IV.

During the months that followed Mrs. Dallas did not see Noel again, and the news accidentally reached her that he had gone abroad with his mother and sisters. He had called on her once, probably on the eve of his departure, but she had been ill that evening, and the servant had excused her. It had been reported to her that he had inquired particularly whether her illness was serious and had been informed that it was not. That was the last she had heard of him, until she had made some acquaintances in the society in which he was known, and then she occasionally heard his name mentioned and gained the information alluded to.

Her introduction into this society had come about very suddenly. For a long time she had known absolutely no one, and once, in her intense longing for some one to speak to, she had obeyed an ardent impulse and run across the street to a house where a young girl and her mother lived, the former keeping a day-school for small children, and had begged the little teacher to come over and spend the evening with her.

Out of this a friendship had sprung, which had been for a long time her only resource. Her husband's habit of going to some place of amus.e.m.e.nt in the evening seemed to be an inveterate one, though he cared little, apparently, for what he saw. She wearied through a great many evenings with him, and then got out of the habit of accompanying him. It was evident he cared little whether she went or stayed.

One Sunday afternoon the little school-teacher persuaded her to go with her to a great church near by. They were given seats close to the choir, and when a familiar piece of music began Christine, in utter self-forgetfulness, lifted up her voice and sang. When the service was over the conductor of the singing came up to her, and pleading the common bond of music, introduced himself and begged that he and his wife might be allowed to call on her to enlist her interest and services in a great charity entertainment which he was getting up. Christine agreed, with the feeling that it would be ungracious to decline, and the next day they called.

The outcome of the visit of Mr. and Mrs. Jannish was an engagement on the part of Mrs. Dallas to sing the leading role in an opera which had become a cherished wish among some of the best amateur musicians of the city. The scheme had halted only for want of a soprano capable of taking the responsibility of the most difficult part. Jannish was an authority in this musical set, and he knew that the acquisition he had made for their scheme would be not only approved, but rejoiced over. It was such an infinite improvement upon the idea of securing the services of a professional--a thing that they had almost been compelled to resort to.

Mrs. Dallas qualified her consent by the securing of her husband's approval, though she said she felt sure he would not withhold it. He was out at the time, but before the visitors left he came in. He was called and introduced and the request put to him by Jannish, in his most elaborate and supplicatory style. Consent was immediately given, with an air of slightly impatient wonder at being dragged into it at all. It was precisely what his wife had expected, and as she looked at him as he spoke, there was a different expression on her face from that which it would have worn a few months back. That vague and wondering look was less noticeable and an element of comprehendingness that made her eyes look hard now struggled with it sometimes.

After the visit of Jannish and his wife other people called, and immediately Mrs. Dallas was drifting in a stream of musical engagements and rehearsals that took up most of her time, and formed a strong contrast to her former mode of life. She had opportunities to indulge her taste for dress and to wear some of the charming costumes which belonged to her trousseau--bought with what girlish ardor, and then laid away out of sight! She soon came to be admired for her dressing, as well as her beauty and her voice, and as is usual in such cases, the men regarded her with more favor and less suspicion than the women. The good will of the latter s.e.x was, however, secured to some extent, when it was discovered that the prima donna, who they all perceived was to make their opera a great success and the envy of all sister cities with aspiring musical _coteries_, was apparently indifferent to the attentions of the men, if not, indeed, embarra.s.sed by them. She never went anywhere, to rehearsals or resorts of any kind, public or private, without her husband, no matter who tried to entice her away. She never left his side, except under the necessity of going through her part, and then she returned to him unvaryingly. He was good-looking and well-dressed, and some of the company of both s.e.xes made an effort to make something out of him, but he always seemed surprised when he was spoken to, and to find it a trouble to respond. He was too free from self-consciousness to be awkward, and would sit pa.s.sive, twirling his mustache and looking on, and was apparently as satisfied to be a spectator of this performance as to go to see something professional.

He had grown accustomed to sameness, perhaps, for he never seemed to object to it.

To see his wife the object of enthusiastic adulation on all sides, whether sincere or put on of necessity, as it was by some of the company, appeared to arouse in the husband no emotions of either satisfaction or displeasure.

V.

The great occasion came. The evening's entertainment rose, minute by minute, to its climax of glory, on which the curtain fell, amidst an enthusiasm so intense that only the controlled good breeding of the invited audience prevented demonstrations of a noisy character.

Christine had been previously seen by very few of them, and as the audience dispersed, her name, coupled with expressions of enthusiastic surprise and admiration, was on every lip.

