"And for us, it was spring in California!"

LOUISA M. ALCOTT: AUTHOR OF "LITTLE WOMEN"

In a pleasant, shady garden in Concord, Ma.s.sachusetts, under a gnarled old apple-tree, sat a very studious looking little person, bending over a sheet of paper on which she was writing. She had made a seat out of a tree stump, and a table by laying a board across two carpenter's horses, whose owner was working in the house, and no scholar writing a treatise on some deep subject could have been more absorbed in his work than was the little girl in the garden.

For a whole long hour she wrote, frequently stopping to look off into the distance and bite the end of her pencil with a very learned look, then she would bend over her paper again and write hard and fast.

Finally, she laid down her pencil with an air of triumph, jumped up from the stump and rushed toward the house.

"Mother! Anna! I've written a poem about the robin we found this morning in the garden!" Dashing into the library she waved the paper in the air with a still more excited cry: "Listen!" and dropped on the floor to read her poem to a much thrilled audience of two. With great dramatic effect she read her lines, glancing up from time to time to see that she was producing the proper effect. This is what she read:

TO THE FIRST ROBIN

Welcome, welcome, little stranger, Fear no harm and fear no danger, We are glad to see you here, For you sing "Sweet Spring is near."

Now the white snow melts away, Now the flowers blossom gay, Come, dear bird, and build your nest, For we love our robin best.

She finished with an upward tilt of her voice, while her mother excitedly flourished the stocking she was darning over her head, crying: "Good! Splendid!" and quiet Anna echoed the words, looking with awe at her small sister, as she added, "It's just like Shakespeare!"

The proud mother did not say much more in praise of the budding poetess's effort, for fear of making her conceited; but that night, after the verses had been read to a delighted father, and the young author had gone happily off to bed, the mother said:

"I do believe she is going to be a genius, Bronson!"

Yet, despite the prediction, even an appreciative parent would have been more than surprised had she been able to look into the future and had seen her daughter as one of the most famous writers of books for young people of her generation. The little girl who sat under the apple-tree on that day in early spring and wrote the verses was no other than Louisa May Alcott, and her tribute to the robin was to be treasured in after years as the first evidence of its writer's talent.

Louisa, the second daughter of Amos Bronson and Abba May Alcott, was born in Germantown, Pa., on the 29th of November, 1832, and was fortunate in being the child of parents who not only understood the intense, restless and emotional nature of this daughter, but were deeply interested in developing it in such a way that her marked traits would be valuable to her in later life. To this unfailing sympathy of both father and mother the turbulent nature owed much of its rich achievement, and Louisa Alcott's home surroundings and influences had as much to do with her success as a writer as had her talent, great as that was.

At the time of her birth her father was teaching school in Germantown, but he was a man whose ideas were original and far in advance of his time, and his way of teaching was not liked by the parents of his pupils, so when Louisa was two years old and her older sister, Anna, four, the family went to Boston, where Mr. Alcott opened his famous school in Masonic Temple, and enjoyed teaching by his own new methods, and when he was happy his devoted wife was equally contented.

Louisa was too young to go to school then, except as a visitor, but her father developed her young mind at home according to his own theories of education, and during the remainder of the all-too short days the active child was free to amuse herself as she chose. To play on the Common was her great delight, for she was a born investigator, and there she met children of all cla.s.ses, who appealed to her many-sided nature in different ways. Louisa was never a respecter of cla.s.s distinctions--it did not matter to her where people lived, or whether their hands and faces were dirty, if some personal characteristic attracted her to them, and from those early days she was unconsciously studying human nature, and making ready for the work of later years.

In her own sketch of those early days, she says:

"Running away was one of my great delights, and I still enjoy sudden flights out of the nest to look about this very interesting world and then go back to report!"

On one of her investigating tours, she met some Irish children whose friendliness delighted her, and she spent a wonderful day with them, sharing their dinner of cold potatoes, salt fish and bread crusts.

Then--delightful pastime--they all played in the ash-heaps for some time, and took a trip to the Common together. But when twilight came, her new friends deserted her, leaving her a long way from home, and little Louisa began to think very longingly of her mother and sister.

