"Where does this Baron live?" I asked, surprised that he should occupy so high a place in Russian officialdom--the representative of the Czar, with powers as great as the Emperor himself.

"At the Government Palace, in Helsingfors."

"And Elma Heath is here--in this grim fortress! Why?"

"Ah, m'sieur, how can I tell? By reason of family secrets, perhaps. They account for so much, you know."

"That is exactly my opinion," I said. "She has been brought here against her will."

"Most probably. This is not a cheerful place, as you see. We have five months of ice and snow, and for four months are practically cut off from civilization and see no new face."

"Terrible!" I gasped, glancing round at those dark stone walls that seemed to breathe an air of tragedy and mystery. The old castle had, I supposed, been turned into a convent, as many have been in Germany and Austria. Back in feudal times it no doubt had been a grand old place.

"And have you been here long?" I asked.

"Seven years only. But I am leaving. Even I, used as I am to a solitary life, can stand it no longer. I feel that its cold silence and dreariness will drive me mad. In winter the place is like an ice-well."

The fact that the Baron was ruler of Finland amazed me, for I had half-expected him to be some clever adventurer. Yet as the events of the past flashed through my brain, I recollected that in Rannoch Wood had been found the miniature of the Russian Order of Saint Anne, a distinction which, in all probability, had been conferred upon him. If so, the coincidence, to say the least, was a remarkable one. I questioned my companion further regarding the Baron.

"Ah, m'sieur," she declared, "they call him 'The Strangler of the Finns,' It was he who ordered the peasants of Kasko to be flogged until four of them died--and the Czar gave him the Star of White Eagle for it--he who suppressed half the newspapers and put eighteen editors in prison for publishing a report of a meeting of the Swedes in Helsingfors; he who encourages corruption and bribery among the officials for the furtherance of Russian interests; he who has ordered Russian to be the official language, who has restricted public education, who has overtaxed and ground down the people until now the mine is laid, and Finland is ready for open revolt. The prisons are filled with the innocent; women are flogged; the poor are starving, and 'The Strangler,' as they call him, reports to the Czar that Finland is submissive and is Russianized!"

I had heard something of this abominable state of affairs from time to time from the English press, but had never taken notice of the name of the oppressor. So the uncle of Elma Heath was "The Strangler of Finland," the man who, in four years, had reduced a prosperous country to a state of ruin and revolt!

"Cannot I see her?" I asked, feeling that we had remained too long there. If my presence in that place was perilous the sooner I escaped from it the better.

"Yes, come," she said. "But silence! Walk softly," and holding up the old horn lantern to give me light, she led me out into the low stone corridor again, conducting me through a number of intricate pa.s.sages, all bare and gloomy, the stones worn hollow by the feet of ages. On we crept noiselessly past a number of low arched doors studded with big nails in the style of generations ago, then turning suddenly at right angles, I saw that we were in a kind of _cul de sac,_ before the door of which at the end she stopped and placed her finger upon her lips. Then, motioning me to remain there, she entered, closing the door after her, and leaving me in the pitch darkness.

I strained my ears, but could hear no sound save that of someone moving within. No word was uttered, or if so, it was whispered so low that it did not reach me. For nearly five minutes I waited in impatience outside that closed door, until again the handle turned and my conductress beckoned me in silence within.

I stepped into a small, square chamber, the floor of which was carpeted, and where, suspended high above, was a lamp that shed but a faint light over the barely-furnished place. It seemed to me to be a kind of sitting-room, with a plain deal table and a couple of chairs, but there was no stove, and the place looked chill and comfortless. Beyond was another smaller room into which the old nun disappeared for a moment; then she came forth leading a strange wan little figure in a gray gown, a figure whose face was the most perfect and most lovely I had ever seen. Her wealth of chestnut hair fell disheveled about her shoulders, and as her hands were clasped before her she looked straight at me in surprise as she was led towards me.

She walked but feebly, and her countenance was deathly pale. Her dress, as she came beneath the lamp, was, I saw, coa.r.s.e, yet clean, and her beautiful, regular features, which in her photograph had held me in such fascination, were even more sweet and more matchless than I had believed them to be. I stood before her dumbfounded in admiration.

In silence she bowed gracefully, and then looked at me with astonishment, apparently wondering what I, a perfect stranger, required of her.

