Mr. Tala.s.si is reckoned in his own country a man of great genius; in ours he was, as I recollect, received with much attention, as a person able and willing to give us demonstration that improviso verses might be made, and sung extemporaneously to some well-known tune, generally one which admits of and requires very long lines; that so alternate rhymes may not be improper, as they give more time to think forward, and gain a moment for composition. Of this power, many, till they saw it done, did not believe the existence; and many, after they had seen it done, persisted in _saying_, perhaps in _thinking_, that it could be done only in Italian. I cannot however believe that they possess any exclusive privileges or supernatural gifts; though it will be hard to find one who thinks better of them than I do: but Spaniards can sing sequedillas under their mistresses window well enough; and our Welch people can make the harper sit down in the church-yard after service is over, and placing themselves round him, command the instrument to go over some old song-tune: when having listened a while, one of the company forms a stanza of verses, which run to it in well-adapted measure; and as he ends, another begins: continuing the tale, or retorting the satire, according to the style in which the first began it. All this too in a language less perhaps than any other melodious to the ear, though Howell found out a resemblance between their prosody and that of the Italian writer in early days, when they held agnominations, or the inforcement of consonant words and syllables one upon the other, to be elegant in a more eminent degree than they do now. For example, in Welch, _Tewgris, todykris, ty'r derrin, gwillt_, &c. in Italian, _Donne, O danno che selo affronto affronta: in selva salvo a me_, with a thousand more. The whole secret of improvisation, however, seems to consist in this; that extempore verses are never written down, and one may easily conceive that much may go off well with a good voice in singing, which no one would read if they were once registered by the pen.

I have already a.s.serted that the Italians are not a laughing nation: were ridicule to step in among them, many innocent pleasures would soon be lost; and this among the first. For who would risque the making impromptu poems at Paris? _pour s'attirer persiflage_ in every _Coterie comme il faut_[Footnote: To draw upon one's self the ridicule of every polite a.s.sembly.]? Or in London, at the hazard of being _taken off, and held up for a laughing-stock at every print-seller's window_? A man must have good courage in England, before he ventures at diverting a little company by such devices: while one would yawn, and one would whisper, a third would walk gravely out of the room, and say to his friend upon the stairs, "Why sure we had better read our old poets at home, than be called together, like fools, to hear what comes uppermost in such-a-one's head, about his _Daphne_! In good time! Why I have been tired of _Daphne_ since I was fourteen years old." But the best jest of all would be, to see an ordinary fellow, a strolling player for example, set seriously to make or repeat verses in our streets or squares concerning his sweetheart's _cruelty_; when he would be in more danger from that of the mob and the magistrates; who, if the first did not throw dirt at him, and drive him home quickly, would come themselves, and examine into his sanity, and if they found him not _statutably mad_, commit him for a vagrant.

Different amus.e.m.e.nts, like different sorts of food, suit different countries; and this is among the efforts of those who have learned to refine their _pleasures_ without so refining their _ideas_ as to be able no longer to hit on any pleasure subtle enough to escape their own power of ridiculing it.

This city of Ferrara has produced some curious and opposite characters in times past, however empty it may now be thought: one painter too, and one singer, both super-eminent in their professions, have dropped their own names, and are best known to fame by that of _Il_ and _La Ferrarese_. Nor can I leave it without some reflections on the extraordinary life of Renee de France, daughter of Louis XII surnamed the Just, and Anne de Bretagne, his first wife. This lady having married the famous Hercules D'Este, one of the handsomest men in Europe, lived with him here in much apparent felicity as d.u.c.h.ess of Ferrara; but took such an aversion to the church and court of Rome, from the superst.i.tions she saw practised in Italy, that though she resolved to dissemble her opinions during the life of her husband, whom she wished not to disgust, at the instant of his death she quitted all her dignities; and retiring to France, was protected by her father in the open profession of Calvinism, living a life of privacy and purity among the Huguenots in the southern provinces. This _Louis le Juste_ was he who gave the French what little pretensions they have ever obtained on which to fix the foundations of future liberty: he first established a parliament at Rouen, another at Aix; but while thus gentle to his subjects, he was a scourge to Italy, made his public entry into Genoa as Sovereign, and tore the Milanese from the Sforza family, somewhat before the year 1550.

The well-known Franciscus Ferrariensis, whose name was Silvester, is a character very opposite to that of fair Renee: he wrote the best apology for the Romanists against Luther, and gained applause from both sides for his controversial powers; while the strictness of his life gave weight to his doctrine, and ornamented the sect which he delighted to defend.