But as she did not know how to find her way back she sat down on a door-step, where a big dog was lying. He was so friendly that she cuddled up against his broad back and fell asleep. How long she slept she did not know, but she was awakened by the loud ringing of a bell, and a man's deep voice calling:

"Little girl lost! Six years old--in a pink frock, white hat and new green shoes. Little girl lost! Little girl lost!"

It was the town crier, and as he rang his bell and gave his loud cry, out of the darkness he heard a small voice exclaim:

"Why, dat's _me_!"

With great difficulty the crier was able to persuade the child to unclasp her arms from the neck of the big friendly dog, but at last she left him, and was taken to the crier's home and "feasted sumptuously on bread and mola.s.ses in a tin plate with the alphabet round it," while her frantic family was being notified. The unhappy ending to that incident is very tersely told by Louisa, who says: "My fun ended the next day, when I was tied to the arm of the sofa to repent at leisure!"

That the six years spent in Boston were happy ones, and that the budding spirit of Louisa was filled with joy at merely being alive, was shown one morning, when, at the breakfast table, she suddenly looked up with an all-embrasive smile and exclaimed:

"I love everybody in _dis_ whole world!"

Despite the merriment which was always a feature of the Alcott home, as they were all blessed with a sense of humor which helped them over many a hard place, there was an underlying anxiety for Mr. and Mrs.

Alcott, as the school was gradually growing smaller and there was barely enough income to support their family, to which a third daughter, Elizabeth, the "Beth" of _Little Women_, had been added recently. During those days they lived on very simple fare, which the children disliked, as their rice had to be eaten without sugar and their mush without b.u.t.ter or mola.s.ses. Nor did Mr. Alcott allow meat on his table, as he thought it wrong to eat any creature which had to be killed for the purpose. An old family friend who lived at a Boston hotel sympathized strongly with the children's longing for sweets, and every day at dinner she saved them a piece of pie or cake, which Louisa would call for, carrying a bandbox for the purpose. The friend was in Europe for years, and when she returned Louisa Alcott had become famous. Meeting her on the street one day, Louisa greeted her old friend, eagerly:

"Why, I did not think you would remember me!" said the old lady.

"Do you suppose I shall ever forget that bandbox!" was the quick reply.

As time went on, Mr. Alcott's school dwindled until he had only five scholars, and three of them were his own children. Something new had to be tried, and quickly, so the family moved out of the city, into a small house at Concord, Ma.s.s., which had an orchard and a garden, and, best of all, the children had a big barn, where they gave all sorts of entertainments; mostly plays, as they were born actors. Their mother, or "Marmee," as the girls called her, loved the fun as well as they did, and would lay aside her work at any moment to make impossible costumes for fairies, gnomes, kings or peasants, who were to take the princ.i.p.al parts in some stirring melodrama written by the girls themselves, or some adaptation of an old fairy tale. They acted Jack the Giant-killer in fine style, and the giant came tumbling headlong from a loft when Jack cut down the squash-vine running up a ladder and supposed to represent the immortal beanstalk. At other performances Cinderella rolled away in an impressive pumpkin, and one of their star plays was a dramatic version of the story of the woman who wasted her three wishes, in which a long black pudding was lowered by invisible hands and slowly fastened onto her nose.

But though the big barn often echoed with the sound of merry voices, at other times the girls dressed up as pilgrims, and journeyed over the hill with scrip and staff, and c.o.c.kle sh.e.l.ls in their hats; fairies held their revels among the whispering birches, and strawberry parties took place in the rustic arbor of the garden.

And there we find eight-year-old Louisa writing her verses to the robin, with genius early beginning to burn in the small head which later proved to be so full of wonderful material for the delight of young people.

"Those Concord days were the happiest of my life," says Miss Alcott.

"We had charming playmates in the little Emersons, Channings, Goodwins and Hawthornes, with the ill.u.s.trious parents and their friends to enjoy our pranks and share our excursions.... My wise mother, anxious to give me a strong body to support a lively brain, turned me loose in the country and let me run wild, learning of Nature what no books can teach, and being led--as those who truly love her seldom fail to be--'through Nature up to Nature's G.o.d.'"

