Amanda wondered what he meant, but her mother and Millie laughed.

"Women's women," he added knowingly. "Some wakes up sooner than others, that's all! Millie, when you goin' to get you a man? You're gettin'

along now--just about my age, so I know--abody that cooks like you do-- "

"Amos, you just keep quiet! I ain't lookin' for a man. I got a home, and if I want something to growl at me I'll go pull the dog's tail."

That evening the kitchen of the Reist farmhouse was a busy place.

Baskets of apples stood on the floor. On the table were huge earthen dishes ready for the pared fruit. Equipped with a paring knife and a tin pie-plate for parings every member of the household drew near the table and began snitzing. There was much merry conversation, some in quaint Pennsylvania Dutch, then again in English tinged with the distinctive accent. There was also much laughter as Uncle Amos vied with Millie for the honor of making the thinnest parings.

"Here comes Lyman. Make place for him," cried Amanda as a boy of fifteen came to the kitchen door.

"You can't come in here unless you work," challenged Uncle Amos.

"I can do that," said the boy, though he seemed none too eager to take the knife and plate Mrs. Reist offered him.

"You dare sit beside me," Amanda offered.

Lyman smiled his appreciation of the honor, but the girl's eyes twinkled as she added, "so I can watch that you make thin peelin's."

"That's it," said Uncle Amos. "Boys, listen! Mostly always when a woman's kind to you there's something back of it."

"Ach, Amos, you're soured," said Millie.

"No, not me," he declared. "I know there's still a few good women in the world. Ach, yea," he sighed deeply and looked the incarnation of misery, "soon I'll have three to boss me, with Amanda here growin' like a weed!"

"Don't you know," Mrs. Reist reminded him, "how Granny used to say that one good boss is better than six poor workers? You don't appreciate us, Amos."

"I give up." Uncle Amos spread his hands in surrender. "I give up. When women start arguin' where's a man comin' in at?"

"I wouldn't give up," spoke out Lyman. "A man ought to have the last word every time."

"Ach, you don't know women," said Uncle Amos, chuckling.

"A man was made to be master," the youth went on, evidently quoting some recent reading. "Woman is the weaker vessel."

"Wait till you try to break one," came Uncle Amos's wise comment.

"I," said Lyman proudly, "I could be master of any woman I marry! And I bet, I dare to bet my pop's farm, that any girl I set out to get I can get, too. I'd just carry her off or something. 'All's fair in love and war.'"

"Them two's the same thing, sonny, but you don't know it yet," laughed Uncle Amos. "It sounds mighty strong and brave to talk like you were a giant or king, or something, and I only hope I'm livin' and here in Crow Hill so I can see how you work that game of carryin' off the girl you like. I'd like to see it, I'd sure like to see it!"

"Oh, Uncle Amos, tell us, did you ever go to see the girls?" asked Amanda eagerly.

"Did I ever go to see the girls? Um-uh, I did!" The man laughed suddenly. "I'll tell you about the first time. But now you just go on with your snitzin'. I can't be breakin' up the party with my yarns. I was just a young fellow workin' at home on the farm. Theje was a nice girl over near Manheim I thought I'd like to know better, and so one night I fixed up to try my luck and go see her. It was in fall and got dark pretty early, and by the time I was done with the farm work and dressed in my best suit and half-way over to her house, it was gettin'

dusk. Now I never knew what it was to be afraid till that year my old Aunty Betz came to spend a month with us and began to tell her spook stories. She had a long list of them. One was about a big black dog that used to come in her room every night durin' full moon and put its paws on her bed. But when she tried to touch it there was nothing there, and if she'd get up and light the light it would vanish. She said she always thought he wanted to show her something, take her to where there was some gold buried, but she never could get the dog to do it, for she always lighted the light and that scared him away. Then she said one time they moved into a little house, and once when they had a lot of company she slept on a bed in the garret. She got awake at night and found the covers off the bed. She pulled 'em up and something pulled them off. Then she lighted a candle, but there wasn't a thing there. So she went back to bed and the same thing happened again; down went the covers. She got frightened and ran down the stairs and slept on the floor. But that spook was always a mystery. I used to have shivers chasin' each other up and down my back so fast I didn't know how to sit up hardly when she was tellin' them spook stories. But she had one champion one about a man she knew who was walkin' along the country road at night and something black shot up in front of him, and when he tried to catch it and ran after it, he rolled into a fence, and when he sat up, the spook was gone, but there was a great big hole by the fence-post near him, and in the hole was a box of money. She could explain that ghost; it was the spirit of the person who had buried the money, and he had to help some person find it so that he could have peace in the other world. Well, as I said, I was goin' along the road on the way to see that girl, and it was about dark when I got to the lane of her house. I was a little excited, for it was my first trial at the courtin' business. Aunty Betz's spook stories made me kinda shaky in the dark, so it's no wonder I jumped when something black ran across the road and stood by the fence as I came along. I remembered her story of the man who found the gold, and I thought I'd see whether I could have such luck, so I ran to the black thing and made a grab--and--it was a skunk! Well,"--after the laughter died down--"I didn't get any gold, but I got something! I yelled, and the girl I started to call on heard me and come to the door. I hadn't any better sense than to go up to her. But before I could explain, the skunk's weapon told the tale.

