He lay back exhausted, his chest rising and falling painfully, his eyelids fluttering over his burning eyes.

Dan stepped back, and, silenced, stared at the dying man.

Larry clung to his last moments of life, fighting for strength to finish. He struggled, and raised himself on one elbow.

"For you!" he screamed. "No, for Mary! For Mary, my own flesh and blood--Mary, the child of the woman I beat when I was drunk an' left to starve when I got ready!"

Through the stateroom door the sun's flat rays struck full on Larry's inspired face. He swayed on his elbow; his head fell forward. By a final effort he steadied himself. His last words came in ringing command.

"Go back! Go--" he faltered, gasping for breath--"go home sober to Mary an' the child that's comin'!"

The fire of anger drifted slowly from Larry's dying gaze. The little man fell back. The Bunker Mouse went out, all man, big at the end.

RAINBOW PETE[13]

[Note 13: Copyright, 1917, by The Pictorial Review Company.

Copyright, 1918, by Richard Matthews Hallet.]

BY RICHARD MATTHEWS HALLET

From _The Pictorial Review_

In pursuance of a policy to detain us on the island at Sick Dog until the arrival of his daughter, Papa Isbister thought fit to tell us the fate of Rainbow Pete, of whose physical deformity and thirst for gold we knew something already. Rainbow Pete had come to Mushrat Portage, playing his flute, at a time when preparations were being made to blast a road-bed through the wilderness for the railroad.

Mushrat Portage had been but recently a willow clump, and a black rock ledge hanging over a precipitous valley: the hand of the Indian could be seen one day parting the leaves of the trail, and on the next, drills came and tins of black powder, and hordes of greedy men, blind with a burning zeal for "monkeying with powder" as our host of Sick Dog said.

They were strange men, hoa.r.s.e men, unreasonable men who cast sheep's-eyes at the dark woman from Regina, whose shack, rented of Scarecrow Charlie, crowned the high point of the ledge. She was the only woman on Mushrat, and at a time just before the blasting began, when Rainbow Pete sauntered over the trail with his pick and his flute and his dirty bag of rock specimens, she was hungrily watched and waited on by the new inhabitants of that ancient portage--Mushrat, whose destinies were soon to be so splendid, and whose skies were to be rocked and rent by the thunders of men struggling with reluctant nature, monkeying with powder.

When Pete laid down his tools and guns on the table at Scarecrow Charlie's, where the woman was employed, had he in his heart some foreshadowing presentiment of the peril he was in, of the sharp destroying fire of a resolute woman's eyes, which he was subjecting himself to, in including her in his universal caress? Who knows? Perhaps his flute had whispered tidings to him. He was, said Papa Isbister, immensely proud of his plaything, this huge gaunt sailor, who had been bent into the shape of a rainbow--the foot of a rainbow--by a chance shot, which shattered his hip and gave him an impressive forward cant, which appeared to women, it seemed--I quote my old friend--in the light of an endearing droop.

The romantic visitation of this musical sailorman made the efforts of all Mushrat as nothing. But Rainbow Pete seemed unaware of the fiery jealousies glowing in the night on all sides of him when he fixed his eyes on her for the first time--with that mellow a.s.surance of a careless master of the hearts and whims of women.

"What's this he said to her?" said our old friend. "It was skilful; it was put like a notable question if she took it so."

"You don't want to go out to-night," he said to her, with his guns on the table.

"No, I do not," she said to the man.

"There you will be taking the words out of my mouth to suit your heart,"

he went on saying to her. "Mark this, I'm making this a command to you.

You don't want to go out to-night. Do not do it."

This he told her was on account of stray bullets, because he was meaning to shoot up that place.

Heh! It was a trick of his, to trap her into denying him when he had made no offer.

Old Isbister laughed heartily at this picture of Pete in the days of his triumph.

He was a captivating man, it appeared. He was tattooed. On his arms were snakes and the like of that, daggers and the like of that, dragons and the like of that. This was a romantic skin to the man; and his blue eyes were like the diamond drills they were bringing to Mushrat.

"Oh my," said the woman, leaning at his table, "this is what will be keeping me from ma.s.s, I shouldn't wonder."

This was a prairie woman from Regina; now mark, it was whispered to be no credit to human nature that she had had to leave that town. No. She was a full woman, very deep, with burning eyes. It was hard talking with her, because of her lingering speech. Oh, she was a ma.s.sive woman, for the small shoes she wore. She was tall, as high as Rainbow Pete's shoulder. She purchased scent for her hair. This I know, having seen it standing in the bottles. She was a prairie woman.

This was a wild night we spent on Mushrat, after Pete's reproving the woman there in Scarecrow Charlie's place. Smash McGregor, the little doctor, was sitting between us in his yellow skull-cap; and Willis Countryman was reading and drinking in one corner, listening to the laughing men there. They were laughing, thinking of the fortunes there would be here when blasting begun.

But Rainbow Pete was not one of the rockmen. No. He told them strange tales of gold. Heh! He was athirst for gold. Strange tales he told of gold. Once how in Australia he had hold of a lump of it as big as poor McGregor's skull, but isn't it a perishing pity, oh my, this was just a desert where he was, there was no water, he grew faint carrying the nugget. Our mouths were open when the man told us he had dropped it in the desert, with his name carved on it.

"There it is to this day, sinking in the sands," he said. Oh, the proud woman from Regina. There she turned her dark eyes over our heads, never looking at the plausible man at all; but she had heard him.

"Gold?" said Smash McGregor. "Why, there's gold enough in the world."

"Ay, there's comfort too, if you know where to take it," said Rainbow Pete, twirling here at his mustache and looking at the woman.

"There's gold," said McGregor, "for any man."

"Yes, my hearty," said Pete, "it's twinkling in the river-beds, it shines in the sands under your feet, but still it's hard to get in your two fisties."

"Why," said Smash McGregor, "did you never hear there's a pot of gold at the foot of every rainbow?"

Oh, my friend, as he went mentioning the rainbow, there was a thunder-cap on the brow of that great sailor.

"So they call me--Rainbow Pete," he said.

"Look then," said McGregor, "take the pick, and strike the ground at your feet."

Rainbow Pete was not hearing them.

"This is a man I have been following on many trails," he muttered, "This man who made a rainbow of me. Mark this, he shall thirst, if I meet him.

Ay! He shall burn with these fingers at his throat. He shall have gold poured into him like liquid, however."

It was plain he had no love for this man who had fashioned him in the form of a rainbow.

"What is this man called?" said the little doctor.

"It's a dark man wearing a red cap, called Pal Yachy," said Rainbow Pete. "He spends his time escaping me. Look, where he shot me in the hip."

Now we shielded him, and he drew out his shirt showing the wound in the thigh which made a rainbow of him; but stop, didn't McGregor discover the strange business on his spine?

"What's this, however?" he said.

"This is a palm-tree," said the man. "Stand close about me."

Oh my, we stood close, watching the man twisting up his shirt, and here we saw the palm-tree going up his spine, and every joint of his spine was used for a joint of the tree, like; and the long blue leaves were waving on his shoulder-blade when he would be rippling the skin. This was a fine broad back like satin to be putting a palm-tree on. Look, as I am lifting my head, here I see the dark woman silent at the bar, burning up with curiosity at what we are hiding here. Listen, it's the man's voice, under his shirt.

"This was done in the South Seas, when I was young," he said to us, "and the bigger I grow, the bigger the tree is. And now what next?" Then he put his shirt back, and stood up to be fixing an eye on the woman from Regina.