"Miss Elma Heath, I presume?" I exclaimed at last. "May I introduce myself to you? My name is Gordon Gregg, English by birth, cosmopolitan by instinct. I have come here to ask you a question--a question that concerns yourself. Lydia Moreton has sent me to you."

I noticed that her great brown eyes watched my lips and not my face.

Her own lips moved, but she looked at me with an inexpressible sadness.

No sound escaped her.

I stood rigid before her as one turned to stone, for in that instant, in a flash indeed, I realized the awful truth.

She was both deaf and dumb!

She raised her clasped hands to me in silence, yet with tears welling in her splendid eyes.

I saw that upon her wrists were a pair of bright steel gyves.

"What is this place?" I demanded of the woman in the religious habit, when I recovered from the shock of the poor girl's terrible affliction.

"Where am I?"

"This is the Castle of Kajana--the criminal lunatic asylum of Finland,"

was her answer. "The prisoner, as you see, has lost both speech and hearing."

"Deaf and dumb!" I cried, looking at the beautiful original of that destroyed photograph on board the _Lola_. "But she has surely not always been so!" I exclaimed.

"No. I think not always," replied the sister quietly. "But you said you intended to question her, and did I not tell you that to learn the truth was impossible?"

"But she can write responses to my questions?" I argued.

"Alas! no," was the old woman's whispered reply. "Her mind is affected.

She is, unfortunately, a hopeless lunatic."

I looked straight into those sad, wide-open, yet unflinching brown eyes utterly confounded.

Those white wrists held in steel, that pale face and blanched lips, the inertness of her movements, all told their own tragic tale. And yet that letter I had read, dictated in secret most probably because her hands were not free, was certainly not the outpourings of a madwoman. She had spoken of death, it was true, yet was it not to be supposed that she was slowly being driven to suicide? She had kept her secret, and she wished the man Hornby--the man who was to marry Muriel Leithcourt--to know.

The room in which we stood was evidently an apartment set apart for her use, for beyond was the tiny bedchamber; yet the small, high-up window was closely barred, and the cold bareness of the prison was sufficient indeed to cause anyone confined there to prefer death to captivity.

Again I spoke to her slowly and kindly, but there was no response. That she was absolutely dumb was only too apparent. Yet surely she had not always been so! I had gone in search of her because the beauty of her portrait had magnetized me, and I had now found her to be even more lovely than her picture, yet, alas! suffering from an affliction that rendered her life a tragedy. The realization of the terrible truth staggered me. Such a perfect face as hers I had never before set eyes upon, so beautiful, so clear-cut, so refined, so eminently the countenance of one well-born, and yet so ineffably sad, so full of blank unutterable despair.

She placed her clasped hands to her mouth and made signs by shaking her head that she could neither understand nor respond. I therefore took my wallet from my pocket and wrote upon a piece of paper in a large hand the words: "_I come from Lydia Moreton. My name is Gordon Gregg_."

When her eager gaze fell upon the words she became instantly filled with excitement, and nodded quickly. Then holding her steel-clasped wrists towards me she looked wistfully at me, as though imploring me to release her from the awful bondage in that silent tomb.

Though the woman who had led me there endeavored to prevent it, I handed her the pencil, and placed the paper on the table for her to write.

The nun tried to s.n.a.t.c.h it up, but I held her arm gently and forcibly, saying in French:

"No. I wish to see if she is really insane. You will at least allow me this satisfaction."

And while we were in altercation, Elma, with the pencil in her fingers, tried to write, but by reason of her hands being bound so closely was unable. At length, however, after several attempts, she succeeded in printing in uneven capitals the response:

"I know you. You were on the yacht. I thought they killed you."

The thin-faced old woman saw her response--a reply that was surely rational enough--and her brows contracted with displeasure.

"Why are you here?" I wrote, not allowing the sister to get sight of my question.

In response, she wrote painfully and laboriously:

"I am condemned for a crime I did not commit. Take me from here, or I shall kill myself."

"Ah!" exclaimed the old woman. "You see, poor girl, she believes herself innocent! They all do."

"But why is she here?" I demanded fiercely.

"I do not know, m'sieur. It is not my duty to inquire the history of their crimes. When they are ill I nurse them; that is all."