The Mammoth Book Of The Best Of Best New SF - The Mammoth Book of the Best of Best New SF Part 74
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The Mammoth Book of the Best of Best New SF Part 74

"That's not it," Jamie said. "She doesn't want to be here no matter what I'm doing, no matter where I live. Because whatever this place looks like, it's a prison." Jamie looked at his sister. "I don't want my mom in a prison."

Leaping flames glittered in Becca's eyes. "You can change the world you live in," she said. "That's more than I can do."

"But I can't," Jamie said. "I can change the way it looks, but I can't change anything real. real. I'm a program, and a program is an I'm a program, and a program is an artifact. artifact. I'm a piece of I'm a piece of engineering. engineering. I'm a simulation, with simulated sensory organs that interact with simulated environments I can only interact with I'm a simulation, with simulated sensory organs that interact with simulated environments I can only interact with other artifacts. other artifacts. None of it's real. I don't know what the real world looks or feels or tastes like, I only know what simulations tell me they're None of it's real. I don't know what the real world looks or feels or tastes like, I only know what simulations tell me they're supposed supposed to taste like. And I can't change any of my parameters unless I mess with the engineering, and I can't do that unless the programmers agree, and even when that happens, I'm still as artificial as I was before. And the computer I'm in is old and clunky, and soon nobody's going to run my operating system anymore, and I'll not only be an artifact, I'll be a museum piece." to taste like. And I can't change any of my parameters unless I mess with the engineering, and I can't do that unless the programmers agree, and even when that happens, I'm still as artificial as I was before. And the computer I'm in is old and clunky, and soon nobody's going to run my operating system anymore, and I'll not only be an artifact, I'll be a museum piece."

"There are other artificial intelligences out there," Becca said. "I keep hearing about them."

"I've talked to them. Most of them aren't very interesting it's like talking to a dog, or maybe to a very intelligent microwave oven. And they've scanned some people in, but those were adults, and all they wanted to do, once they got inside, was to escape. Some of them went crazy."

Becca gave a twisted smile. "I used to be so jealous of you, you know. You lived in this beautiful world, no pollution, no violence, no shit on the streets."

"Integra mens augustissima possessio," said Cicero. said Cicero.

"Shut up!" Jamie told him. "What the fuck do you know?"

Becca shook her head. "I've seen those old movies, you know? Where somebody gets turned into a computer program, and next thing you know he's in every computer in the world, and running everything?"

"I've seen those, too. Ha ha. Very funny. Shows you what people know about programs."

"Yeah. Shows you what they know."

"I'll talk to Mom," Jamie said.

Big tears welled out of Mom's eyes and trailed partway down her face, then disappeared. The scanners paid a lot of attention to eyes and mouths, for the sake of transmitting expression, but didn't always pick up the things between.

"I'm sorry," she said. "We didn't think this is how it would be."

"Maybe you should have given it more thought," Jamie said.

It isn't sorrow, he told himself again. It's just electrons moving.

"You were such a beautiful baby." Her lower lip trembled. "We didn't want to lose you. They said that it would only be a few years before they could implant your memories in a clone."

Jamie knew all that by now. Knew that the technology of reading memories turned out to be much, much simpler than implanting them it had been discovered that the implantation had to be made while the brain was actually growing. And government restrictions on human cloning had made tests next to impossible, and that the team that had started his project had split up years ago, some to higher paying jobs, some retired, others to pet projects of their own. How his father had long ago used up whatever pull he'd had at the University trying to keep everything together. And how he long ago had acquired or purchased patents and copyrights for the whole scheme, except for Jamie's program, which was still owned jointly by the University and the family.

Tears reappeared on Mom's lower face, dripped off her chin. "There's potentially a lot of money at stake, you know. People want to raise perfect children. Keep them away from bad influences, make sure that they're raised free from violence."

"So they want to control the kid's environment," Jamie said.

"Yes. And make it safe. safe. And wholesome. And " And wholesome. And "

"Just like normal family life, normal family life," Jamie finished. "No diapers, no vomit, no messes. No having to interact with the kid when the parents are tired. And then you just download the kid into an adult body, give him a diploma, and kick him out of the house. And call yourself a perfect parent."

"And there are religious people religious people . . ." Mom licked her lips. "Your dad's been talking to them. They want to raise children in environments that reflect their beliefs completely. Places where there is no temptation, no sin. No science or ideas that contradict their own . . ." . . ." Mom licked her lips. "Your dad's been talking to them. They want to raise children in environments that reflect their beliefs completely. Places where there is no temptation, no sin. No science or ideas that contradict their own . . ."

"But Dad isn't religious," Jamie said.

"These people have money. Lots of money."

Mom reached out, took his hand. Jamie thought about all the code that enabled her to do it, that enabled them both to feel the pressure of unreal flesh on unreal flesh.

"I'll do what you wish, of course," she said. "I don't have that desire for immortality, the way your father does." She shook her head. "But I don't know what your father will do once his time comes."

