Here old Sally's tale and her knitting ceased for a moment, as if she were listening to the wind outside the haunted precincts of the Tiled house; and she took up her parable again.

'The very night he met his death in England, old Oliver, the butler, was listening to Dalton--for Dalton was a scholar--reading the letter that came to him through the post that day, telling him to get things ready, for his troubles wor nearly over and he expected to be with them again in a few days, and maybe almost as soon as the letter; and sure enough, while he was reading, there comes a frightful rattle at the window, like some one all in a tremble, trying to shake it open, and the earl's voice, as they both conceited, cries from outside, "Let me in, let me in, let me in!" "It's him," says the butler. "'Tis so, bedad," says Dalton, and they both looked at the windy, and at one another--and then back again--overjoyed, in a soart of a way, and frightened all at onst.

Old Oliver was bad with the rheumatiz. So away goes Dalton to the hall-door, and he calls "who's there?" and no answer. "Maybe," says Dalton, to himself, "'tis what he's rid round to the back-door;" so to the back-door with him, and there he shouts again--and no answer, and not a sound outside--and he began to feel quare, and to the hall door with him back again. "Who's there? do you hear? who's there?" he shouts, and receives no answer still. "I'll open the door at any rate," says he, "maybe it's what he's made his escape," for they knew all about his troubles, and wants to get in without noise, so praying all the time--for his mind misgave him it might not be all right--he shifts the bars and unlocks the door; but neither man, woman, nor child, nor horse, nor any living shape was standing there, only something or another slipt into the house close by his leg; it might be a dog, or something that way, he could not tell, for he only seen it for a moment with the corner of his eye, and it went in just like as if it belonged to the place. He could not see which way it went, up or down, but the house was never a happy one, or a quiet house after; and Dalton bangs the hall-door, and he took a sort of a turn and a trembling, and back with him to Oliver, the butler, looking as white as the blank leaf of his master's letter, that was between his finger and thumb. "What is it? _what_ is it?" says the butler, catching his crutch like a waypon, fastening his eyes on Dalton's white face, and growing almost as pale himself. "The master's dead," says Dalton--and so he was, signs on it.

'After the turn she got by what she seen in the orchard, when she came to know the truth of what it was, Jinny Cresswell, you may be sure, did not stay there an hour longer than she could help: and she began to take notice of things she did not mind before--such as when she went into the big bed-room over the hall, that the lord used to sleep in, whenever she went in at one door the other door used to be pulled to very quick, as if some one avoiding her was getting out in haste; but the thing that frightened her most was just this--that sometimes she used to find a long straight mark from the head to the foot of her bed, as if 'twas made by something heavy lying there, and the place where it was used to feel warm--as if--whoever it was--they only left it as she came into the room.

'But the worst of all was poor Kitty Haplin, the young woman that died of what she seen. Her mother said it was how she was kept awake all the night with the walking about of some one in the next room, tumbling about boxes, and pulling over drawers, and talking and sighing to himself, and she, poor thing, wishing to go asleep, and wondering who it could be, when in he comes, a fine man, in a sort of loose silk morning-dress, an' no wig, but a velvet cap on, and to the windy with him quiet and aisy, and she makes a turn in the bed to let him know there was some one there, thinking he'd go away, but instead of that, over he comes to the side of the bed, looking very bad, and says something to her--but his speech was thick and choakin' like a dummy's that id be trying to spake--and she grew very frightened, and says she, 'I ask your honour's pardon, Sir, but I can't hear you right,' and with that he stretches up his neck nigh out of his cravat, turning his face up towards the ceiling, and--grace between us and harm!--his throat was cut across, and wide open; she seen no more, but dropped in a dead faint in the bed, and back to her mother with her in the morning, and she never swallied bit or sup more, only she just sat by the fire holding her mother's hand, crying and trembling, and peepin' over her shoulder, and starting with every sound, till she took the fever and died, poor thing, not five weeks after.'

And so on, and on, and on flowed the stream of old Sally's narrative, while Lilias dropped into dreamless sleep, and then the story-teller stole away to her own tidy bed-room and innocent slumbers.

CHAPTER XII.

SOME ODD FACTS ABOUT THE TILED HOUSE--BEING AN AUTHENTIC NARRATIVE OF THE GHOST OF A HAND.

