We love and we hate capriciously, sacrificing nothing either to our animosity or to our affection, a certain secret coldness possessing our souls, even while a fire is raging in our veins.

The sumptuous pleasures of our ancestors weary us, as well as their simple, childish diversions. Without enjoying happiness, without reaping glory, we hasten onwards to the grave, casting naught but unlucky glances behind us.

A saturnine crowd, soon to be forgotten, we silently pa.s.s away from the world and leave no trace behind, without having handed down to the ages to come a single work of genius, or even a solitary thought laden with meaning.

And our descendants, regarding our memory with the severity of citizens called to sit in judgment on an affair concerning the state, will allude to us with the scathing irony of a ruined son, when he speaks of the father who has squandered away his patrimony.

x.x.xII.

Liza had not uttered a single word during the dispute between Lavretsky and Panshine, but she had followed it attentively, and had been on Lavretsky's side throughout. She cared very little about politics; but she was repelled by the self-sufficient tone of the worldly official, who had never shown himself in that light before, and his contempt for Russia offended her. It had never occurred to Liza to imagine that she was a patriot. But she was thoroughly at her ease with the Russian people. The Russian turn of mind pleased her.

She would chat for hours, without thinking anything of it, with the chief of the village on her mother's estate, when he happened to come into town, and talk with him as if he were her equal, without any signs of seigneurial condescension. All this Lavretsky knew well. For his own part, he never would have cared to reply to Panshine; it was only for Liza's sake that he spoke.

They said nothing to each other, and even their eyes but rarely met.

But they both felt that they had been drawn closer together that evening, they knew that they both had the same likes and dislikes. On one point only were they at variance; but Liza secretly hoped to bring him back to G.o.d. They sat down close by Marfa Timofeevna, and seemed to be following her game; nay, more, did actually follow it. But, meantime, their hearts grew full within them, and nothing escaped their senses--for them the nightingale sang softly, and the stars burnt, and the trees whispered, steeped in slumberous calm, and lulled to rest by the warmth and softness of the summer night.

Lavretsky gave himself up to its wave of fascination, and his heart rejoiced within him. But no words can express the change that was being worked within the pure soul of the maiden by his side. Even for herself it was a secret; let it remain, then, a secret for all others also. No one knows, no eye has seen or ever will see, how the grain which has been confided to the earth's bosom becomes instinct with vitality, and ripens into stirring, blossoming life.

Ten o'clock struck, and Marfa Timofeevna went up-stairs to her room with Nastasia Carpovna. Lavretsky and Liza walked about the room, stopped in front of the open door leading into the garden, looked first into the gloaming distance and then at each other--and smiled.

It seemed as if they would so gladly have taken each other's hands and talked to their hearts' content.

They returned to Maria Dmitrievna and Panshine, whose game dragged itself out to an unusual length. At length the last "king" came to an end, and Madame Kalitine rose from her cushioned chair, sighing, and uttering sounds of weariness the while. Panshine took his hat, kissed her hand, remarked that nothing prevented more fortunate people from enjoying the night or going to sleep, but that he must sit up till morning over stupid papers, bowed coldly to Liza--with-whom he was angry, for he had not expected that she would ask him to wait so long for an answer to his proposal--and retired. Lavretsky went away directly after him, following him to the gate, where he took leave of him. Panshine aroused his coachman, poking him in the neck with the end of his stick, seated himself in his droshky, and drove away. But Lavretsky did not feel inclined to go home, so he walked out of the town into the fields.

The night was still and clear, although there was no moon. For a long time Lavretsky wandered across the dewy gra.s.s. A narrow footpath lay in his way, and he followed it. It led him to a long hedge, in which there was a wicket gate. Without knowing why he did so, he tried to push it open; with a faint creak it did open, just as if it had been awaiting the touch of his hand. Lavretsky found himself in a garden, took a few steps along a lime-tree alley, and suddenly stopped short in utter amazement. He saw that he was in the Kalitines' garden.

A thick hazel bush close at hand flung a black patch of shadow on the ground. Into this he quickly pa.s.sed, and there stood for some time without stirring from the spot, inwardly wondering and from time to time shrugging his shoulders. "This has not happened without some purpose," he thought.