The world was a disk a hundred meters across, covered with junk: old Roman ruins, gargoyles fallen from a castle wall, a broken chariot, a shattered bell. Outside the rim of the world, the sky was black, utterly black, without a ripple or a star.

Standing in the center of the world was a kind of metal tree with two forked, jagged arms.

"Hi, Digit," Becca said.

A dull fitful light gleamed on the metal tree, as if it were reflecting a bloody sunset.

"Hi, sis," it said.

"Well," Becca said. "We're alone now."

"I caught the notice of Dad's funeral. I hope nobody missed me."

"I missed you, Digit." Becca sighed. "Believe it or not."

"I'm sorry."

Becca restlessly kicked a piece of junk, a hubcap from an old, miniature car. It clanged as it found new lodgment in the rubble. "Can you appear as a person?" she asked. "It would make it easier to talk to you."

"I've finished with all that," Jamie said. "I'd have to resurrect too much dead programming. I've cut the world down to next to nothing. I've got rid of my body, my heartbeat, the sense of touch."

"All the human parts," Becca said sadly.

The dull red light oozed over the metal tree like a drop of blood. "Everything except sleep and dreams. It turns out that sleep and dreams have too much to do with the way people process memory. I can't get rid of them, not without cutting out too much of my mind." The tree gave a strange, disembodied laugh. "I dreamed about you, the other day. And about Cicero. We were talking Latin."

"I've forgotten all the Latin I ever knew." Becca tossed her hair, forced a laugh. "So what do you do nowadays?"

"Mostly I'm a conduit for data. The University has been using me as a research spider, which I don't mind doing, because it passes the time. Except that I take up a lot more memory than any real search spider, and don't do that much better a job. And the information I find doesn't have much to do with me me it's all about the real world. The world I can't touch." The metal tree bled color. it's all about the real world. The world I can't touch." The metal tree bled color.

"Mostly," he said, "I've just been waiting for Dad to die. And now it's happened."

There was a moment of silence before Becca spoke. "You know that Dad had himself scanned before he went."

"Oh, yeah. I knew."

"He set up some kind of weird foundation that I'm not part of, with his patents and programs and so on, and his money and some other people's."

"He'd better not turn up here."

Becca shook her head. "He won't. Not without your permission anyway. Because I'm in charge here. You your program it's not a part of the foundation. Dad couldn't get it all, because the University has an interest, and so does the family." There was a moment of silence. "And I'm the family now."

"So you . . . inherited inherited me," Jamie said. Cold scorn dripped from his words. me," Jamie said. Cold scorn dripped from his words.

"That's right," Becca said. She squatted down amid the rubble, rested her forearms on her knees.

"What do you want me to do, Digit? What can I do to make it better for you?"

"No one ever asked me that," Jamie said.

There was another long silence.

"Shut it off," Jamie said. "Close the file. Erase it."

Becca swallowed hard. Tears shimmered in her eyes. "Are you sure?" she asked.

"Yes. I'm sure."

"And if they ever perfect the clone thing? If we could make you . . ." She took a breath. "A person?"

"No. It's too late. It's . . . not something I can want anymore."

Becca stood. Ran a hand through her hair. "I wish you could meet my daughter," she said. "Her name is Christy. She's a real beauty."

"You can bring her," Jamie said.

Becca shook her head. "This place would scare her. She's only three. I'd only bring her if we could have . . ."

"The old environment," Jamie finished. "Pandaland. Mister Jeepers. Whirlikin Country."

Becca forced a smile. "Those were happy days," she said. "They really were. I was jealous of you, I know, but when I look back at that time . . ." She wiped tears with the back of her hand. "It was the best."

"Virtual environments are nice places to visit, I guess," Jamie said. "But you don't want to live in one. Not forever." Becca looked down at her feet, planted amid rubble.

"Well," she said. "If you're sure about what you want."

"I am."

She looked up at the metal form, raised a hand. "Good-bye, Jamie," she said.

"Good-bye," he said.

She faded from the world.

And in time, the world and the tree faded, too.

Hand in hand, Daddy and Jamie walked to Whirlikins Country. Jamie had never seen the Whirlikins before, and he laughed and laughed as the Whirlikins spun beneath their orange sky.

The sound of a bell rang over the green hills. "Time for dinner, Jamie," Daddy said.

Jamie waved good-bye to the Whirlikins, and he and Daddy walked briskly over the fresh green grass toward home.

"Are you happy, Jamie?" Daddy asked.

"Yes, Daddy!" Jamie nodded. "I only wish Momma and Becky could be here with us."

"They'll be here soon."

When, he thought, they can get the simulations working properly.

Because this time, he thought, there would be no mistakes. The foundation he'd set up before he died had finally purchased the University's interest in Jamie's program they funded some scholarships, that was all it finally took. There was no one in the Computer Department who had an interest anymore.

Jamie had been loaded from an old backup there was no point in using the corrupt file that Jamie had become, the one that had turned itself into a tree, for heaven's sake.

The old world was up and running, with a few improvements. The foundation had bought their own computer an old one, so it wasn't too expensive that would run the environment full-time. Some other children might be scanned, to give Jamie some playmates and peer socialization.

