Ma.s.sARI, LUIGIA. Medal at Piacenza, 1869, and several other medals from art societies. Born at Piacenza, 1810. Pupil of A. Gemmi. Her works are in a number of churches: "St. Martin" in the church at Altoe; "St.

Philomena" in the church at Busseto; the "Madonna del Carmine" and "St.

Anna" in the church at Monticelli d'Ongina. This artist was also famous for her beautiful embroidery, as seen in her altar-cloths, one of which is in the Guastafredda Chapel at Piacenza. The fruits and flowers produced by her needle are marvellously like those in her pictures.

Ma.s.sEY, MRS. GERTRUDE. Member of the Society of Miniaturists. Born in London, 1868. Has studied with private teachers in London and Paris.

This painter has made a specialty of miniatures and of pictures of dogs.

She has been extensively employed by various members of the royal family, of whom she painted eleven miniatures, among which was one of the late Queen.

She sends me a list of several pictures of dogs and "Pets," all belonging to t.i.tled English ladies; also a long list of miniatures of gentlemen, ladies, and children of high degree, several being of the royal family, in addition, I suppose, to the eleven mentioned above.

She writes me: "Constantly met King and Queen and other members. Sittings took place at Windsor Castle, Sandringham, Marlborough House, Osborne, and Balmoral. One dog died after first sitting; had to finish from dead dog. Live in charming little cottage with _genuine_ old-fashioned garden in St. John's Wood."

Mrs. Ma.s.sey has exhibited at the Royal Academy and New Gallery, and has held a special exhibition of her pictures of dogs at the Fine Art Society, New Bond Street, London.

Ma.s.sIP, MARGUERITE. Member of the Society of Swiss Painters and Sculptors and of the Society of Arts and Letters, Geneva. Born at Geneva.

Made her studies in Florence and Paris under the professors in the public schools. Her picture of "Le Buveur" is in the Museum of Geneva; "Five o'Clock Tea," also in a Geneva Museum; "La Bohemienne" is at Nice; "The Engagement"--a dancer--at St. Gall, and a large number of portraits in various cities, belonging to their subjects and their families.

Her portrait of Mme. M. L. was very much praised when exhibited in proximity with the works of some of the famous French artists. One critic writes: "The painting is firm and brilliant. The hands are especially beautiful; we scarcely know to whom we can compare Mme. Ma.s.sip, unless to M. Paul Dubois. They have the same love of art, the same soberness of tone, the same scorn of artifice.... The woman who has signed such a portrait is a great artist." It is well known that the famous sculptor is a remarkable portraitist.

In a review of the Salon at Nice we read: "A portrait by Mme. Ma.s.sip is a magnificent canvas, without a single stroke of the charlatan. The pose is simple and dignified; there is the serenity and repose of a woman no longer young, who makes no pretension to preserve her vanishing beauty; the costume, in black, is so managed that it would not appear superannuated nor ridiculous at any period. The execution is that of a great talent and an artistic conscience. It is not a portrait for a bedchamber, still less for a studio; it is a n.o.ble souvenir for a family, and should have a place in the salon, in which, around the hearth, three generations may gather, and in this serene picture may see the wife, the mother, and the grandmother, when they mourn the loss of her absolute presence."

Ma.s.sOLIEN, ANNA. Born at Gorlitz, 1848. A pupil of G. Graf and of the School of Women Artists in Berlin. Her portraits of Field Marshal von Steinmetz, Bruckner, and G. Schmidt by their excellence a.s.sured the reputation of this artist, whose later portraits are greatly admired.

MATHILDE, PRINCESS. Medal at Paris Salon, 1865. Daughter of King Jerome Bonaparte. Born at Trieste, 1820; died at Paris, 1904. Pupil of Eugene Giraud. She painted genre subjects in water-colors. Her medal picture, "Head of a Young Girl," is in the Luxembourg; "A Jewess of Algiers," 1866, is in the Museum of Lille; "The Intrigue under the Portico of the Doge's Palace" was painted in 1865.

MATHILDE CAROLINE, Grand d.u.c.h.ess of Hesse. Was born Princess of Bavaria. 1813-1863. Pupil of Dominik Onaglio. In the New Gallery at Munich are two of her pictures--"View of the Magdalen Chapel in the Garden at Nymphenburg," 1832, and "Outlook on the Islands, Procida and Ischia," 1836.

MATTON, IDA. Two grand prizes and a purse, also a travelling purse from the Government of Sweden; honorable mention at the Paris Salon, 1896; honorable mention, Paris Exposition, 1900; prize for sculpture at the Union des femmes peintres et sculpteurs, 1903. Decorated with the "palmes academique" of President Loubet, 1903. Member of the Union des femmes peintres et sculpteurs, Paris. Born at Gefle, Sweden. Pupil of the Technical School, Stockholm, and of H. Chapu, A. Mercie, and D. Puech at Paris.

[Ill.u.s.tration: In Cemetery In Gefle, Sweden

MONUMENT FOR A TOMB

IDA MATTON]

Among the works of this artist are "Mama!" a statue in marble; "Loke," a statue; "Dans les Vagues," a marble bust; "Funeral Monument," in bronze, in Gefle, Sweden; and a great number of portrait busts and various subjects in bas-relief.