I'm sure she believed every word she related, for old Sally was veracious. But all this was worth just so much as such talk commonly is--marvels, fabulae, what our ancestors called winter's tales--which gathered details from every narrator, and dilated in the act of narration. Still it was not quite for nothing that the house was held to be haunted. Under all this smoke there smouldered just a little spark of truth--an authenticated mystery, for the solution of which some of my readers may possibly suggest a theory, though I confess I can't.

Miss Rebecca Chattesworth, in a letter dated late in the autumn of 1753, gives a minute and curious relation of occurrences in the Tiled House, which, it is plain, although at starting she protests against all such fooleries, she has heard with a peculiar sort of interest, and relates it certainly with an awful sort of particularity.

I was for printing the entire letter, which is really very singular as well as characteristic. But my publisher meets me with his _veto_; and I believe he is right. The worthy old lady's letter _is_, perhaps, too long; and I must rest content with a few hungry notes of its tenor.

That year, and somewhere about the 24th October, there broke out a strange dispute between Mr. Alderman Harper, of High Street, Dublin, and my Lord Castlemallard, who, in virtue of his cousinship to the young heir's mother, had undertaken for him the management of the tiny estate on which the Tiled or Tyled House--for I find it spelt both ways--stood.

This Alderman Harper had agreed for a lease of the house for his daughter, who was married to a gentleman named Prosser. He furnished it, and put up hangings, and otherwise went to considerable expense. Mr. and Mrs. Prosser came there sometime in June, and after having parted with a good many servants in the interval, she made up her mind that she could not live in the house, and her father waited on Lord Castlemallard, and told him plainly that he would not take out the lease because the house was subjected to annoyances which he could not explain. In plain terms, he said it was haunted, and that no servants would live there more than a few weeks, and that after what his son-in-law's family had suffered there, not only should he be excused from taking a lease of it, but that the house itself ought to be pulled down as a nuisance and the habitual haunt of something worse than human malefactors.

Lord Castlemallard filed a bill in the Equity side of the Exchequer to compel Mr. Alderman Harper to perform his contract, by taking out the lease. But the Alderman drew an answer, supported by no less than seven long affidavits, copies of all which were furnished to his lordship, and with the desired effect; for rather than compel him to place them upon the file of the court, his lordship struck, and consented to release him.

I am sorry the cause did not proceed at least far enough to place upon the files of the court the very authentic and unaccountable story which Miss Rebecca relates.

The annoyances described did not begin till the end of August, when, one evening, Mrs. Prosser, quite alone, was sitting in the twilight at the back parlour window, which was open, looking out into the orchard, and plainly saw a hand stealthily placed upon the stone window-sill outside, as if by some one beneath the window, at her right side, intending to climb up. There was nothing but the hand, which was rather short but handsomely formed, and white and plump, laid on the edge of the window-sill; and it was not a very young hand, but one aged, somewhere about forty, as she conjectured. It was only a few weeks before that the horrible robbery at Clondalkin had taken place, and the lady fancied that the hand was that of one of the miscreants who was now about to scale the windows of the Tiled House. She uttered a loud scream and an e.j.a.c.u.l.a.t.i.o.n of terror, and at the same moment the hand was quietly withdrawn.

Search was made in the orchard, but no indications of any person's having been under the window, beneath which, ranged along the wall, stood a great column of flower-pots, which it seemed must have prevented any one's coming within reach of it.

The same night there came a hasty tapping, every now and then, at the window of the kitchen. The women grew frightened, and the servant-man, taking firearms with him, opened the back-door, but discovered nothing.

As he shut it, however, he said, 'a thump came on it,' and a pressure as of somebody striving to force his way in, which frightened _him_; and though the tapping went on upon the kitchen window panes, he made no further explorations.

About six o'clock on the Sat.u.r.day evening following, the cook, 'an honest, sober woman, now aged nigh sixty years,' being alone in the kitchen, saw, on looking up, it is supposed, the same fat but aristocratic-looking hand, laid with its palm against the gla.s.s, near the side of the window, and this time moving slowly up and down, pressed all the while against the gla.s.s, as if feeling carefully for some inequality in its surface. She cried out, and said something like a prayer on seeing it. But it was not withdrawn for several seconds after.

After this, for a great many nights, there came at first a low, and afterwards an angry rapping, as it seemed with a set of clenched knuckles at the back-door. And the servant-man would not open it, but called to know who was there; and there came no answer, only a sound as if the palm of the hand was placed against it, and drawn slowly from side to side with a sort of soft, groping motion.

All this time, sitting in the back parlour, which, for the time, they used as a drawing-room, Mr. and Mrs. Prosser were disturbed by rappings at the window, sometimes very low and furtive, like a clandestine signal, and at others sudden, and so loud as to threaten the breaking of the pane.

