfect, too, was the happiness that she brought with her to Epimethus. Before her coming, as he well knew now, the fair world had been incomplete. Since she came the fragrant flowers had grown more sweet for him, the song of the birds more full of melody. He found new life in Pandora and marvelled how his brother could ever have fancied that she could bring to the world aught but peace and joyousness.

Now when the G.o.ds had entrusted to the t.i.tan brothers the endowment of all living things upon the earth, they had been careful to withhold everything that might bring into the world pain, sickness, anxiety, bitterness of heart, remorse, or soul-crushing sorrow. All these hurtful things were imprisoned in a coffer which was given into the care of the trusty Epimethus.

To Pandora the world into which she came was all fresh, all new, quite full of unexpected joys and delightful surprises. It was a world of mystery, but mystery of which her great, adoring, simple t.i.tan held the golden key. When she saw the coffer which never was opened, what then more natural than that she should ask Epimethus what it contained? But the contents were known only to the G.o.ds. Epimethus was unable to answer. Day by day, the curiosity of Pandora increased. To her the G.o.ds had never given anything but good. Surely there must be here gifts more precious still. What if the Olympians had destined her to be the one to open the casket, and had sent her to earth in order that she might bestow on this dear world, on the men who lived on it, and on her own magnificent t.i.tan, happiness and blessings which only the minds of G.o.ds could have conceived? Thus did there come a day when Pandora, unconscious instrument in the hands of a vengeful Olympian, in all faith, and with the courage that is born of faith and of love, opened the lid of the prison-house of evil. And as from coffers in the old Egyptian tombs, the live plague can still rush forth and slay, the long-imprisoned evils rushed forth upon the fair earth and on the human beings who lived on it--malignant, ruthless, fierce, treacherous, and cruel--poisoning, slaying, devouring. Plague and pestilence and murder, envy and malice and revenge and all viciousness--an ugly wolf-pack indeed was that one let loose by Pandora. Terror, doubt, misery, had all rushed straightway to attack her heart, while the evils of which she had never dreamed stung mind and soul into dismay and horror, when, by hastily shutting the lid of the coffer, she tried to undo the evil she had done.

And lo, she found that the G.o.ds had imprisoned one good gift only in this Inferno of horrors and of ugliness. In the world there had never been any need of Hope. What work was there for Hope to do where all was perfect, and where each creature possessed the desire of body and of heart? Therefore Hope was thrust into the chest that held the evils, a star in a black night, a lily growing on a dung-heap. And as Pandora, white-lipped and trembling, looked into the otherwise empty box, courage came back to her heart, and Epimethus let fall to his side the arm that would have slain the woman of his love because there came to him, like a draught of wine to a warrior spent in battle, an imperial vision of the sons of men through all the aeons to come, combatting all evils of body and of soul, going on conquering and to conquer. Thus, saved by Hope, the t.i.tan and the woman faced the future, and for them the vengeance of the G.o.ds was stayed.

"Yet I argue not Against Heav'n's hand or will, nor bate a jot Of heart or hope; but still bear up and steer Right onward."

So spoke Milton, the blind t.i.tan of the seventeenth century; and Shakespeare says: "True hope is swift, and flies with swallow's wings; Kings it makes G.o.ds, and meaner creatures kings."

Upon the earth, and on the children of men who were as G.o.ds in their knowledge and mastery of the force of fire, Jupiter had had his revenge. For Prometheus he reserved another punishment. He, the greatly-daring, once the dear friend and companion of Zeus himself, was chained to a rock on Mount Caucasus by the vindictive deity. There, on a dizzy height, his body thrust against the sun-baked rock, Prometheus had to endure the torment of having a foul-beaked vulture tear out his liver, as though he were a piece of carrion lying on the mountain side. All day, while the sun mercilessly smote him and the blue sky turned from red to black before his pain-racked eyes, the torture went on. Each night, when the filthy bird of prey that worked the will of the G.o.ds spread its dark wings and flew back to its eyrie, the t.i.tan endured the cruel mercy of having his body grow whole once more. But with daybreak there came again the silent shadow, the smell of the unclean thing, and again with fierce beak and talons the vulture greedily began its work.