By a native of Ferrara too were first collected the books that were earliest placed in the Ambrosian library at Milan, Barnardine Ferrarius, whose deep erudition and simple manners gained him the favour of Frederick Borromeo, who sent him to Spain to pick up literary rarities, which he bestowed with pleasure on the place where he had received his education. His treatise on the rites of sepulture used by the ancients is in good estimation; and Sir Thomas Brown, in his _Urn Burial_, owes him much obligation.

The custom of wearing swords here seems to proceed from some connection they have had with the Spaniards; and Dr. Moore has given us an admirable account of why the Highland broad-sword is still called an _Andrew Ferrara_.

The Venetians, not often or easily intimidated by Papal power, having taken this city in the year 1303, were obliged to restore it, for fear of the consequences of Pope Boniface the Eighth's excommunications; his displeasure having before then produced dreadful effects in the conspiracy of Bajamonti Tiepulo; which was suppressed, and he killed, by a woman, out of a flaming zeal for the honour and tranquillity of her country: and so disinterested too was her spirit of patriotism, that the only reward she required for a service so essential, was that a constant memorial of it might be preserved in the dress of the Doge; who from that moment obliged himself to wear a woman's cap under the state diadem, and so his successors still continue to do.

But Ferrara has other distinctions.--Bonarelli here, at the academy of gl'Intrepidi, read his able defence of that pastoral comedy so much applauded and censured, called _Filli di Sciro_; and here the great Ariosto lived and died.

Nothing leads however to a less gloomy train of thought, than the tomb of a celebrated man; where virtue, wit, or valour triumph over death, and wait the consummation of all sublunary things, before the remembrance of such superiority shall be lost. Italy must be shaken from her deepest foundation, and England made a scene of general ruin, when Shakespear and Ariosto shall be forgotten, and their names confounded among deedless n.o.bility, and worthless wasters of treasure, long ago pa.s.sed from hand to hand, perhaps from the dwellers in one continent to the inhabitants of another. It has been equally the fate of these two heroes of modern literature, that they have pleased their countrymen more than foreigners; but is that any diminution of their merit? or should it serve as a reason for making disgraceful comparisons between Ariosto and Virgil, whom he scorned to imitate? A dead language is like common ground;--all have a right to pasture, and all a claim to give or to withhold admiration. Virgil is the old original trough at the corner of the road, where every pa.s.ser-by pays, drinks, and goes on his journey well refreshed. But the clear spring in the meadow sure, though private property, and lately dug, deserves attention: and confers delight not only on the actual master of the ground, but on all his visitants who can climb the style, and lift the silver cup to their lips which hangs by the fountain-side.

I am glad, however, to be gone from a place where they are thinking less of all these worthies just at present, than of a circ.u.mstance which cannot redound to their honour, as it might have happened to any other town, and could do great good to none: no less than the happy arrival of Joseph, and Leopold, and Maximilian of Austria, on the thirtieth of May 1775; and this wonderful event have they recorded in a pompous inscription upon a stone set at the inn door. But princes can make poets, and scatter felicity with little exertion on their own parts.

At Tuillemont, an English gentleman once told me he had the misfortune to sleep one night where all the people's heads were full of the Emperor, who had dined there the day before; and some _wise_ fellow of the place wrote these lines under his picture:

Ingreditur magnus magno de Caesare Caesar, Thenas, sub signo Cervi, sua prandia sumit.

He immediately set down this distich under them:

Our poor little town has no little to brag, The Emperor was here, and he dined at the Stag.

The people of the inn concluding that this must be a high-strained compliment, it produced him many thanks from all, and a better breakfast than he would otherwise have obtained at Tuillemont.

To-morrow we go forward to Bologna.

BOLOGNA

SEEMS at first sight a very sorrowful town, and has a general air of melancholy that surprises one, as it is very handsomely and regularly built; and set in a country so particularly beautiful, that it is not easy to express the nature of its beauty, and to express it so that those who inhabit other countries can understand me.

The territory belonging to Bologna la Gra.s.sa concenters all its charms in a happy _embonpoint_, which leaves no wrinkle unfilled up, no bone to be discerned; like the fat figure of Gunhilda at Fonthill, painted by Chevalier Cafali, with a face full of woe, but with a sleekness of skin that denotes nothing less than affliction. From the top of the only eminence, one looks down here upon a country which to me has a new and singular appearance; the whole horizon appearing one thick carpet of the softest and most vivid green, from the vicinity of the broad-leaved mulberry trees, I trust, drawn still closer and closer together by their amicable and pacific companions the vines, which keep cluttering round, and connect them so intimately that no object can be separately or distinctly viewed, any more than the habitations formed by animals who live in moss, when a large portion of it is presented to the philosopher for speculation. One would not therefore, on a flight and cursory inspection, suspect this of being a painter's country, where no prominence of features arrests the sight, no expression of latent meaning employs the mind, and no abruptness of transition tempts fancy to follow, or imagination to supply, the sudden loss of what it contemplated before.