This was all at the back of the house, which looked upon the orchard as you know. But on a Tuesday night, at about half-past nine, there came precisely the same rapping at the hall-door, and went on, to the great annoyance of the master and terror of his wife, at intervals, for nearly two hours.

After this, for several days and nights, they had no annoyance whatsoever, and began to think that nuisance had expended itself. But on the night of the 13th September, Jane Easterbrook, an English maid, having gone into the pantry for the small silver bowl in which her mistress's posset was served, happening to look up at the little window of only four panes, observed through an auger-hole which was drilled through the window frame, for the admission of a bolt to secure the shutter, a white pudgy finger--first the tip, and then the two first joints introduced, and turned about this way and that, crooked against the inside, as if in search of a fastening which its owner designed to push aside. When the maid got back into the kitchen we are told 'she fell into "a swounde," and was all the next day very weak.'

Mr. Prosser being, I've heard, a hard-headed and conceited sort of fellow, scouted the ghost, and sneered at the fears of his family. He was privately of opinion that the whole affair was a practical joke or a fraud, and waited an opportunity of catching the rogue _flagrante delicto_. He did not long keep this theory to himself, but let it out by degrees with no stint of oaths and threats, believing that some domestic traitor held the thread of the conspiracy.

Indeed it was time something were done; for not only his servants, but good Mrs. Prosser herself, had grown to look unhappy and anxious. They kept at home from the hour of sunset, and would not venture about the house after night-fall, except in couples.

The knocking had ceased for about a week; when one night, Mrs. Prosser being in the nursery, her husband, who was in the parlour, heard it begin very softly at the hall-door. The air was quite still, which favoured his hearing distinctly. This was the first time there had been any disturbance at that side of the house, and the character of the summons was changed.

Mr. Prosser, leaving the parlour-door open, it seems, went quietly into the hall. The sound was that of beating on the outside of the stout door, softly and regularly, 'with the flat of the hand.' He was going to open it suddenly, but changed his mind; and went back very quietly, and on to the head of the kitchen stair, where was a 'strong closet' over the pantry, in which he kept his firearms, swords, and canes.

Here he called his man-servant, whom he believed to be honest, and, with a pair of loaded pistols in his own coat-pockets, and giving another pair to him, he went as lightly as he could, followed by the man, and with a stout walking-cane in his hand, forward to the door.

Everything went as Mr. Prosser wished. The besieger of his house, so far from taking fright at their approach, grew more impatient; and the sort of patting which had aroused his attention at first a.s.sumed the rhythm and emphasis of a series of double-knocks.

Mr. Prosser, angry, opened the door with his right arm across, cane in hand. Looking, he saw nothing; but his arm was jerked up oddly, as it might be with the hollow of a hand, and something pa.s.sed under it, with a kind of gentle squeeze. The servant neither saw nor felt anything, and did not know why his master looked back so hastily, cutting with his cane, and shutting the door with so sudden a slam.

From that time Mr. Prosser discontinued his angry talk and swearing about it, and seemed nearly as averse from the subject as the rest of his family. He grew, in fact, very uncomfortable, feeling an inward persuasion that when, in answer to the summons, he had opened the hall-door, he had actually given admission to the besieger.

He said nothing to Mrs. Prosser, but went up earlier to his bed-room, 'where he read a while in his Bible, and said his prayers.' I hope the particular relation of this circ.u.mstance does not indicate its singularity. He lay awake a good while, it appears; and, as he supposed, about a quarter past twelve he heard the soft palm of a hand patting on the outside of the bed-room door, and then brushed slowly along it.

Up bounced Mr. Prosser, very much frightened, and locked the door, crying, 'Who's there?' but receiving no answer but the same brushing sound of a soft hand drawn over the panels, which he knew only too well.

In the morning the housemaid was terrified by the impression of a hand in the dust of the 'little parlour' table, where they had been unpacking delft and other things the day before. The print of the naked foot in the sea-sand did not frighten Robinson Crusoe half so much. They were by this time all nervous, and some of them half-crazed, about the hand.

Mr. Prosser went to examine the mark, and made light of it but as he swore afterwards, rather to quiet his servants than from any comfortable feeling about it in his own mind; however, he had them all, one by one, into the room, and made each place his or her hand, palm downward, on the same table, thus taking a similar impression from every person in the house, including himself and his wife; and his 'affidavit'

deposed that the formation of the hand so impressed differed altogether from those of the living inhabitants of the house, and corresponded with that of the hand seen by Mrs. Prosser and by the cook.