Thirty thousand years was the time of his sentence, and yet Prometheus knew that at any moment he could have brought his torment to an end. A secret was his--a mighty secret, the revelation of which would have brought him the mercy of Zeus and have reinstated him in the favour of the all-powerful G.o.d. Yet did he prefer to endure his agonies rather than to free himself by bowing to the desires of a tyrant who had caused Man to be made, yet denied to Man those gifts that made him n.o.bler than the beasts and raised him almost to the heights of the Olympians. Thus for him the weary centuries dragged by--in suffering that knew no respite--in endurance that the G.o.ds might have ended. Prometheus had brought an imperial gift to the men that he had made, and imperially he paid the penalty.

"Three thousand years of sleep-unsheltered hours, And moments aye divided by keen pangs Till they seemed years, torture and solitude, Scorn and despair,--these are mine empire. More glorious far than that which thou surveyest From thine unenvied throne, O, Mighty G.o.d! Almighty, had I deigned to share the shame Of thine ill tyranny, and hung not here Nailed to this wall of eagle-baffling mountain, Black, wintry, dead, unmeasured; without herb, Insect, or beast, or shape or sound of life. Ah me! alas, pain, pain ever, for ever!"

Sh.e.l.ley.

"t.i.tan! to whose immortal eyes The sufferings of mortality Seen in their sad reality, Were not as things that G.o.ds despise; What was thy pity's recompense? A silent suffering, and intense; The rock, the vulture, and the chain, All that the proud can feel of pain, The agony they do not show, The suffocating sense of woe, Which speaks but in its loneliness, And then is jealous lest the sky Should have a listener, nor will sigh Until its voice is echoless."

Byron.

"Yet, I am still Prometheus, wiser grown By years of solitude,--that holds apart The past and future, giving the soul room To search into itself,--and long commune With this eternal silence;--more a G.o.d, In my long-suffering and strength to meet With equal front the direst shafts of fate, Than thou in thy faint-hearted despotism ... Therefore, great heart, bear up! thou art but type Of what all lofty spirits endure that fain Would win men back to strength and peace through love: Each hath his lonely peak, and on each heart Envy, or scorn or hatred tears lifelong With vulture beak; yet the high soul is left; And faith, which is but hope grown wise, and love And patience, which at last shall overcome."

Lowell.

PYGMALION.

In days when the world was young and when the G.o.ds walked on the earth, there reigned over the island of Cyprus a sculptor-king, and king of sculptors, named Pygmalion. In the language of our own day, we should call him "wedded to his art." In woman he only saw the bane of man. Women, he believed, lured men from the paths to which their destiny called them. While man walked alone, he walked free--he had given no "hostages to fortune." Alone, man could live for his art, could combat every danger that beset him, could escape, unhampered, from every pitfall in life. But woman was the ivy that clings to the oak, and throttles the oak in the end. No woman, vowed Pygmalion, should ever hamper him. And so at length he came to hate women, and, free of heart and mind, his genius wrought such great things that he became a very perfect sculptor. He had one pa.s.sion, a pa.s.sion for his art, and that sufficed him. Out of great rough blocks of marble he would hew the most perfect semblance of men and of women, and of everything that seemed to him most beautiful and the most worth preserving.