Here however the great Caraccis kept their school; here then was every idea of dignity and majestic beauty to be met with; and if _I_ meet with nothing in nature near this place to excite such ideas, it is _my_ fault, not Bologna's.

If vain the toil, We ought to blame the culture,--not the soil.

Wonderful indeed! yet not at all distracting is the variety of excellence that one contemplates here; such matters! and such scholars!

The sweetly playful pencil of Albano, I would compare to Waller among our English poets; Domenichino to Otway, and Guido Rheni to Rowe; if such liberties might be permitted on the old notion of _ut pictura poesis_. But there is an idea about the world, that one ought in delicacy to declare one's utter incapacity of understanding pictures, unless immediately of the profession.--And why so? No man protests, that he cannot read poetry, he can make no pleasure out of Milton or Shakespear, or shudder at the ingrat.i.tude of Lear's daughters on the stage. Why then should people pretend insensibility, when divine Guercino exerts his unrivalled powers of the pathetic in the fine picture at Zampieri palace, of Hagar's dismission into the desert with her son? While none else could have touched with such truth of expression the countenances of each; leaving him most to be pitied, perhaps, who issues the command against his will; accompanying it however with innumerable benedictions, and alleviating its severity with the softest tenderness.

He only among our poets could have planned such a picture, who penned the Eloisa, and knew the agonies of a soul struggling against unpermitted pa.s.sions, and conquering from the n.o.blest motives of faith and of obedience.

Glorious exertion of excellence! This is the first time my heart has been made really alive to the powers of this magical art. Candid Italians! let me again exclaim; they shewed us a Vand.y.k.e in the same palace, surrounded by the works of their own incomparable countrymen; and _there_ say they, "_Quasi quasi si pu circondarla_[Footnote: You may almost run round her.]." You may almost run round it, was the expression. The picture was a very fine one; a single figure of the Madona, highly painted, and happily placed among those who knew, because they possessed his perfections who drew it. Were Homer alive, and acquainted with our language, he would admire that Shakespear whom Voltaire condemns. Twice in this town has Guido shewed those powers which critics have denied him: the power of grouping his figures with propriety, and distributing his light and shadow to advantage: as he has shewn it _but twice_, however, it is certain the connoisseurs are not very wrong, and even in those very performances one may read their justification: for Job, though surrounded by a crowd of people, has a strangely insulated look, and the sweet sufferer on the fore-ground of his Herodian cruelty seems wholly uninterested in the general distress, and occupies herself and every spectator completely and solely with her own particular grief.

The boasted Raphael here does not in my eyes triumph over the wonders of this Caracci school. At Rome, I am told, his superiority is more visible. _Nous verrons_[Footnote: We shall see.].

The reserved picture of St. Peter and St. Paul, kept in the last chamber of the Zampieri palace, and covered with a silk curtain, is valued beyond any specimen of the painting art which can be moved from Italy to England. We are taught to hope it will soon come among us; and many say the sale cannot be now long delayed. Why Guido should never draw another picture like that, or at all in the same style, who can tell? it certainly does unite every perfection, and every possible excellence, except choice of subject, which cannot be happy I think, when the subject itself is left disputable.

I will mention only one other picture: it is in an obscure church, not an unfrequented one by these pious Bolognese, who are the most devout people I ever lived amongst, but I think not much visited by travellers.

It is painted by Albano, and represents the Redeemer of mankind as a boy scarce thirteen years old: ingenuous modesty, and meek resignation, beaming from each intelligent feature of a face divinely beautiful, and throwing out luminous rays round his sacred head, while the blessed Virgin and St. Joseph, placed on each side him, adore his goodness with transport not unmixed with wonder: the instruments of his future pa.s.sion cast at his feet, directing us to consider him as in that awful moment voluntarily devoting himself for the sins of the whole world.

This picture, from the sublimity of the subject, the lively colouring, and clear expression, has few equals; the pyramidal group drops in as of itself, unsought for, from the raised ground on which our Saviour stands; and among numberless wild conceits and extravagant fancies of painters, not only permitted but encouraged in this country, to deviate into what _we_ justly think profane representations of the deity:--this is the most pleasing and inoffensive device I have seen.

The august Creator too is likewise more wisely concealed by Albano than by other artists, who daringly presume to exhibit that of which no mortal man can give or receive a just idea. But we will have done for a while with connoisseurship.