Around all was still. From the house not the slightest sound reached him. He began cautiously to advance. At the corner of an alley all the house suddenly burst upon him with its dusky facade. In two windows only on the upper story were lights glimmering. In Liza's apartment a candle was burning behind the white blind, and in Marfa Timofeevna's bed-room glowed the red flame of the small lamp hanging in front of the sacred picture, on the gilded cover of which it was reflected in steady light. Down below, the door leading on to the balcony gaped wide open.

Lavretsky sat down on a wooden bench, rested his head on his hand, and began looking at that door, and at Liza's window. Midnight sounded in the town; in the house a little clock feebly struck twelve. The watchman beat the hour with quick strokes on his board. Lavretsky thought of nothing, expected nothing. It was pleasant to him to feel himself near Liza, to sit in her garden, and on the bench where she also often sat.

The light disappeared from Liza's room.

"A quiet night to you, dear girl," whispered Lavretsky, still sitting where he was without moving, and not taking his eyes off the darkened window.

Suddenly a light appeared at one of the windows of the lower story, crossed to another window, and then to a third. Some one was carrying a candle through the room. "Can it be Liza? It cannot be," thought Lavretsky. He rose. A well-known face glimmered in the darkness, and Liza appeared in the drawing-room, wearing a white dress, her hair hanging loosely about her shoulders. Quietly approaching the table, she leant over it, put down the candle and began looking for something. Then she turned towards the garden, and crossed to the open door; presently her light, slender, white-robed form stood still on the threshold.

A kind of shiver ran over Lavretsky's limbs, and the word "Liza!"

escaped all but inaudibly from his lips.

She started, and then began to peer anxiously into the darkness.

"Liza!" said Lavretsky louder than before, and came out from the shadow of the alley.

Liza was startled. For a moment she bent forward; then she shrank back. She had recognized him. For the third time he called her, and held out his hands towards her. She pa.s.sed out from the doorway and came into the garden.

"You!" she said. "You here!"

"I--I--Come and hear what I have to say," whispered Lavretsky; and then, taking her hand, he led her to the bench.

She followed him without a word; but her pale face, her fixed look, and all her movements, testified her unutterable astonishment.

Lavretsky made her sit down on the bench, and remained standing in front of her.

"I did not think of coming here," he began. "I was led here--I--I--I love you," he ended by saying, feeling very nervous in spite of himself.

Liza slowly looked up at him. It seemed as if it had not been till that moment that she understood where she was, and what was happening to her. She would have risen, but she could not. Then she hid her face in her hands.

"Liza!" exclaimed Lavretsky; "Liza!" he repeated, and knelt down at her feet.

A slight shudder ran over her shoulders; she pressed the fingers of her white hands closer to her face.

"What is it?" said Lavretsky. Then he heard a low sound of sobbing, and his heart sank within him. He understood the meaning of those tears.

"Can it be that you love me?" he whispered, with a caressing gesture of the hand.

"Stand up, stand up, Fedor Ivanovich," she at last succeeded in saying. "What are we doing?"

He rose from his knees, and sat down by her side on the bench. She was no longer crying, but her eyes, as she looked at him earnestly, were wet with tears.

"I am frightened! What are we doing?" she said again.

"I love you," he repeated. "I am ready to give my whole life for you."

She shuddered again, just as if something had stung her, then she raised her eyes to heaven.

"That is entirely in the hands of G.o.d," she replied.

"But you love me, Liza? We are going to be happy?"

She let fall her eyes. He softly drew her to himself, and her head sank upon his shoulder. He bent his head a little aside, and kissed her pale lips.

Half an hour later Lavretsky was again standing before the garden gate. He found it closed now and was obliged to get over the fence.

He returned into the town, and walked along its sleeping streets. His heart was full of happiness, intense and unexpected; all misgiving was dead within him. "Disappear, dark spirit of the Past!" he said to himself. "She loves me. She will be mine."

Suddenly he seemed to hear strange triumphal sounds floating in the air above his head. He stopped. With greater grandeur than before the sounds went clanging forth. With strong, sonorous stream did they flow along--and in them, as it seemed to him, all his happiness spoke and sang. He looked round. The sounds came from the two upper windows of a small house.

"Lemm!" he exclaimed, and ran up to the door of the house. "Lemm, Lemm!" he repeated loudly.

The sounds died away, and the form of the old man, wrapped in a dressing-gown, with exposed chest and wildly floating hair, appeared at the window.

"Ha! it is you," he said, with an air of importance.

"Christopher Fedorovich, what wonderful music! For heaven's sake let me in!"