When we look now at the Venus of Milo, at the Diana of Versailles, and at the Apollo Belvidere in the Vatican, we can imagine what were the greater things that the sculptor of Cyprus freed from the dead blocks of marble. One day as he chipped and chiselled there came to him, like the rough sketch of a great picture, the semblance of a woman. How it came he knew not. Only he knew that in that great ma.s.s of pure white stone there seemed to be imprisoned the exquisite image of a woman, a woman that he must set free. Slowly, gradually, the woman came. Soon he knew that she was the most beautiful thing that his art had ever wrought. All that he had ever thought that a woman should be, this woman was. Her form and features were all most perfect, and so perfect were they, that he felt very sure that, had she been a woman indeed, most perfect would have been the soul within. For her he worked as he had never worked before. There came, at last, a day when he felt that another touch would be insult to the exquisite thing he had created. He laid his chisel aside and sat down to gaze at the Perfect Woman. She seemed to gaze back at him. Her parted lips were ready to speak--to smile. Her hands were held out to hold his hands. Then Pygmalion covered his eyes. He, the hater of women, loved a woman--a woman of chilly marble. The women he had scorned were avenged.

[Ill.u.s.tration: THEN PYGMALION COVERED HIS EYES]

Day by day his pa.s.sion for the woman of his own creation grew and grew. His hands no longer wielded the chisel. They grew idle. He would stand under the great pines and gaze across the sapphire-blue sea, and dream strange dreams of a marble woman who walked across the waves with arms outstretched, with smiling lips, and who became a woman of warm flesh and blood when her bare feet touched the yellow sand, and the bright sun of Cyprus touched her marble hair and turned it into hair of living gold. Then he would hasten back to his studio to find the miracle still unaccomplished, and would pa.s.sionately kiss the little cold hands, and lay beside the little cold feet the presents he knew that young girls loved--bright sh.e.l.ls and exquisite precious stones, gorgeous-hued birds and fragrant flowers, shining amber, and beads that sparkled and flashed with all the most lovely combinations of colour that the mind of artist could devise. Yet more he did, for he spent vast sums on priceless pearls and hung them in her ears and upon her cold white breast; and the merchants wondered who could be the one upon whom Pygmalion lavished the money from his treasury.

To his divinity he gave a name--"Galatea"; and always on still nights the myriad silver stars would seem to breathe to him "Galatea" ... and on those days when the tempests blew across the sandy wastes of Arabia and churned up the fierce white surf on the rocks of Cyprus, the very spirit of the storm seemed to moan through the crash of waves in longing, hopeless and unutterable--"Galatea!... Galatea!..." For her he decked a couch with Tyrian purple, and on the softest of pillows he laid the beautiful head of the marble woman that he loved.

So the time wore on until the festival of Aphrodite drew near. Smoke from many altars curled out to sea, the odour of incense mingled with the fragrance of the great pine trees, and garlanded victims lowed and bleated as they were led to the sacrifice. As the leader of his people, Pygmalion faithfully and perfectly performed all his part in the solemnities and at last he was left beside the altar to pray alone. Never before had his words faltered as he laid his pet.i.tions before the G.o.ds, but on this day he spoke not as a sculptor-king, but as a child who was half afraid of what he asked.

"O Aphrodite!" he said, "who can do all things, give me, I pray you, one like my Galatea for my wife!"

"Give me my Galatea," he dared not say; but Aphrodite knew well the words he would fain have uttered, and smiled to think how Pygmalion at last was on his knees. In token that his prayer was answered, three times she made the flames on the altar shoot up in a fiery point, and Pygmalion went home, scarcely daring to hope, not allowing his gladness to conquer his fear.

The shadows of evening were falling as he went into the room that he had made sacred to Galatea. On the purple-covered couch she lay, and as he entered it seemed as though she met his eyes with her own; almost it seemed that she smiled at him in welcome. He quickly went up to her and, kneeling by her side, he pressed his lips on those lips of chilly marble. So many times he had done it before, and always it was as though the icy lips that could never live sent their chill right through his heart, but now it surely seemed to him that the lips were cold no longer. He felt one of the little hands, and no more did it remain heavy and cold and stiff in his touch, but lay in his own hand, soft and living and warm. He softly laid his fingers on the marble hair, and lo, it was the soft and wavy burnished golden hair of his desire. Again, reverently as he had laid his offerings that day on the altar of Venus, Pygmalion kissed her lips. And then did Galatea, with warm and rosy cheeks, widely open her eyes, like pools in a dark mountain stream on which the sun is shining, and gaze with timid gladness into his own.