This fat Bologna has a tristful look, from the numberless priests, friars, and women all dressed in black, who fill the streets, and stop on a sudden to pray, when I see nothing done to call forth immediate addresses to Heaven. Extremes do certainly meet however, and my Lord Peter in this place is so like his fanatical brother Jack, that I know not what is come to him. To-morrow is the day of _corpus domini_; why it should be preceded by such dismal ceremonies I know not; there is nothing melancholy in the idea, but we shall be sure of a magnificent procession.

So it was too, and wonderfully well attended: n.o.blemen and ladies, with tapers in their hands, and their trains borne by well-dressed pages, had a fine effect. All still in black.

Black, but such as in esteem Prince Memnon's sister might beseem; With sable stole of cypress lawn, O'er their decent shoulders drawn.

I never saw a spectacle so stately, so solemn a show in my life before, and was much less tired of the long continued march, than were my Roman Catholic companions.

Our inn is not a good one; the Pellegrino is engaged for the King of Naples and his train: the place we are housed in, is full of bugs, and every odious vermin: no wonder, surely, where such oven-like porticoes catch and retain the heat as if constructed on set purpose so to do. The Montagnola at night was something of relief, but contrary to every other resort of company: the less it is frequented the gayer it appears; for Nature there has been lavish of her bounties, which seem disregarded by the Bolognese, who unluckily find out that there is a burying-ground within view, though at no small distance really; and planting themselves over against that, they stand or kneel for many minutes together in whole rows, praying, as I understand, for the souls which once animated the bodies of the people whom they believe to lie interred there; all this too even at the hours dedicated to amus.e.m.e.nt.

Cardinal Buon Compagni, the legate, sent from Rome here, is gone home; and the vice-legate officiated in his place, much to the consolation of the inhabitants, who observed with little delight or grat.i.tude his endeavours to improve their trade, or his care to maintain their privileges; while his natural disinclination to hypocritical manners, or what we so emphatically call _cant_, gave them an aversion to his person and dislike of his government, which he might have prevented by formality of look, and very trifling compliances. But every thing helps to prove, that if you would please people, it must be done _their_ way, not your own.

Here are some charming manufactures in this town, and I fear it requires much self-denial in an Englishwoman not to long at least for the fine c.r.a.pes, tiffanies, &c. which might here be bought I know not how cheap, and would make one _so_ happy in London or at Bath. But these Customhouse officers! these _rats de cave_, as the French comically call them, will not let a ribbon pa.s.s. Such is the restless jealousy of little states, and such their unremitted attention to keep the goods made in one place out of the gates of another. Few things upon a journey contribute to torment and disgust one more than the teasing enquiries at the door of every city, who one is, what one's name is? what one's rank in life or employment is; that so all may be written down and carried to the chief magistrate for his information, who immediately dispatches a proper person to examine whether you gave in a true report; where you lodge, why you came, how long you mean to stay; with twenty more inquisitive speeches, which to a subject of more liberal governments must necessarily appear impertinent as frivolous, and make all my hopes of bringing home the most trifling presents for a friend abortive. So there is an end of that felicity, and we must sit like the girl at the fair, described by Gay,

Where the coy nymph knives, combs, and scissars spies, And looks on thimbles with desiring eyes.

The Specola, so they call their museum here, of natural and artificial rarities, is very fine indeed; the inscription too denoting its universality, is sublimely generous: I thought of our Bath hospital in England; more usefully, if not more magnificently so; but durst not tell the professor, who shewed the place. At our going in he was apparently much out of humour, and unwilling to talk, but grew gradually kinder, and more communicative; and I had at last a thousand thanks to pay for an attention that rendered the sight of all more valuable. Nothing can surpa.s.s the neatness and precision with which this elegant repository is kept, and the curiosities contained in it have specimens very uncommon.

The native gold shewed here is supposed to be the largest and most perfect lump in Europe; wonderfully beautiful it certainly is, and the coral here is such as can be seen nowhere else; they shewed me some which looked like an actual tree.

It might reasonably lower the spirits of philosophy, and tend to restraining the genius of remote enquiry, did we reflect that the very first substance given into our hand as an amus.e.m.e.nt, or subject of speculation, as soon as we arrive in this great world of wonders, never gets fully understood by those who study hardest, or live longest in it.

Coral is a substance, concerning which the natural historians have had many disputes, and settled nothing yet; knowing, as it should seem, but little more of its original, than they did when they sucked it first. Of gold we have found perhaps but too many uses; but when the professor told us here at Bologna, that silver in the mine was commonly found mixed with _a.r.s.enick_, a corroding poison, or _lead_, a narcotic one; who could help being led forward to a train of thought on the nature and use and abuse of money and minerals in general. _Suivez_ (as Rousseau says), _la chaine de tout cela_[Footnote: Follow this clue, and see where it will lead you to.].