At the Salon des Artistes Francais, 1902, she exhibited four portraits, and in 1903, "Confidence."

MAURY, CORNELIA F. Member of St. Louis Artists' Guild and Society of Western Artists. Born in New Orleans, Louisiana. Pupil of St. Louis School of Fine Arts and of Julian Academy, under Collin and Merson. At the Salon of 1900 her picture, "Mother and Child," was hung on the line.

Miss Maury has made an especial study of child life. Among her pictures are "Little Sister," "Choir Boy," "Late Breakfast," and "First Steps."

The latter picture and the "Baby in a Go-Cart" have been published in the Copley Prints.

"Cornelia F. Maury is most successful in portrayals of childhood. Her small figures are simple, unaffected, with no suggestion of pose. They convey that delightful feeling of unconsciousness in the subject that is always so charming either in nature or in artistic expression. The pastel depicting the flaxen-haired child in blue dress drawing a tiny cart is exceedingly artistic, and the same may be said of a pastel showing a small child in a Dutch high-chair near a window. A third picture--also a pastel--represents a choir-boy in a red robe, red cap, and white surplice, sitting in a high-backed, carved chair, holding a book in his hand. Miss Maury really has produced nothing finer than this last. It is a most excellent work."--_The Mirror, St. Louis,_ April 10, 1902.

MAYREDER-OBERMAYER, ROSE. Born in Vienna, 1858. Pupil of Darnaut and Charmont. The works of this successful painter of flowers and still-life have been exhibited in Berlin, Vienna, Dresden, and Chicago. She has a broad, sure touch quite unusual in water-colors. She has also executed some notable decorative works, one of which, "November," has attracted much attention.

MCCROSSAN, MARY. Silver and bronze medals, Liverpool; silver medal and honorable mention, Paris. Has exhibited at Royal Academy, London, at Royal Inst.i.tute of Oil Colors, and many other English and Scotch exhibitions. Member of Liverpool Academy of Arts and of the Liverpool Sketching Club. Born in Liverpool. Studied at Liverpool School of Art under John Finnie; Paris, under M. Delecluse; St. Ives, Cornwall, under Julius Ollson.

The princ.i.p.al works of this artist are marine subjects and landscapes, and are mostly in private collections.

In the _Studio,_ November, 1900, we read: "Miss McCrossan's exhibition of pictures and sketches displayed a pleasant variety of really clever work, mostly in oils, with a few water-colors and pastels. In each medium her color is strong, rich, and luminous, and her drawing vigorous and certain.

"While this artist's landscape subjects are intelligently selected and attractively rendered, there is unusual merit in her marine pictures, composed mainly from the fisher-craft of the Isle of Man and the neighborhood of St. Ives, and recording effects of brilliant sunshine lighting up white herring boats lying idly on intensely reflective blue sea, or aground on the harbor mud at low tide. There is a fascination in the choice color treatment of these characteristic pictures."

MCLAUGHLIN, MARY LOUISE M. Honorable mention, Paris Salon, 1878; silver medal, Paris Exposition, 1889; gold medal, Atlanta, 1895; bronze medal, Buffalo, 1900. Member of the Society of Arts, London; honorary member of National Mineral Painters' League, Cincinnati. Born in Cincinnati, Ohio. Pupil of Cincinnati Art Academy and of H. F. Farny and Frank Duveneck in private cla.s.ses.

Miss McLaughlin has painted in oil and water-colors and exhibited in various places, as indicated by the honors she has received. Having practised under- and over-glaze work on pottery, as well as porcelain etching and decorative etching on metals, she is now devoting herself to making the porcelain known as Losanti Ware.

Of a recent exhibition, 1903, a critic wrote: "Perhaps the most beautiful and distinguished group in the exhibition is that of Miss McLaughlin, one of the earliest artistic workers in clay of the United States. She sends a collection of lovely porcelain vases, of a soft white tone and charming in contour. Some of these have open-work borders, others are decorated in relief, and the designs are tinted with delicate jade greens, dark blues, or salmon pinks. This ware goes by the name of Losanti, from the early name of Cincinnati, L'Osantiville."

This artist has written several books on china painting and pottery decoration.

MCMa.n.u.s MANSFIELD, BLANCHE. Diplomas from the New Orleans Centennial and the Woman's Department, Chicago, 1903. Member of the New Vagabonds, London, and the Touring Club of France. Born in East Feliciana Parish, Louisiana, this artist has made her studies in London and Paris. Her princ.i.p.al work has been done in book ill.u.s.trations. The following list gives some of her most important publications:

"Alice in Wonderland" and "Through the Looking-Gla.s.s." De Luxe edition in color. New York, 1899.

"The Calendar of Omar Khayyam." In color. New York, 1900.

"The Altar Service." Thirty-six wood-cut blocks printed on j.a.pan vellum. London, 1902.

"The Coronation Prayer-Book." (Wood-cut borders.) Oxford University Press, 1902.

"Cathedrals of Northern France." In collaboration with Francis Miltoun. Boston and London, 1903.