"Well, we shall enlarge it so as to render it able and worthy to support a royal crown," exclaimed Napoleon, hastily. "I believe I shall have the power and opportunity to bestow on my ally, the elector of Wurtemberg, some aggrandizements in Germany to compensate and reward him for the auxiliaries which he is to furnish to me. Besides, your task is a truly grand one. You shall a.s.sist me in subduing Austria, that arrogant Austria which would like to treat all Germany as her property, and who considers all German princes as her servants and va.s.sals."

"You are right," said the elector, vehemently; "Austria constantly endeavors to meddle with my prerogatives in an unbecoming and arrogant manner. She would like to degrade us to the position of va.s.sals who must always be ready to obey their emperor, but who, when they are themselves in danger, never can count on the a.s.sistance and support of their emperor."

"Let us, then, dispel Austria's illusion as though she were your master," said Napoleon, smiling. "Become my ally, and believe me, we shall have the power to teach the Emperor of Austria to respect the KING of Wurtemberg, my ally. Will you be my ally for that purpose? Will you a.s.sist me, as a German prince, in delivering Germany from the yoke Austria has laid around her neck?"

"Sire, I am ready to save Germany with my life-blood!" exclaimed the elector, "and as your majesty has come to deliver Germany from Austria, it would be a crime for any German prince to withhold his a.s.sistance from you. Hence, I accept your alliance. Here is my hand! I shall stand by you with my troops and with my honor!" [Footnote: The whole account of this interview is strictly historical. Vide "Memoirs of General de Wolzogen," and Hausser's "History of Germany," vol. ii. p. 613. The Elector of Wurtemberg became the third German ally of the French emperor, the Electors of Bavaria and Baden having preceded him. He furnished ten thousand German troops to Napoleon.]

CHAPTER XLIV.

QUEEN LOUISA'S PIANO LESSON.

The queen sat at the piano, practising one of Reichardt's new songs which her singing-teacher, the royal concert-master and composer, Himmel, had just brought to her. The queen wore a most brilliant costume, which, however, seemed calculated less for her silent cabinet and for the music-teacher than for a great gala-day and an aristocratic a.s.sembly at court. A white satin dress, inter-woven with golden flowers, and closely fitting, according to the fashion of that period, surrounded her n.o.ble figure. Her splendid white arms were bare, and her wrists were adorned with two bracelets of gold and precious stones. Her neck and shoulders, showing the n.o.ble lines and forms of a Venus of Melos, were uncovered like her arms, and adorned only with jewelry. Her hair, surrounding a forehead of cla.s.sical beauty in waving ma.s.ses, was fastened behind in a Grecian knot holding the golden diadem, set with diamonds, which arose on the queen's head. [Footnote: A portrait, representing the queen precisely in this costume, may be seen at the royal palace in Berlin.] A gentle blush mantled her cheeks, and a smile of melancholy and tenderness trembled on her purple lips. She had her hands on the keys, and her eyes were fixed on the music-book before her; but she had suddenly ceased singing in the middle of the piece, and her voice had died away in a long sigh.

Mr. Himmel, the concert-master, stood behind her; he was a man more than forty years of age, with a broad, full face, beaming with health, and a tall and slender form which would have been more fitting for the head of an Apollo than for this head, which reminded the beholder of a buffalo rather than of a G.o.d.

When the queen paused, a joyful smile overspread his features, which had hitherto been gloomy and ill at ease. "Your majesty pauses?" he asked, hastily. "Well, I wish your majesty joy of it. That Mr. Reichardt, of Halle, is too sentimental and arrogant a composer, and never should I have dared to lay these new pieces of his before your majesty if you had not asked me to bring you every thing written by Reichardt. Well, you have seen it now; it displeases your majesty, and I am glad of it, for--"

"For," said the queen, gently interrupting him, "for the great composer Himmel is again jealous of the great composer Reichardt. Is it not so?"

She raised her dark-blue eyes at this question to Himmel's face, and he saw to his dismay that there were tears in those eyes.

"What!" he asked in terror, "your majesty has wept?"

She nodded in the affirmative, smiling gently. "Yes," she said, after a pause, "I have wept, and hence I could not continue singing. Do not scold me, do not be angry with me, my dear and stern teacher. This song has moved me profoundly; it is so simple and yet so touching, that it must have come out of the depths of a truly n.o.ble heart."

Mr. Himmel replied only with a low sigh and an almost inaudible murmur, which the queen, however, understood very well.

"Perhaps," she said, trying gently to heal the jealous pangs of the composer, "perhaps I was so deeply moved by the words rather than by the music; these words are so beautiful that it seems to me Goethe never wrote any thing more beautiful."

And bending over the music-book, she read in an undertone:

"Wer nie sein Brod mit Thranen a.s.s, Wer nie die k.u.mmervollen Nachte Auf seinem Bette einsam sa.s.s, Der kennt euch nicht, Ihr himmlischen Machte!"

[Footnote: "He who never ate his bread with tears, He who never, through nights of affliction, Sat on his lonely bed, He does not know you, powers of heaven!"]

"Say yourself, Mr. Himmel, is not that beautiful and touching?" she asked, looking up again to her teacher.

"Beautiful and touching for those who have wept much and suffered much,"

said Himmel, harshly; "but I cannot conceive why these words should touch your majesty, whose whole life has. .h.i.therto illuminated the world like an uninterrupted sunny spring morning."