There are no after tales of Pygmalion and Galatea. We only know that their lives were happy and that to them was born a son, Paphos, from whom the city sacred to Aphrodite received its name. Perhaps Aphrodite may have smiled sometimes to watch Pygmalion, once the scorner of women, the adoring servant of the woman that his own hands had first designed.

PHAETON.

"The road, to drive on which unskilled were Phaeton's hands."

Dante--Purgatorio.

To Apollo, the sun-G.o.d, and Clymene, a beautiful ocean-nymph, there was born in the pleasant land of Greece a child to whom was given the name of Phaeton, the Bright and Shining One. The rays of the sun seemed to live in the curls of the fearless little lad, and when at noon other children would seek the cool shade of the cypress groves, Phaeton would hold his head aloft and gaze fearlessly up at the brazen sky from whence fierce heat beat down upon his golden head.

"Behold, my father drives his chariot across the heavens!" he proudly proclaimed. "In a little while I, also, will drive the four snow-white steeds."

His elders heard the childish boast with a smile, but when Epaphos, half-brother to Apollo, had listened to it many times and beheld the child, Phaeton, grow into an arrogant lad who held himself as though he were indeed one of the Immortals, anger grew in his heart. One day he turned upon Phaeton and spoke in fierce scorn: "Dost say thou art son of a G.o.d? A shameless boaster and a liar art thou! Hast ever spoken to thy divine sire? Give us some proof of thy sonship! No more child of the glorious Apollo art thou than are the vermin his children, that the sun breeds in the dust at my feet."

For a moment, before the cruel taunt, the lad was stricken into silence, and then, his pride aflame, his young voice shaking with rage and with bitter shame, he cried aloud: "Thou, Epaphos, art the liar. I have but to ask my father, and thou shalt see me drive his golden chariot across the sky."

To his mother he hastened, to get balm for his hurt pride, as many a time he had got it for the little bodily wounds of childhood, and with bursting heart he poured forth his story.

"True it is," he said, "that my father has never deigned to speak to me. Yet I know, because thou hast told me so, that he is my sire. And now my word is pledged. Apollo must let me drive his steeds, else I am for evermore branded braggart and liar, and shamed amongst men."

Clymene listened with grief to his complaint. He was so young, so gallant, so foolish.

"Truly thou art the son of Apollo," she said, "and oh, son of my heart, thy beauty is his, and thy pride the pride of a son of the G.o.ds. Yet only partly a G.o.d art thou, and though thy proud courage would dare all things, it were mad folly to think of doing what a G.o.d alone can do."

But at last she said to him, "Naught that I can say is of any avail. Go, seek thy father, and ask him what thou wilt." Then she told him how he might find the place in the east where Apollo rested ere the labours of the day began, and with eager gladness Phaeton set out upon his journey. A long way he travelled, with never a stop, yet when the glittering dome and jewelled turrets and minarets of the Palace of the Sun came into view, he forgot his weariness and hastened up the steep ascent to the home of his father.

Phoebus Apollo, clad in purple that glowed like the radiance of a cloud in the sunset sky, sat upon his golden throne. The Day, the Month, and the Year stood by him, and beside them were the Hours. Spring was there, her head wreathed with flowers; Summer, crowned with ripened grain; Autumn, with his feet empurpled by the juice of the grapes; and Winter, with hair all white and stiff with h.o.a.r-frost. And when Phaeton walked up the golden steps that led to his father's throne, it seemed as though incarnate Youth had come to join the court of the G.o.d of the Sun, and that Youth was so beautiful a thing that it must surely live forever. Proudly did Apollo know him for his son, and when the boy looked in his eyes with the arrogant fearlessness of boyhood, the G.o.d greeted him kindly and asked him to tell him why he came, and what was his pet.i.tion.