Fifteen minutes after the curtain went down the theatre was empty and deserted, every light was out, and profound silence reigned where so lately all had been excitement and animation, and the young creature who had occasioned so much the greatest part of it was being driven homeward, leaning back in the close carriage and clasping close the work-hardened hand of the little teacher who was her companion. Her husband sat opposite, silent as usual, and after a few impetuous, ardent words of love and appreciation Hannah had fallen silent too, merely holding out her hand to meet the hard and straining clasp that had seized upon it as soon as they were settled in the carriage.

After the performance people who had leaped from the audience to the stage, privileged by an acquaintance with some of the company, had pressed forward eagerly for an introduction to Christine. Invitations to supper were showered upon her. She might have gone off in a carriage drawn by men instead of horses if she had desired it. But she had turned away from it all. She was in haste to go, and summoning her husband and friend as quickly as possible, she had declared she was tired out, and had made her excuses with an air so earnest, and to those who had the vision for it, so distressed, that amidst the reproaches of some and the regrets of others she had made her escape.

She shivered as the cold night air struck her face outside the theatre, and drew her wrap closer about her as she stepped into the carriage which was waiting. The drive homeward was silent. The two women sat together, each feeling in that fervent handclasp the emotions which filled the heart of the other. Mrs. Dallas had been roused by something to an unusual pitch of excited feeling, and her little friend, by the intuition of sympathy, defined it. The way was long and Mr. Dallas, making himself as comfortable as possible on the seat opposite, took off his hat, leaned his head back and in a few moments was breathing audibly and regularly.

"He is asleep," whispered his wife, and then, on the breath of a deep-drawn sigh, she added in the same low whisper, "Oh, G.o.d, have mercy on me."

"What is it?" whispered Hannah timidly, her voice tender with sympathy.

"Hush! I am going to tell you everything. Wait till we get home. I am going to tell you all."

She spoke excitedly, though still in a whisper, and it was evident that the agitation under which she labored was urging her on to actions in which the voice of discretion and prudence had no part.

Hannah, who had long ago suspected that her beautiful friend--whose face and voice, together with the luxury of her surroundings and dress had made her acquaintance seem like intercourse with a being from a higher sphere--was not happy, now felt an impulse of affectionate pity which made her move closer to her companion and rather timidly put her arm around her. In an instant she was folded in a close embrace, the bare white arm under the wrap straining her in an ardent pressure that drew her head down until it leaned against the breast of the taller woman, and felt the bounding pulses of her heart.

"I am so miserable," whispered the soft voice close to her ear. "I am going to tell you about it. If I couldn't talk to somebody to-night I feel as if I should go mad. Whether it's right or wrong I'm going to tell you. I can't bear it this way any longer. Oh, I am so unhappy--I am so unhappy."

Hannah only pressed closer, without speaking. There was nothing that she could say. She felt keenly that in what seemed the brilliant lot of her beautiful friend there were possibilities of anguish which her commonplace life could know nothing of. So they drove along in silence until the carriage stopped at the door. Mr. Dallas was sleeping so soundly that it was necessary for his wife to waken him, and he got up, looking sleepy and confused, and led the way into the house, while the carriage rolled away, the wheels reverberating down the silent streets.

In the hall Hannah looked at her friend and saw that her face, though pale, was perfectly composed, and her voice, when she spoke to her husband, was also quiet and calm.

"Hannah is going to stay all night, you know," she said. "You needn't stay up for us. I will put out the lights."

He nodded sleepily and went at once up-stairs, as the two women turned into the drawing-room. The lights in the chandelier were burning brightly and a great deep chair was drawn under them, upon which Mrs.

Dallas sat down, motioning her friend to a seat facing her. She was wearing the dress in which she had sung the last act of the opera--a Greek costume of soft white silk with tr.i.m.m.i.n.gs of gold. It was in this dress that she had roused the audience to such a pitch of admiration by her beauty, and seen close, as Hannah was privileged to see it now, there were a score of perfections of detail, in both woman and costume, which those who saw her from afar would not have been aware of. Hannah, who had an ardent soul within her very ordinary little body, looked at her with a sort of worship in her eyes.

Meeting this look, Mrs. Dallas smiled--a smile that was sadder than tears.

"Oh, Hannah, I am so unhappy," she said. "I want to tell you but I don't know how. Oh, my child, I am so miserable."

Her utterance had still that little foreign accent that made it so pathetic, although, in spite of some odd blunders, she had become almost fluent in the English tongue. There was still no indication of tears in either her voice or her eyes, as she leaned back in the padded chair, her head supported by its top, and her long bare arms with their picturesque Greek bracelets resting wearily on its cushioned sides.

Hannah looked at her with the tenderness of her kind heart overflowing in great tears from her eyes and rolling down her cheeks. She pressed her handkerchief to her face in the vain effort to keep them back, but the woman for whom they fell shed no tears. She sat there calm and quiet in her youth and beauty and looked at the plain little school-teacher with a wistful gaze that seemed as if it might be envy.