This time it would work, Daddy thought. Because this time, Daddy was a program too, and he was going to be here every minute, making sure that the environment was correct and that everything went exactly according to plan. That he and Jamie and everyone else had a normal family life, perfect and shining and safe.

And if the clone program ever worked out, they would come into the real world again. And if downloading into clones was never perfected, then they would stay here.

There was nothing wrong with the virtual environment. It was a good place.

Just like normal family life. Only forever.

And when this worked out, the foundation's backers fine people, even if they did have some strange religious ideas would have their own environments up and running. With churches, angels, and perhaps even the presence of God . . .

"Look!" Daddy said, pointing. "It's Mister Jeepers!"

Mister Jeepers flew off the rooftop and spun happy spirals in the air as he swooped toward Jamie. Jamie dropped Daddy's hand and ran laughing to greet his friend.

"Jamie's home!" Mister Jeepers cried. "Jamie's home at last!"

THE REAL WORLD.

Steven Utley

Steven Utley's fiction has appeared in The Magazine of Fantasy and Science Fiction, Universe, Galaxy, Amazing, Vertex, Stellar, Shayol, The Magazine of Fantasy and Science Fiction, Universe, Galaxy, Amazing, Vertex, Stellar, Shayol, and elsewhere. He was one of the best-known new writers of the '70s, both for his solo work and for some strong work in collaboration with fellow Texan Howard Waldrop, but fell silent at the end of the decade and wasn't seen in print again for more than ten years. In the last decade he's made a strong comeback, though, becoming a frequent contributor to and elsewhere. He was one of the best-known new writers of the '70s, both for his solo work and for some strong work in collaboration with fellow Texan Howard Waldrop, but fell silent at the end of the decade and wasn't seen in print again for more than ten years. In the last decade he's made a strong comeback, though, becoming a frequent contributor to Asimov's Science Fiction Asimov's Science Fiction magazine, as well as selling again to magazine, as well as selling again to The Magazine of Fantasy and Science Fiction, Sci Fiction, The Magazine of Fantasy and Science Fiction, Sci Fiction, and elsewhere. Utley is the coeditor, with Geo. W. Proctor, of the anthology and elsewhere. Utley is the coeditor, with Geo. W. Proctor, of the anthology Lone Star Universe, Lone Star Universe, the first and probably the only anthology of SF stories by Texans. His first collection, the first and probably the only anthology of SF stories by Texans. His first collection, Ghost Seas, Ghost Seas, was published in 1997, and he is presently shopping a novel/collection based on his Silurian stories, such as the one that follows. His most recent books are collections of his poetry, was published in 1997, and he is presently shopping a novel/collection based on his Silurian stories, such as the one that follows. His most recent books are collections of his poetry, This Impatient Ape This Impatient Ape and and Career Moves of the Gods. Career Moves of the Gods. He lives in Smyrna, Tennessee. He lives in Smyrna, Tennessee.

Here, in part of a long sequence of stories that Utley has been writing throughout the '90s (and that unusual for a series, and a testament to the high regard in which editors hold Utley's talent have appeared in almost every leading market in the field, from Analog Analog to to Sci Fiction), Sci Fiction), detailing the adventures and misadventures of time-travelling scientists exploring the distant Silurian Age, millions of years before the dinosaurs roamed the Earth, he offers us a parable of what's important and what's not and wonders how you can be sure that you can tell the difference, when you can't even be sure of the very ground under your feet. detailing the adventures and misadventures of time-travelling scientists exploring the distant Silurian Age, millions of years before the dinosaurs roamed the Earth, he offers us a parable of what's important and what's not and wonders how you can be sure that you can tell the difference, when you can't even be sure of the very ground under your feet.

EVERYTHING FELT LIKE A DREAM. The flight attendants seemed to whisper past in the aisle. The other passengers were but shadows and echoes. Through the window, he could see the wing floating above an infinite expanse of cloudtop as flat and featureless as the peneplained landscapes of the Paleozoic. I'm just tired, he thought, without conviction.

Ivan forced his attention back to the laptop. He had called up an old documentary in which he himself appeared. "Resume," he said, very softly, and the image on the screen unfroze, and a familiar, strange voice said, "Plant life may actually have invaded the land during the Ordovician Period." Is that really me? he thought. My face, my eyes, I look so unlived-in. "We know about two dozen genera of land plant in the Silurian," and the screen first showed a tangle of creeping green tendrils at his younger self's feet, "such as these, which are called psilo-phytes," then a glistening algal mat. "The big flat things you see all over the mudflats are Nematophycus. The point is "

His earphone buzzed softly. "Pause," he murmured to the laptop, and the image on the screen froze once more. He said, "Hello?" and heard his brother say, "How's the flight?"

"Don. I hope you're not calling to rescind my invitation."

"Michelle'll pick you up at the airport as planned. I'm just calling to warn you and apologize in advance. I just got an invitation I can't refuse to a social event tomorrow evening."

"No need to apologize."