1634 - The Galileo Affair - 1634 - The Galileo Affair Part 71
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1634 - The Galileo Affair Part 71

And how delightful a thought that was! Ruy Sanchez, abashed.

A woman so young, yet who moved like a queen, serenely and calmly-even more so in the garments she wore today than she had in the costumes she favored for the levees and operas-and could slice a man open while she described the deed itself. Calmly, serenely; not a tremor in her voice.

It was all the cardinal could do not to laugh aloud. Don Quixote, indeed, facing the largest windmill he had ever seen. No wonder Ruy had seemed so perplexed; yet, at the same time, so exultant. To such a windmill, such a man would devote the rest of his life. If he could only figure out what sort of lance would do the trick. The one between his legs that had served him so well in the past was hardly up to this exploit. Not on its own, certainly.

Bedmar's eyes drifted to the windows. The light was blinding for a moment, as if the rising sun were challenging the cardinal.

Which, indeed, it was. Bedmar sighed softly, all thought of laughter gone. The sun was made by God, as He had made all things. And now, after a long lifetime devoted to matters of the flesh-politics and intrigue, if not the cruder forms-He who had created Alphonso de la Cueva, marquis de Bedmar, was reminding him none too gently that He could and did make much greater things than a marquis and a cardinal.

The sound of many gags being suppressed simultaneously drew Bedmar's attention back to the center of the room.

One of those things was the man lying on the table. Not for many years now had Bedmar fooled himself which was the greater, the master or the servant. Did the rest of mankind fulfill their appointed roles on Earth with as much unflinching courage, honor and loyalty as that Catalan once-peasant, Satan's domains would be far more sparsely populated.

Granted, Purgatory would be full.

Another-and Bedmar suspected a greater still-

There came another and louder simultaneous gag; in two cases, not suppressed. Idly, Bedmar wondered which of these disturbingly efficient Americans had thought to provide those useful sacks he had wondered about, positioned conveniently here and there.

His own stomach, however, had never been given to queasiness. He leaned forward, to see what was happening better.

Yes. As he'd thought. The woman was handing the intestines to her assistant. As much of them, at least, as she could pry out of the body. Bedmar wondered, for a moment, if he might someday be able to prevail upon her to allow one of those magnificent Flemish painters-he was partial to Van Dyck himself-to do a portrait of her in the act.

Probably not. There would also be the problem of keeping the painter to the work, of course. Some of them were delicate fellows.

A pity, really. It would make such a splendid allegory. The world had many queens-and far more kings-who could disembowel men at a distance using the instrument of their armies. How many did it have who could disembowel a man with her own hands in order to save his life?

The sun shone in the cardinal's eyes, asking him God's question. Bedmar, no fool, did not fail to note that it was a rising sun.

"-can see only one nick on the intestines themselves. I'll sew that up later. That's worrisome, because any cut in the intestinal tract is almost sure to result in peritonitis. But I was a lot more worried that I'd find one of the loops completely severed. That would have been a real nightmare, given what we've got available. This cut is small enough that I'm pretty sure we can contain the infection with the sulfa powder I'll be using as well as the chloramphenicol we gave the patient a few hours ago."

Sharon was almost done running the intestines now. "I'd be a lot happier, of course, if we didn't have such a small supply of the chloram. Uh, that's a nickname we made up for chloramphenicol. But at least we're in pretty good shape with the sulfa drugs."

She then took a couple of minutes to double-check herself and make sure she hadn't overlooked anything. "I don't need to check the liver or the bladder, given the location of the wound. I will need to check the stomach but I'll do that later. Right now, the spleen's in the way."

She pulled her head back. "How are the vital signs looking, Stoner?"

"Holding up. I don't think he'll make the marathon, though. Not next month's, anyway."

Sharon chuckled, making no attempt any longer to maintain her earlier reserve. By now they were well into the operation and her team was shaping up as a good one. Fermelli was splendid. D'Amati was still catching up, but doing better than she'd expected. A little relaxed banter was just part of the process.

That was the way her father ran operating teams, anyway. Sharon knew that some other surgeons didn't. There was one surgeon back in Chicago whom James Nichols always privately called "the pencil sharpener." The reference was not to his bookkeeping fussiness-though the man had that in full measure also-but to a portion of the surgeon's anatomy.

Graveside humor, granted. But what else do you expect to hear on the edge of a grave? Of course, if the patients could hear the jokes, they'd probably die right then and there. Of terminal indignation, if nothing else.