"Tell me, Hannah," she said presently, when the girl had dried her eyes and grown more calm, "tell me frankly, no matter how strange it may seem to you to have the question asked, what do you think of my husband?"

This startling question naturally found Hannah unprepared with an answer, and after clearing her throat and getting rather red, she said confusedly that she had seen so little of Mr. Dallas, her intercourse with him had been so slight, that she really did not feel that she knew him well enough to give an answer.

"You know him as well as I do," his wife replied. "As he is to you--as you see him daily, exactly so he is to me. I have waited and waited for something more, but in vain. I have come at last to the conclusion that this is all."

Hannah, between wonder and distress, began to feel the tears rise again.

The other saw them and bent forward and took her hand.

"Don't cry, poor little thing," she said. "Yes--cry if you can. It shows your heart is soft still--mine is as hard as stone. Oh, G.o.d, how I have cried!" she broke off, in a voice grown suddenly pa.s.sionate. "How I have laid awake at night and cried until my body was exhausted with the sobs.

I have thought of my little white bed in the convent, where I slept so placidly, for every night of all those blessed, quiet, peaceful years, until my whole longing would be that I might once more lay myself down upon it and close my eyes forever. If an angel from Heaven had offered me a wish it would have been that one. Oh, Hannah, you do not know. You ought to be so happy. You are so happy. Do you know it? I didn't know it, and I was never grateful for it, but always looking forward to being happy in the future, and oh, how I am punished!"

She wrung her hands together and bit the flesh of her soft lips, as if with a sense of anguish too bitter to be borne.

"I always thought," said Hannah, in a husky voice that sounded still of tears, "that a woman who was beautiful and gifted and admired, and had a husband to take care of her, must be the happiest creature in the world.

I used to look at you with envy, but I knew, before to-night, that you suffered sometimes."

"Sometimes! Oh, Hannah, it is not sometimes--but always--continually--evening and morning--day-time and night-time, for when I sleep I have such dreams! The things that were my day dreams long ago come back to me in sleep, and when I wake and think of myself as I am, I know not why I do not die of it. Oh, Hannah, if you have dreamed of marriage, give it up. Live your life out as you are. Die a dear, sweet, good, old maid, teaching little children and being kind to them and taking care of your old mother. Oh, my dear, don't call yourself lonely. Don't dare to say it, lest you should be punished.

There is no loneliness that a woman can know which can be compared to a marriage like mine. Oh, I am so lonely every moment that I live, that I feel there is no companionship for me in all this crowded world, for the bitterness of my heart is what no one can feel or share."

"Why did you marry your husband?" said Hannah, surprised at her own boldness.

"Why? I am glad you asked me that. I will tell you, and perhaps you may be saved what I have suffered. If my mother had lived it might have been all different. Surely, surely a mother would have known how to save her child from what I have suffered. A father might not--perhaps a father might not be to blame, though sometimes--oh, Hannah, it is dreadful, but my father seems to me a cruel, wicked man. It was he that did it. What did I know? Why your knowledge of the world is great and vast compared to mine! I had had only the sisters to teach me, and they were as ignorant as I. My father told me he had no home to take me to, and that Robert would give me a sweet home, and love and protection and kindness, and that I would be so happy and must consider myself very fortunate. He told me that Robert could not express himself very well, speaking a different tongue from my own, but that he loved me devotedly and that the great object of his life would be to make me happy. And so I married him, glad to please my father, pleased myself, as a child, at the idea of having a home of my own, and ignorant as a child of what I was doing."

"And without loving your husband?" said the little teacher, with a look that showed she could be severe.

"What did I know about love? I thought I loved him. He was handsome and kind to me and my father said he adored me--he told me himself that he loved me. If his manner was not very ardent, what did I know about ardor in love-making? I knew my not being able to speak English fluently must be a hindrance to him in expressing himself, and I thought he was everything I could wish, and never doubted I should be as happy as a child with a doll-house and everything else that she wanted. As I remember now," she said reflectingly, as if searching back into her memory, "Robert was different in those days--not an impa.s.sioned lover, compared to the tenor who sang in the opera to-night, but compared to what he is now, he was so. There was once that he seemed to care a little--"

She broke off and Hannah spoke:

"I was thinking to-night about you and whether you were not in danger,"

she said, with a certain air of wisdom which her somewhat hard experience of life had given her. "How that man looked at you as he sang those words! That wild pa.s.sion of love which they expressed seemed a reality. I wondered if you could hear them unmoved--and a thought of danger for you made me feel unhappy."

Christine did not answer her for a moment. A strange smile came to her lips as her eyes rested gently on the little teacher. Eyes and smile had both something of hopelessness in them, as if she despaired of making herself understood.