As to Clymene, so also to Apollo, Phaeton told his tale, and his father listened, half in pride and amus.e.m.e.nt, half in puzzled vexation. When the boy stopped, and then breathlessly, with shining eyes and flushed cheeks, ended up his story with: "And, O light of the boundless world, if I am indeed thy son, let it be as I have said, and for one day only let me drive thy chariot across the heavens!" Apollo shook his head and answered very gravely: "In truth thou art my dear son," he said, "and by the dreadful Styx, the river of the dead, I swear that I will give thee any gift that thou dost name and that will give proof that thy father is the immortal Apollo. But never to thee nor to any other, be he mortal or immortal, shall I grant the boon of driving my chariot."

But the boy pled on: "I am shamed for ever, my father," he said. "Surely thou wouldst not have son of thine proved liar and braggart?"

"Not even the G.o.ds themselves can do this thing," answered Apollo. "Nay, not even the almighty Zeus. None but I, Phoebus Apollo, may drive the flaming chariot of the sun, for the way is beset with dangers and none know it but I."

"Only tell me the way, my father!" cried Phaeton. "So soon I could learn."

Half in sadness, Apollo smiled.

"The first part of the way is uphill," he said. "So steep it is that only very slowly can my horses climb it. High in the heavens is the middle, so high that even I grow dizzy when I look down upon the earth and the sea. And the last piece of the way is a precipice that rushes so steeply downward that my hands can scarce check the mad rush of my galloping horses. And all the while, the heaven is spinning round, and the stars with it. By the horns of the Bull I have to drive, past the Archer whose bow is taut and ready to slay, close to where the Scorpion stretches out its arms and the great Crab's claws grope for a prey...."

"I fear none of these things, oh my father!" cried Phaeton. "Grant that for one day only I drive thy white-maned steeds!"

Very pitifully Apollo looked at him, and for a little s.p.a.ce he was silent.

"The little human hands," he said at length, "the little human frame!--and with them the soul of a G.o.d. The pity of it, my son. Dost not know that the boon that thou dost crave from me is Death?"

"Rather Death than Dishonour," said Phaeton, and proudly he added, "For once would I drive like the G.o.d, my father. I have no fear."

So was Apollo vanquished, and Phaeton gained his heart's desire.

From the courtyard of the Palace the four white horses were led, and they pawed the air and neighed aloud in the glory of their strength. They drew the chariot whose axle and pole and wheels were of gold, with spokes of silver, while inside were rows of diamonds and of chrysolites that gave dazzling reflection of the sun. Then Apollo anointed the face of Phaeton with a powerful essence that might keep him from being smitten by the flames, and upon his head he placed the rays of the sun. And then the stars went away, even to the Daystar that went last of all, and, at Apollo's signal, Aurora, the rosy-fingered, threw open the purple gates of the east, and Phaeton saw a path of pale rose-colour open before him.

With a cry of exultation, the boy leapt into the chariot and laid hold of the golden reins. Barely did he hear Apollo's parting words: "Hold fast the reins, and spare the whip. All thy strength will be wanted to hold the horses in. Go not too high nor too low. The middle course is safest and best. Follow, if thou canst, in the old tracks of my chariot wheels!" His glad voice of thanks for the G.o.dlike boon rang back to where Apollo stood and watched him vanishing into the dawn that still was soft in hue as the feathers on the breast of a dove.

Uphill at first the white steeds made their way, and the fire from their nostrils tinged with flame-colour the dark clouds that hung over the land and the sea. With rapture, Phaeton felt that truly he was the son of a G.o.d, and that at length he was enjoying his heritage. The day for which, through all his short life, he had longed, had come at last. He was driving the chariot whose progress even now was awaking the sleeping earth. The radiance from its wheels and from the rays he wore round his head was painting the clouds, and he laughed aloud in rapture as he saw, far down below, the sea and the rivers he had bathed in as a human boy, mirroring the green and rose and purple, and gold and silver, and fierce crimson, that he, Phaeton, was placing in the sky. The grey mist rolled from the mountain tops at his desire. The white fog rolled up from the valleys. All living things awoke; the flowers opened their petals; the grain grew golden; the fruit grew ripe. Could but Epaphos see him now! Surely he must see him, and realise that not Apollo but Phaeton was guiding the horses of his father, driving the chariot of the Sun.