"Hitherto," repeated the queen, musingly, "yes, hitherto, indeed, my life was a sunny spring morning, but who is able to fathom what clouds may soon appear on the horizon, and how cloudy and gloomy the evening may be? This song reechoes in my soul like a melancholy foreboding, and clings to its wings as if it wanted to paralyze their flight. 'He who never ate his bread with tears,' ah, how mournful it sounds, and what a long story of suffering is contained in these few words!"

The queen paused, and two tears, glistening more beautifully than the diamonds of her golden diadem, slowly ran down her cheeks.

Concert-master Himmel was not courageous enough to interrupt the silence of the queen, or, may be, he had not listened very attentively to her words, and his thoughts perhaps were fixed on matters of an entirely different character, for his air was absent and gloomy; his eyes glanced around the room, but returned continually to the lovely form of the queen.

Suddenly Louisa seemed to arouse herself violently from her gloomy meditation, and after hastily wiping the tears from her eyes she forced herself to smile.

"It is not good to give way to melancholy forebodings," she said, "particularly in the presence of a stern teacher. We must improve our time in a more useful manner, for time is a very precious thing; and if I had not judiciously profited by my short leisure to-day, I should not have had a single hour to spare for my teacher, for there will be a reception in the palace to-night, and I must previously give audience to several visitors. I have, therefore, made my evening toilet in the afternoon, and thereby gained time to take my dear singing-lesson. But now let us study, so that your pupil may redound to your honor."

"Oh, your majesty," e.j.a.c.u.l.a.t.ed Himmel, "my honor and my happiness!"

"Hush, hush," said Louisa, interrupting him, with an enchanting smile, "no flattery! no court-phrases! Here I am not the queen, nor are you my devoted subject; I am nothing but an obedient pupil, and you are my rigorous master, who has a right to scold and grumble whenever I sing incorrectly, and who very frequently avails himself of this privilege.

Do not apologize for it, but go on in the same manner, for I will then only learn the more."

"Your majesty sings like an angel," murmured Himmel, whose eyes were fixed steadfastly on the queen.

"Well, as far as that is concerned, you are a competent judge,"

exclaimed Lousia, laughing, "for being Himmel (heaven), you must know how the angels sing, and your opinion cannot be disputed. The angels, then, sing incorrectly, like your obedient pupil? Let the angels do so, but not your pupil. Come, Mr. Himmel, sit down. It does not behoove the maestro to stand at the side of his pupil. Sit down."

She pointed with a graceful wave of her hand at the chair standing at her side, and Mr. Himmel, complying with her order, sat down. His glances returned involuntarily to the queen, whose beauty only now burst on his short-sighted eyes, and whom he believed he had never seen so lovely, so fascinating and graceful. Her beautiful face seemed to him like that of a fairy queen, and her wonderful shoulders, her superb, dazzling neck, which he had never seen unveiled and so very near, appeared to him like the bust of a G.o.ddess, moulded by Phidias from living marble.

"Well, let us commence," said the queen, calmly. "Pray play the melody in the treble and let me play the accompaniment a few times; I shall then be better able to sing the song."

She commenced eagerly playing the prelude, while a deeper blush mantled her cheeks. It was Himmel's turn now to begin with the melody; his eyes, however, were not fixed on the music, but on the queen, and hence he blundered sadly.

"Well?" asked the queen, looking at him in charming confusion. "You do not play correctly."

"Yes, I have blundered, your majesty," said Himmel, gloomily; "I have blundered, for I am only a man after all, and cannot look into the sun without having a coup de soleil. Your majesty, I have had such a coup de soleil, and you see I have lost my reason in consequence."

With these words he bent over the queen and imprinted a glowing kiss on her shoulders; then he hastily rose, took his hat, and rushed out of the room. [Footnote: historical]

The queen's eyes followed him with an air of surprise and embarra.s.sment; then she burst into ringing, charming laughter.

"Ah," she said, "if that austere 'Madame Etiquette,' the mistress of ceremonies, should have seen that, she would have either died with horror, or her wrath would have crushed the criminal. I believe I will confess the terrible crime to her. Oh, my dear mistress of ceremonies!

my dear mistress of ceremonies!" she cried.

The door of the adjoining room opened immediately, and the Countess von Voss made her appearance.

"Your majesty has called me," she said, and, after looking around the room, she cast a glance of surprise on the clock.

"Ah, my dear countess, you are surprised that Mr. Himmel, my singing-master, has already left, although the hour has only half expired?" asked the queen, merrily.

"Your majesty," said the countess, sighing, "I really ought no longer to be surprised at any thing, nor wonder at any violation of etiquette, for such things, unfortunately, occur every day and every hour. Your majesty knows, moreover, that this Mr. Himmel is altogether distasteful to me."

"And why?" asked the queen, gayly.

"Your majesty, because it is contrary to etiquette for a queen to take lessons, and to have a teacher."

"What!" exclaimed Louisa. "According to etiquette, then, a queen is not permitted to learn any thing after ascending the throne?"

"No, your majesty, for it is entirely unbecoming that one of your subjects should become the teacher of his queen, and that anybody should be permitted and dare to censure her."

"Well, do not you do so very often, my dear countess?" asked the queen, good-naturedly.