"Didn't the English ever make any real hard paste china?" asked Theo.

"It is said that between 1730 and 1744 they did make some; and this product is supposed to be the only true porcelain ever made in England. It was manufactured at Stratford-le-Bow, and where do you think the clay for it came from? Strangely enough from our own State of Virginia. You can imagine the expense of bringing the clay across the Atlantic. This ware known for convenience as Bow became very popular. The first of it was hand-painted, but later the designs were transferred, and the product became cheaper. Not only were tea sets made, but also a great number of china figures of birds, animals, and shepherdesses; there were even some statuettes of celebrities of the time, which remain as an interesting record of the costumes of the period. Owing to the fact that much of the Bow china was unmarked it is frequently confused with the soft ware made at Chelsea, which was also of early English manufacture."

"Did the Bow factories continue?" asked Theo.

"About 1775 the Bow works were merged with those of Derby; and in 1784, the Chelsea fabrique was also absorbed by the Derby company. Derby china, especially Crown Derby, you must remember, is one of the finest of present day English wares. About 1777 these factories came under the patronage of King George III, at which time the term Crown Derby was bestowed on the product."

"Then an English king did help in English porcelain-making after all!"

exclaimed Theo.

"To a certain extent, yes," answered Mr. Croyden. "The English n.o.bility, too, patronized the royal factories. The ware was so beautiful perhaps people were only too glad to do so. There were plates with deep borders of solid rich color, frequently adorned with heavy gold work; and there were vases, pitchers, and bowls of magnificent hue. In fact, the use of blue and gold was brought to a greater perfection in this ware than ever before, and it established for the makers a wide-reaching reputation. Possibly this reputation might have remained preeminent had not the short-sighted manufacturers begun to sell at a lower rate their imperfect pieces, or seconds.

Great quant.i.ties of these flooded the market and immediately the fame of the ware decreased."

"What a pity!"

"Since then this erroneous policy has been corrected in so far as has been possible; but the blot on the history of the Derby porcelain remains, proving that a firm that values its standing should never allow imperfect products to go beyond its doors. William Cookworthy, who, by the way, made the Bow china and who lived at Plymouth, England, in 1760, finally discovered deposits of true kaolin at Cornwall, and of this material made some more true porcelain; but unfortunately much of it was injured in the firing. His workmen did not understand the difficulties and dangers of exposing the ware to the extreme heat. But this Plymouth ware held an interesting place in the development of English china-making."

"Did the Plymouth works grow and become larger?" asked Theo.

"Alas, much beautiful porcelain, copied to a great extent from Chinese and Continental wares, was made there, but the expense of turning it out was so great that poor Cookworthy sunk a fortune in the enterprise. However, the venture was not without its fruits, for out of the Plymouth fabrique developed that of Bristol, and later that of Shelton, or New Hall. All of these plants manufactured hard paste chinas. At Bristol in 1774 a wonderfully fine tea and coffee set was made for Edmund Burke, the renowned English orator. In the meantime all over England small fabriques were springing up. At Pinxton, Swansea, Coalport, Liverpool and Rockingham; most of these factories made soft paste chinas. Then came an innovation. One of the most perfect of English porcelains, known as Spode, was produced by combining with this type of paste pulverized bones."

"Bones!"

"Yes. It seems a strange idea, doesn't it? But it was a great discovery, and one that has been generally adopted and used ever since by the princ.i.p.al china-making firms of England. The bone element, or phosphate of lime, as it is more properly termed, imparts both strength and elasticity to the china. Minton ware, first made in 1791 and now extensively manufactured in England and sold throughout the china-buying world, is one of these bone chinas. It is a great favorite because of its durability as well as its beauty. There were in addition many other very fine chinas made in England--far too many of them for me to enumerate. One was the Lowestoft, made from about 1756 in soft paste, and in 1775 in hard. Much of it is in imitation of the Chinese, although some was decorated with roses, and some with landscapes or coats of arms. As it had no mark upon it it is now difficult to be sure of the genuine ware. Moreover, a large amount of the white porcelain, it is said, was sent from China to Lowestoft to be decorated, and therefore the body of it is of Oriental and not English make. Worcester is another of the celebrated soft paste chinas, which at first copied Oriental designs, and later branched off into imitations of Dresden or Sevres wares. It is still made and widely sold."

"It seems as if a great many of the English wares were copies of somebody else's work," remarked Theo.

"I am afraid they were," owned Mr. Croyden. "England was not rich in originality of design. The work of Wedgwood is the only distinctively inventive contribution made to the china-making art. However, the English bone porcelains are very beautiful, and though they are not genuine feldspathic products they are highly esteemed and in demand everywhere. Now you must own, Theo, that I have given you a pretty complete outline of the pottery and porcelain-making of the European countries. Holland and Belgium, as I have told you, lack both clay and fuel and therefore had not a fair chance to compete with the other nations; but they did make some little porcelain. Sweden also turned out a little. Denmark gave a real contribution to the world in its Copenhagen ware, a type of white porcelain decorated beneath the glaze in cobalt. The fabrique for making this china was opened as early as 1760 but it never paid, and in 1775 the Government took over the works and it became a royal factory where women of rank and position joined the artists in designing and decorating the porcelain. The undertaking, however, proved so expensive that in 1876 the factories went back into private hands. But the porcelain has become world-famous and holds its place in the list of the distinctive chinas of the art universe. Look up Royal Copenhagen some time, and see how beautiful it is."