Quicker and yet more quick grew the pace of the white-maned steeds. Soon they left the morning breezes behind, and very soon they knew that these were not the hands of the G.o.d, their master, that held the golden reins. Like an air-ship without its accustomed ballast, the chariot rolled unsteadily, and not only the boy's light weight but his light hold on their bridles made them grow mad with a l.u.s.t for speed. The white foam flew from their mouths like the spume from the giant waves of a furious sea, and their pace was swift as that of a bolt that is cast by the arm of Zeus.

Yet Phaeton had no fear, and when they heard him shout in rapture, "Quicker still, brave ones! more swiftly still!" it made them speed onwards, madly, blindly, with the headlong rush of a storm. There was no hope for them to keep on the beaten track, and soon Phaeton had his rapture checked by the terrible realisation that they had strayed far out of the course and that his hands were not strong enough to guide them. Close to the Great Bear and the Little Bear they pa.s.sed, and these were scorched with heat. The Serpent which, torpid, chilly and harmless, lies coiled round the North Pole, felt a warmth that made it grow fierce and harmful again. Downward, ever downward galloped the maddened horses, and soon Phaeton saw the sea as a shield of molten bra.s.s, and the earth so near that all things on it were visible. When they pa.s.sed the Scorpion and only just missed destruction from its menacing fangs, fear entered into the boy's heart. His mother had spoken truth. He was only partly a G.o.d, and he was very, very young. In impotent horror he tugged at the reins to try to check the horses' descent, then, forgetful of Apollo's warning, he smote them angrily. But anger met anger, and the fury of the immortal steeds had scorn for the wrath of a mortal boy. With a great toss of their mighty heads they had torn the guiding reins from his grasp, and as he stood, giddily swaying from side to side, Phaeton knew that the boon he had craved from his father must in truth be death for him.

And, lo, it was a hideous death, for with eyes that were like flames that burned his brain, the boy beheld the terrible havoc that his pride had wrought. That blazing chariot of the Sun made the clouds smoke, and dried up all the rivers and water-springs. Fire burst from the mountain tops, great cities were destroyed. The beauty of the earth was ravished, woods and meadows and all green and pleasant places were laid waste. The harvests perished, the flocks and they who had herded them lay dead. Over Libya the horses took him, and the desert of Libya remains a barren wilderness to this day, while those st.u.r.dy Ethiopians who survived are black even now as a consequence of that cruel heat. The Nile changed its course in order to escape, and nymphs and nereids in terror sought for the sanctuary of some watery place that had escaped destruction. The face of the burned and blackened earth, where the bodies of thousands of human beings lay charred to ashes, cracked and sent dismay to Pluto by the lurid light that penetrated even to his throne.

All this Phaeton saw, saw in impotent agony of soul. His boyish folly and pride had been great, but the excruciating anguish that made him shed tears of blood, was indeed a punishment even too heavy for an erring G.o.d.

From the havoc around her, the Earth at last looked up, and with blackened face and blinded eyes, and in a voice that was harsh and very, very weary, she called to Zeus to look down from Olympus and behold the ruin that had been wrought by the chariot of the Sun. And Zeus, the cloud-gatherer, looked down and beheld. And at the sight of that piteous devastation his brow grew dark, and terrible was his wrath against him who had held the reins of the chariot. Calling upon Apollo and all the other G.o.ds to witness him, he seized a lightning bolt, and for a moment the deathless Zeus and all the dwellers in Olympus looked on the fiery chariot in which stood the swaying, slight, lithe figure of a young lad, blinded with horror, shaken with agony. Then, from his hand, Zeus cast the bolt, and the chariot was dashed into fragments, and Phaeton, his golden hair ablaze, fell, like a bright shooting star, from the heavens above, into the river Erida.n.u.s. The steeds returned to their master, Apollo, and in rage and grief Apollo lashed them. Angrily, too, and very rebelliously did he speak of the punishment meted to his son by the ruler of the Immortals. Yet in truth the punishment was a merciful one. Phaeton was only half a G.o.d, and no human life were fit to live after the day of dire anguish that had been his.

