Is not a ruin of the ancient time, 1800.

... antique ... MS.]

[Variant 2:

1802.

... which was to have been built 1800.]

[Variant 3:

1800.

Of some old British warrior: so, to speak The honest truth, 'tis neither more nor less Than the rude germ of what was to have been A pleasure-house, and built upon this isle. MS.]

[Variant 4:

1837.

... the Knight forthwith 1800.]

[Variant 5:

1837.

Of the ... 1800.]

[Variant 6:

1800.

Bred here, and to this valley appertained MS. 1798.]

[Variant 7:

1800.

... glory, ... 1802.

The text of 1815 returns to that of 1800.]

FOOTNOTES ON THE TEXT

[Footnote A: In a MS. copy this is given as "the lesser Island."--Ed.]

[Footnote B: Compare Wordsworth's

"objections to white, as a colour, in large spots or ma.s.ses in landscape,"

in his 'Guide through the district of the Lakes' (section third).--Ed.]

1799

The poems belonging to the year 1799 were chiefly, if not wholly, composed at Goslar, in Germany; and all, with three exceptions, appeared in the second edition of "Lyrical Ballads" (1800). The exceptions were the following: The lyric beginning, "I travelled among unknown men,"

which was first published in the "Poems" of 1807; and two fragments from 'The Prelude', viz. 'The Influence of Natural Objects' (which appeared in 'The Friend' in 1809), and 'The Simplon Pa.s.s' (first published in the 8vo edition of the Poems in 1845).

Wordsworth reached Goslar on the 6th of October 1798, and left it on the 10th of February 1799. It is impossible to determine the precise order in which the nineteen or twenty poems a.s.sociated with that city were composed. But it is certain that the fragment on the immortal boy of Windermere--whom its cliffs and islands knew so well--was written in 1798, and not in 1799 (as Wordsworth himself states); because Coleridge sent a letter to his friend, thanking him for a MS. copy of these lines, and commenting on them, of which the date is "Ratzeburg, Dec. 10, 1798."

For obvious reasons, however, I place the fragments originally meant to be parts of 'The Recluse' together; and, since Wordsworth gave the date 1799 to the others, it would be gratuitous to suppose that he erred in reference to them all, because we know that his memory failed him in reference to one of the series. Therefore, although he spent more than twice as many days in 1798 as in 1799 at Goslar, I set down this group of poems as belonging to 1799, rather than to the previous year. It will be seen that, after placing all the poems of this Goslar period in the year to which they belong, it is possible also to group them according to their subject matter, without violating chronological order. I therefore put the fragments, afterwards incorporated in 'The Prelude', together. These are naturally followed by 'Nutting'--a poem intended for 'The Prelude', but afterwards excluded, as inappropriate. The five poems referring to "Lucy" are placed in sequence, and the same is done with the four "Matthew" poems. A small group of four poems follows appropriately, viz. 'To a s.e.xton', 'The Danish Boy', 'Lucy Gray', and 'Ruth'; while the Fenwick note almost necessitates our placing the 'Poet's Epitaph' immediately after the Lines 'Written in Germany'; and, with Wordsworth's life at Goslar, we naturally a.s.sociate five things--the cold winter, 'The Prelude', the "Lucy" and the "Matthew"

poems, and the 'Poet's Epitaph'.--Ed.

INFLUENCE OF NATURAL OBJECTS IN CALLING FORTH AND STRENGTHENING THE IMAGINATION IN BOYHOOD AND EARLY YOUTH

FROM AN UNPUBLISHED POEM

[This extract is reprinted from "THE FRIEND."[A]]