The Alcott children were encouraged to keep diaries in which they wrote down their thoughts and feelings and fancies, and even at that early age Louisa's journal was a record of deep feelings and of a child's sacred emotions. In one of her solemn moods, she makes this entry:

"I had an early run in the woods before the dew was off the gra.s.s. The moss was like velvet, and as I ran under the arch of yellow and red leaves I sang for joy, my heart was so bright and the world so beautiful. I stopped at the end of the walk and saw the sunshine out over the wide 'Virginia meadows.'

"It seemed like going through a dark life or grave into heaven beyond. A very strange and solemn feeling came over me as I stood there, with no sound but the rustle of the pines, no one near me, and the sun so glorious, as for me alone. It seemed as if I _felt_ G.o.d as I never did before, and I prayed in my heart that I might keep that happy sense of nearness all my life."

To that entry there is a note added, years later: "_I have_, for I most sincerely think that the little girl 'got religion' that day in the wood, when dear Mother Nature led her to G.o.d."--L. M. A. 1885.

That deep religious note in Louisa Alcott's nature is very marked and is evident in all of her work, but, on the other hand, she had a sparkling wit and such a keen sense of humor that in her blackest moods she could always see something funny to amuse her, and frequently laughed at her own expense.

That her conscience was as active as her mind and her body is shown by one of her "private plays," which she makes Demi describe in _Little Men_. He says:

"I play that my mind is a round room, and my soul is a little sort of creature with wings that lives in it. The walls are full of shelves and drawers, and in them I keep my thoughts, and my goodness and badness and all sorts of things. The goods I keep where I can see them, and the bads I lock up tight, but they get out, and I have to keep putting them in and squeezing them down, they are so strong. The thoughts I play with when I am alone or in bed, and I make up and do what I like with them. Every Sunday I put my room in order, and talk with the little spirit that lives there, and tell him what to do. He is very bad sometimes and won't mind me, and I have to scold him."

Truly a strange game for a child to play, but the Alcotts were brought up to a reverent knowledge of their souls as well as their bodies, and many a sober talk at twilight did mother or father have with the daughters to whom the experience of the older generation was helpful and inspiring. A very happy family they were, despite frequent lack of luxuries and even necessities, but loyalty and generosity as their marked characteristics. No matter how little money or food an Alcott had, it was always shared with any one who had less, and the largest share was usually given away.

On Louisa's fourth birthday, she tells of a feast given in her honor in her father's school-room in Masonic Temple. All the children were there, and Louisa wore a crown of flowers and stood upon a table to give a cake to each child as they all marched around the table. "By some oversight," says Louisa, "the cakes fell short, and I saw that if I gave away the last one, _I_ should have none. As I was queen of the revel, I felt that I ought to have it, and held on to it tightly, until my mother said: 'It is always better to give away than to keep the nice things; so I know my Louy will not let the little friend go without.'" She adds: "The little friend received the dear plummy cake, and I ... my first lesson in the sweetness of self-denial--a lesson which my dear mother ill.u.s.trated all her long and n.o.ble life."

At another time a starving family was discovered, when the Alcotts, forming in a procession, carried their own breakfast to the hungry ones. On one occasion, when a friend had unexpected guests arrive for dinner, too late to secure any extra provisions, the Alcotts with great glee lent their dinner to the thankful hostess, and thought it a good joke. Again, on a snowy Sat.u.r.day night, when their wood-pile was extra low, and there was no way of getting any more that week, a poor child came to beg a little, as their baby was sick and the father on a spree with all his wages. At first Mrs. Alcott hesitated, as it was bitterly cold and Abba May, the little baby sister, was very young, but Mr. Alcott decided the matter with his usual kindly optimism.

"Give half our stock and trust in Providence; the weather will moderate or wood will come," he declared. And the wood was lent, Mrs.

Alcott cheerily agreeing: "Well, their need is greater than ours. If our half gives out we can go to bed and tell stories!"

A little later in the evening, while it was still snowing heavily, and the Alcotts were about to cover their fire to keep it, a farmer who was in the habit of supplying them with wood knocked at the door and asked anxiously:

"Wouldn't you like me to drop my load of wood here? It would accommodate me, and you need not hurry to pay for it. I started for Boston with it but the snow is drifting so fast, I want to go home."

"Yes," answered Mr. Alcott, and as the man went away, he turned to his wife and exclaimed: "Didn't I tell you that wood would come if the weather didn't moderate?"