For the first time since she'd begun the operation, that treacherous little voice crept back.

Ruy Sanchez wouldn't. He'd probably kill himself from making the surgeons laugh too hard. His English was even getting the right idiom.

Never has a man been felt up so well by his woman! I, Ruy Sanchez de Casador y Ortiz, swear it is-

SQUASH.

Once she was sure the damn thought was flat as a bug, Sharon straightened and took a deep breath.

"Okay. The main damage was to the spleen and I'm going to remove it entirely. We call that a splenectomy. The 'ectomy' part of it is just a fancy way of saying 'yank it out.' And why am I telling you that, anyway? I'm sure your Latin is way better than mine."

Her assistants chuckled; then again, and more loudly, when Fermelli added: "Actually, it's Greek. We Latins are more inclined to putting things in. Unfortunately, the common term for that does not adapt well to medical terminology."

Sharon bent over, smiling, back to the work. "There's going to be a lot of blood coming out here. From the looks of it, the capsule that surrounds the spleen tampanaded the bleeding. That's good-I was hoping for it-because it means the capsule would have acted as a temporary pressure dressing and slowed the bleeding. That's really important with spleen injuries, since the spleen is the most vascular organ in the body and is normally perfused by something like three hundred and fifty liters of blood a day."

It was an odd little speech. The sentence structure was Italian but so many of the words were English. Sharon knew Fermelli and d'Amati would barely be able to follow her here. So why had she spoken at all?

Was she losing her nerve? Stalling?

The self-doubt made her hesitate until she realized the truth. She was just immensely relieved, and the relief was as much personal as professional. She'd agonized over her decision to wait until daylight. Wondering if Ruy Sanchez would bleed to death internally because of her own fears.

Well, he hadn't. The man's spleen was as tough as the rest of him.

To be sure! The spleen of Catalonia is famous! Ask the wretched Castilians if you don't believe-

"Oh, shut up, Ruy," she murmured, still smiling.

After she perforated the capsule, she reflected that shutting up Ruy Sanchez was easier said than done. Even when the man was under full anesthesia.

"Would you wipe off my face, please, Dottor d'Amati? And we'll need to use plenty of that sterilized gauze to soak up as much blood as we can. Despite appearances, most of it went into the abdominal cavity, not onto me. Loose blood like that is a culture medium for infection."

She waited until she could see well again. "Thank you, Dottor. Okay, I'll start the cut here because-"

Bedmar had been perhaps the only man in the room not to gasp. Where all others seemed to think a desperate emergency had arisen, because they focused on the frightening gout of blood, the cardinal had been watching the woman's face before it struck. That small, expectant smile.

He could not see the smile itself, to be sure, because of the mask the woman was wearing. But he did not need to. Something in the calm dark eyes, the set of the jaw, the poise of the body, made it obvious. If anything, it was accentuated by the mask.

It was quite amazing, really. Bedmar was reminded of Diego Velasquez's The Adoration of the Magi. Not the wise and solemn face of the black king but the serene face of the Virgin. It was said that Velasquez had used his wife, Juana, as the model. The cardinal could well believe it, now. The serenity in that Virgin's face was not the usual ethereal business. Just a young woman's calm acceptance of God's miraculous handiwork. Whatever the Child's conception, after all, pain and labor had still been needed to bring Him forth.

Quietly, without fuss, the cardinal left the chamber. He would return on the morrow, to see after Sanchez's welfare. That the Catalan would survive this day, Bedmar had no doubt at all. Not any longer.

And he had other matters to consider. Much greater issues that were still murky to him, but less so after this day's instructions. That hidden but so obvious smile, like the blazing sun, had been another challenge from his God.

A warning, it would be better to say. Sixty-two years of life God had now granted Alphonso de la Cueva, once the marquis and now the cardinal Bedmar. God, he suspected, was beginning to lose patience with him.

As well He might. A life of stature, wealth, comfort and considerable ease. Also a life slowly ebbing away in frustration and self-pity as Bedmar watched his once-glorious nation fade in its colors and become frayed in its fabric. A frustration which, over time, had become its own seductive melancholy.

Vanity, all it was. In the end, just vanity. Whose only distinction from pride was perhaps its sheer stupidity. But the cardinal was fairly certain that God would not accept a plea of stupidity as an excuse for one of the seven mortal sins.