Bitter was the mourning of Clymene over her beautiful only son, and so ceaselessly did his three sisters, the Heliades, weep for their brother, that the G.o.ds turned them into poplar trees that grew by the bank of the river, and, when still they wept, their tears turned into precious amber as they fell. Yet another mourned for Phaeton--Phaeton "dead ere his prime." Cycnus, King of Liguria, had dearly loved the gallant boy, and again and yet again he dived deep in the river and brought forth the charred fragments of what had once been the beautiful son of a G.o.d, and gave to them honourable burial. Yet he could not rest satisfied that he had won all that remained of his friend from the river's bed, and so he continued to haunt the stream, ever diving, ever searching, until the G.o.ds grew weary of his restless sorrow and changed him into a swan.

And still we see the swan sailing mournfully along, like a white-sailed barque that is bearing the body of a king to its rest, and ever and anon plunging deep into the water as though the search for the boy who would fain have been a G.o.d were never to come to an end.

To Phaeton the Italian Naiades reared a tomb, and inscribed on the stone these words: "Driver of Phoebus' chariot, Phaeton, Struck by Jove's thunder, rests beneath this stone, He could not rule his father's car of fire, Yet was it much, so n.o.bly to aspire."

Ovid.

ENDYMION.

To the modern popular mind perhaps none of the G.o.ddesses of Greece--not even Venus herself--has more appeal than has the huntress G.o.ddess, Diana. Those who know but little of ancient statuary can still brighten to intelligent recognition of the huntress with her quiver and her little stag when they meet with them in picture gallery or in suburban garden. That unlettered sportsman in weather-worn pink, slowly riding over the fragrant dead leaves by the muddy roadside on this chill, grey morning, may never have heard of Artemis, but he is quite ready to make intelligent reference to Diana to the handsome young sportswoman whom he finds by the covert side; and Sir Walter's Diana Vernon has helped the little-read public to realise that the original Diana was a G.o.ddess worthy of being sponsor to one of the finest heroines of fiction.

But not to the sportsman alone, but also to the youth or maid who loves the moon--they know not why--to those whom the shadows of the trees on a woodland path at night mean a grip of the heart, while "pale Dian" scuds over the dark clouds that are soaring far beyond the tree-tops and is peeping, chaste and pale, through the branches of the firs and giant pines, there is something arresting, enthralling, in the thought of the G.o.ddess Diana who now has for hunting-ground the blue firmament of heaven where the pale Pleiades "Glitter like a swarm of fire-flies tangled in a silver braid."

Tennyson.

"She gleans her silvan trophies; down the wold She hears the sobbing of the stags that flee Mixed with the music of the hunting roll'd, But her delight is all in archery, And naught of ruth and pity wotteth she More than her hounds that follow on the flight; The G.o.ddess draws a golden bow of might And thick she rains the gentle shafts that slay. She tosses loose her locks upon the night, And through the dim wood Dian threads her way."

Andrew Lang.

Again and again in mythological history we come on stories of the G.o.ddess, sometimes under her best known name of Diana, sometimes under her older Greek name of Artemis, and now and again as Selene, the moon-G.o.ddess, the Luna of the Romans. Her twin brother was Apollo, G.o.d of the sun, and with him she shared the power of unerringly wielding a bow and of sending grave plagues and pestilences, while both were patrons of music and of poetry.

When the sun-G.o.d's golden chariot had driven down into the west, then would his sister's noiseless-footed silver steeds be driven across the sky, while the huntress shot from her bow at will silent arrows that would slay without warning a joyous young mother with her newly-born babe, or would wantonly pierce, with a lifelong pain, the heart of some luckless mortal.