Whoever or whatever the owner of that hand might be, they all felt this subtle demonstration to mean that it was declared he was no longer out of doors, but had established himself in the house.

And now Mrs. Prosser began to be troubled with strange and horrible dreams, some of which as set out in detail, in Aunt Rebecca's long letter, are really very appalling nightmares. But one night, as Mr.

Prosser closed his bed-chamber-door, he was struck somewhat by the utter silence of the room, there being no sound of breathing, which seemed unaccountable to him, as he knew his wife was in bed, and his ears were particularly sharp.

There was a candle burning on a small table at the foot of the bed, beside the one he held in one hand, a heavy ledger, connected with his father-in-law's business being under his arm. He drew the curtain at the side of the bed, and saw Mrs. Prosser lying, as for a few seconds he mortally feared, dead, her face being motionless, white, and covered with a cold dew; and on the pillow, close beside her head, and just within the curtains, was, as he first thought, a toad--but really the same fattish hand, the wrist resting on the pillow, and the fingers extended towards her temple.

Mr. Prosser, with a horrified jerk, pitched the ledger right at the curtains, behind which the owner of the hand might be supposed to stand.

The hand was instantaneously and smoothly s.n.a.t.c.hed away, the curtains made a great wave, and Mr. Prosser got round the bed in time to see the closet-door, which was at the other side, pulled to by the same white, puffy hand, as he believed.

He drew the door open with a fling, and stared in: but the closet was empty, except for the clothes hanging from the pegs on the wall, and the dressing-table and looking-gla.s.s facing the windows. He shut it sharply, and locked it, and felt for a minute, he says, 'as if he were like to lose his wits;' then, ringing at the bell, he brought the servants, and with much ado they recovered Mrs. Prosser from a sort of 'trance,' in which, he says, from her looks, she seemed to have suffered 'the pains of death:' and Aunt Rebecca adds, 'from what she told me of her visions, with her own lips, he might have added, "and of h.e.l.l also."'

But the occurrence which seems to have determined the crisis was the strange sickness of their eldest child, a little boy aged between two and three years. He lay awake, seemingly in paroxysms of terror, and the doctors who were called in, set down the symptoms to incipient water on the brain. Mrs. Prosser used to sit up with the nurse by the nursery fire, much troubled in mind about the condition of her child.

His bed was placed sideways along the wall, with its head against the door of a press or cupboard, which, however, did not shut quite close.

There was a little valance, about a foot deep, round the top of the child's bed, and this descended within some ten or twelve inches of the pillow on which it lay.

They observed that the little creature was quieter whenever they took it up and held it on their laps. They had just replaced him, as he seemed to have grown quite sleepy and tranquil, but he was not five minutes in his bed when he began to scream in one of his frenzies of terror; at the same moment the nurse, for the first time, detected, and Mrs. Prosser equally plainly saw, following the direction of _her_ eyes, the real cause of the child's sufferings.

Protruding through the aperture of the press, and shrouded in the shade of the valance, they plainly saw the white fat hand, palm downwards, presented towards the head of the child. The mother uttered a scream, and s.n.a.t.c.hed the child from its little bed, and she and the nurse ran down to the lady's sleeping-room, where Mr. Prosser was in bed, shutting the door as they entered; and they had hardly done so, when a gentle tap came to it from the outside.

There is a great deal more, but this will suffice. The singularity of the narrative seems to me to be this, that it describes the ghost of a hand, and no more. The person to whom that hand belonged never once appeared: nor was it a hand separated from a body, but only a hand so manifested and introduced that its owner was always, by some crafty accident, hidden from view.

In the year 1819, at a college breakfast, I met a Mr. Prosser--a thin, grave, but rather chatty old gentleman, with very white hair drawn back into a pigtail--and he told us all, with a concise particularity, a story of his cousin, James Prosser, who, when an infant, had slept for some time in what his mother said was a haunted nursery in an old house near Chapelizod, and who, whenever he was ill, over-fatigued, or in anywise feverish, suffered all through his life as he had done from a time he could scarce remember, from a vision of a certain gentleman, fat and pale, every curl of whose wig, every b.u.t.ton and fold of whose laced clothes, and every feature and line of whose sensual, benignant, and unwholesome face, was as minutely engraven upon his memory as the dress and lineaments of his own grandfather's portrait, which hung before him every day at breakfast, dinner, and supper.