The astronomical apparatus at this place is a splendid one; but the models of architecture, fortifications, &c. are only more numerous; not so exact or elegant I think as those the King of England has for his own private use at the Queen's house in St. James's Park. The specimens of a human figure in wax are the work of a woman, whose picture is accordingly set up in the school: they are reckoned incomparable of their kind, and bring to one's fancy Milton's fine description of our first parents:

Two of far n.o.bler kind--erect and tall.

This University has been particularly civil to women; many very learned ladies of France and Germany have been and are still members of it;--and la Dottoressa Laura Ba.s.si gave lectures not many years ago in this very spot, upon the mathematics and natural philosophy, till she grew very old and infirm; but her pupils always handed her very respectfully to and from the Doctor's chair, _Che brava donnetta ch'era!_[Footnote: Ah, what a fine woman was that!] says the gentleman who shewed me the academy, as we came out at the door; over which a marble tablet, with an inscription more pious than pompous, is placed to her memory; but turning away his eyes--while they filled with tears--_tutli muosono_[Footnote: All must die.], added he, and I followed; as nothing either of energy or pathos could be added to a reflection so just, so tender, and so true: we parted sadly therefore with our agreeable companion and instructor just where her cenotaph (for the body lies buried in a neighbouring church) was erected; and shall probably meet no more; for as he said and sighed--_tutti muosono_[Footnote: All must die.].

The great Ca.s.sini too, who though of an Italian family, was born at Nice I think, and died at Paris, drew his meridian line through the church of St. Petronius in this city, across the pavement, where it still remains a monument to his memory, who discovered the third and fifth satellites of Jupiter. Such was in his time the reputation of a mineral spring near Bologna, that Pope Alexander the Seventh set him to a.n.a.lyse the waters of it; and so satisfactory were his proofs of its very slight importance to health, that the same pope called him to Rome to examine the waters round that capital; but dying soon after his arrival, he had no time to recompence Ca.s.sini's labours, though a very elegantly-minded man, and a great encourager of learning in all its branches. The successor to this sovereign, Rospigliosi, had different employment found for _him_, in helping the Venetians to regain Candia from the Turks, his disappointment in not being able to accomplish which design broke his heart; and Ca.s.sini, returning to Bologna, found it less pleasing than it was before he left it, so went to Paris, and died there at ninety or ninety-one years old, as I remember, early in this present century, but not till after he had enjoyed the pleasure of hearing that Count Marsigli had founded an academy at the place where he had studied whilst his faculties were strong.

Another church, situated on the only hill one can observe for miles, is dedicated to the Madonna St. Luc, as it is called; and a very beautiful and curiously covered way is made to it up the hill, for three miles in length, and at a prodigious expence, to guard the figure from the rain as it is carried in procession. The ascent is so gentle that one hardly feels it. Pillars support the roof, which defends you from a sun-stroke, while the air and prospect are let in between them on the right hand as you go. The left side is closed up by a wall, adorned from time to time with fresco paintings, representing the birth and most distinguished pa.s.sages in the life of the blessed Virgin. Round these paintings a little chapel is railed in, open, airy, and elegantly, not very pompously, adorned; there are either seven or twelve of them, I forget which, that serve to rest the procession as it pa.s.ses, on days particularly dedicated to her service. When you arrive at the top, a church of a most beautiful construction recompenses your long but not tedious walk, and there are some admirable pictures in it, particularly one of St. William laying down his armour, and taking up the habit of a Carthusian, very fine--but the figure of the Madonna is the prize they value, and before this I did see some men kneel with a truly idolatrous devotion. That it was painted by St. Luke is believed by them all. But if it _was_ painted by St. Luke, said I, what then? do you think _he_, or the still more excellent person it was done for, would approve of your worshipping any thing but G.o.d? To this no answer was made; and I thought one man looked as if he had grace enough to be ashamed of himself.

The girls, who sit in cl.u.s.ters at the chapel doors as one goes up, singing hymns in praise of the Virgin Mary, pleased me much, as it was a mode of veneration inoffensive to religion, and agreeable to the fancy; but seeing them bow down to that black figure, in open defiance of the Decalogue, shocked me. Why all the _very very_ early pictures of the Virgin, and many of our blessed Saviour himself, done in the first ages of Christianity should be _black_, or at least tawny, is to me wholly incomprehensible, nor could I ever yet obtain an explanation of its cause from men of learning or from connoisseurs.