Now one night as she pa.s.sed Mount Latmos, there chanced to be a shepherd lad lying asleep beside his sleeping flock. Many times had Endymion watched the G.o.ddess from afar, half afraid of one so beautiful and yet so ruthless, but never before had Diana realised the youth's wonderful beauty. She checked her hounds when they would have swept on in their chase through the night, and stood beside Endymion. She judged him to be as perfect as her own brother, Apollo--yet more perfect, perhaps, for on his upturned sleeping face was the silver glamour of her own dear moon. Fierce and burning pa.s.sion could come with the sun's burning rays, but love that came in the moon's pale light was pa.s.sion mixed with gramarye. She gazed for long, and when, in his sleep, Endymion smiled, she knelt beside him and, stooping, gently kissed his lips. The touch of a moonbeam on a sleeping rose was no more gentle than was Diana's touch, yet it was sufficient to wake Endymion. And as, while one's body sleeps on, one's half-waking mind, now and again in a lifetime seems to realise an ecstasy of happiness so perfect that one dares not wake lest, by waking, the wings of one's realised ideal should slip between grasping fingers and so escape forever, so did Endymion realise the kiss of the G.o.ddess. But before his sleepy eyes could be his senses' witnesses, Diana had hastened away. Endymion, springing to his feet, saw only his sleeping flock, nor did his dogs awake when he heard what seemed to him to be the baying of hounds in full cry in a forest far up the mountain. Only to his own heart did he dare to whisper what was this wonderful thing that he believed had befallen him, and although he laid himself down, hoping that once again this miracle might be granted to him, no miracle came; nor could he sleep, so great was his longing.

[Ill.u.s.tration: SHE CHECKED HER HOUNDS, AND STOOD BESIDE ENDYMION]

All the next day, through the sultry hours while Apollo drove his chariot of burnished gold through the land, Endymion, as he watched his flocks, tried to dream his dream once more, and longed for the day to end and the cool, dark night to return. When night came he tried to lie awake and see what might befall, but when kind sleep had closed his tired eyes, "There came a lovely vision of a maid, Who seemed to step as from a golden car Out of the low-hung moon."

Lewis Morris.

Always she kissed him, yet when her kiss awoke him he never could see anything more tangible than a shaft of silver moonlight on the moving bushes of the mountain side, never hear anything more real than the far-away echo of the baying of pursuing hounds, and if, with eager, greatly-daring eyes, he looked skywards, a dark cloud, so it seemed to him, would always hasten to hide the moon from his longing gaze.

In this manner time pa.s.sed on. The days of Endymion were filled by longing day-dreams. His sleeping hours ever brought him ecstasy. Ever, too, to the G.o.ddess, the human being that she loved seemed to her to grow more precious. For her all the joy of day and of night was concentrated in the moments she spent by the side of the sleeping Endymion. The flocks of the shepherd flourished like those of no other herd. No wild beast dared come near them; no storm nor disease a.s.sailed them. Yet for Endymion the things of earth no longer held any value. He lived only for his dear dream's sake. Had he been permitted to grow old and worn and tired, and still a dreamer, who knows how his story might have ended? But to Diana there came the fear that with age his beauty might wane, and from her father, Zeus, she obtained for the one she loved the gifts of unending youth and of eternal sleep.

There came a night when the dreams of Endymion had no end. That was a night when the moon made for herself broad silver paths across the sea, from far horizon to the sh.o.r.e where the little waves lapped and curled in a radiant, ever-moving silver fringe. Silver also were the leaves of the forest trees, and between the branches of the solemn cypresses and of the stately dark pines, Diana shot her silver arrows. No baying of hounds came then to make Endymion's flocks move uneasily in their sleep, but the silver stars seemed to sing in unison together. While still those gentle lips touched his, hands as gentle lifted up the sleeping Endymion and bore him to a secret cave in Mount Latmos. And there, for evermore, she came to kiss the mouth of her sleeping lover. There, forever, slept Endymion, happy in the perfect bliss of dreams that have no ugly awaking, of an ideal love that knows no ending.