"I will," nodded Theo. "But in all this china-making did Russia do nothing?"

"Russia made her try," Mr. Croyden said. "Peter the Great was an ambitious ruler who traveled the Continent over to see what other countries were doing in the way of commerce and manufacture. When he returned from one of his pilgrimages he made the people build a new commercial and industrial centre--St. Petersburg, now Petrograd. Here he set his subjects to making all sorts of artistic things such as he had seen in Europe, especially bra.s.s, copper, and silver articles. From 1744 to 1765 under the Empresses Elizabeth and Catherine II a little really fine hard paste was produced. It was a porcelain in imitation of Dresden; but there never was very much of it manufactured. A little Russian porcelain was also made at Moscow and Poland. The Russians never excelled in pottery and porcelain-making, however, as they did in metal work."

Mr. Croyden rose.

"See," he said, "here comes your father! That means that we must bid good-bye to china-making for to-day. I fear we shall have to say good-bye to it altogether, too, for by to-morrow morning we shall be getting into New York and separating for home. But you are not to forget, Theo, that I want you to come to Trenton the first minute you are rid of these crutches. Then I shall tramp you through my factories and you shall see how all this porcelain we have talked of is made."

"I shall be mighty glad to come," responded Theo.

"I must leave it to your father's discretion, then, to notify me when he thinks you are able to make the visit," added the merchant, turning to Dr. Swift who had just joined them. "You just telephone me, Doctor, when you think you can spare this boy of yours; will you?"

"You are very kind, Croyden."

"Not a bit! Not a bit!" protested Mr. Croyden. "I shall want to see Theo, and I am anxious to have Mrs. Croyden meet him too. I only wish we had a boy just like him; then I'd have somebody to leave my business to."

He drummed on the window moodily.

"Who knows but I may be coming to help you make china one of these days, sir," suggested Theo half jokingly.

The man wheeled sharply.

"I wish I thought you would," was his quick response. "If at the end of your college career you find yourself with any such notion, sonny, you'll be very welcome."

With an affectionate glance at the boy Mr. Croyden strode off into the smoking-car.

[Ill.u.s.tration]

CHAPTER XII

THEO MAKES A PRESENT

There was great rejoicing when Theo and his father reached home. It seemed as if Mrs. Swift could never do enough for her boy. The whole house was turned upside down to make him comfortable, and on the dinner table were all his favorite dishes.

"To see your mother, Theo, anybody would think you were a fragile invalid just out of the hospital rather than a husky young camper returned from the woods," growled the Doctor. "My dear," he continued, addressing his wife, "Theo hasn't had as much attention as this in all the time he has been ill. Croyden and I have not pranced round after him, I a.s.sure you. He has had to brace up and bear his troubles like a soldier; and he has done it, too."

"I suppose soldiers do have to be pretty patient," remarked Theo meditatively. "I never thought before how hard it must be for them when they are hurt."

"It is one of the great tests of courage," said Dr. Swift. "We all are liable to think of soldiers only when the drums are beating and the flags flying. Then it seems a very easy and pleasant thing to be a soldier. But there is much more to it than that. A great deal of drudgery is attached to a soldier's life, and frequently a great deal of suffering. One of the tests of a hero is to be patient when there is nothing to do but await orders, or perform some menial and uninteresting task, or lie tossing on a sick-bed. Then you find out very quickly the sort of stuff your man is made of. Those who fight are not the biggest heroes. Often the n.o.blest and most helpful men are those who themselves are not only cheerful under monotony and dullness, but aid their comrades to be so. Therefore, Theo, when you took it upon yourself to bear your troubles in the Maine woods bravely you proved you had the first essential of a good soldier."

Theo flushed with pleasure.

"That is why we cannot have your mother undoing your virtuous deeds," continued the Doctor whimsically. "We must make her realize she has a man and not a baby to deal with. Theo is no invalid, Louisa. On the contrary, he is going right to school to-morrow."

"Not with those crutches!" protested Mrs. Swift.

"Why not? He has the term to finish, and certainly you would not have him flat out on his job when the end is in sight. It is only a few weeks to the last of June. The fishing trip was a vacation; and if he got more vacation out of it than he calculated," went on Dr. Swift with a twinkle in his eye, "why, so much the better. He is that much to the good."

"I'd rather finish my school year, Mother," rejoined Theo.

"Well, apparently it is two against one," smiled Mrs. Swift. "Your father is, of course, a far better judge of your condition than I. Broken bones are in his line. But do be careful, son, and not go skipping on and off cars when they are moving, or doing things that are going to worry me."

"Rest easy, Mother. I'll promise not to take any chances," Theo replied promptly. "I am far too eager to get well. It is no fun to be hobbling about. Besides, I want to be in trim to go to the Croydens as soon as school is over."

"Your father says Mr. Croyden was very kind to you while you were in camp."

"He was bully!"

"It would be nice if you could do something to show that you appreciated it," observed Mrs. Swift vaguely.

Instantly Theo caught at the suggestion.