'You clear out of here,' she hollered; 'who wants such a smell in the house!' I cleared out, and when I got home Mom was in bed, but Pop was readin' the paper in the kitchen. I opened the door. 'Clear out of here,' he ordered;' who wants such a smell in the house! Go to the wood-shed and I'll get you soap and water and other clothes.' So I went to the wood-shed, and he came out with a lantern and water and clothes and I began to scrub. After I was dressed we went to the barn-yard and he held the lantern while I dug a deep hole, and the clothes, my best Sunday clothes, went down into the ground and dirt on top. And that settled courtin' for a while with me."

Uncle Amos's story _had_ interfered with the snitzing.

"Say," said Millie, "how can abody snitz apples when you make 'em laugh till the tears run down over the face?"

"Oh, come on," cried Amanda, "I just thought of it--let's tell fortunes with the peelin's! Everybody peel an apple with the peelin' all in one piece and then throw it over the right shoulder, and whatever letter it makes on the floor is the initial of the person you're goin' to marry."

"All right. Now, Millie, no cheatin'," teased Uncle Amos. "Don't you go peel yours so it'll fall into a Z, for I know that Zach Miller's been after you this long while already."

"Ach, him? He's as ugly as seven days' rainy weather."

"Ach, shoot it," said Phil, disgust written on his face as he threw a paring over his shoulder; "mine always come out an S. Guess that's the only letter you can make. S for Sadie, Susie--who wants them? That's a rotten way to tell fortunes!"

"Now look at mine, everybody!" cried Amanda as she flung her long apple paring over her shoulder.

"It's an M," shouted Phil. "Mebbe for Martin Landis. Jiminy Christmas, he's a pretty nice fellow. If you can hook him----"

"M stands for Mertzheimer," said Lyman proudly. "I guess it means me, Amanda, so you better begin to mind me now when we play at recess at school and spell on my side in the spelling matches."

"Huh," she retorted ungraciously, "Lyman Mertzheimer, you ain't the only M in Lancaster County!"

"No," he replied arrogantly, "but I guess that poor Mart Landis don't count. He's always tending one of his mom's babies--some nice beau he'd make! If he ever goes courting he'll have to take along one of the little Landis kids, I bet."

Phil laughed, but Amanda flushed in anger. "I think that's just grand of Martin to help his mom like that," she defended. "Anyhow, since she has no big girls to help her."

"He washes dishes. I saw him last week with an ap.r.o.n on," said Lyman, contempt in his voice.

"Wouldn't you do that for your mom if she was poor and had a lot of children and no one to help her?" asked the girl.

"Not me! I wouldn't wash dishes for no one! Men aren't made for that."

"Then _I_ don't think much of _you_, Lyman Mertzheimer!"

declared Amanda with a vigorous toss of her red head.

"Come, come," Mrs. Reist interrupted, "you mustn't quarrel. Of course Lyman would help his mother if she needed him."

Amanda laughed and friendliness was once more restored.

When the last apple was snitzed Uncle Amos brought some cold cider from the spring-house, Millie fetched a dish of cookies from the cellar, and the snitzing party ended in a feast.

That night Mrs. Reist followed Amanda up the stairs to the child's bedroom. They made a pretty picture as they stood there, the mother with her plain Mennonite garb, her sweet face encircled by a white cap, and the little red-haired child, eager, active, her dark eyes glimpsing dreams as they focused on the distant castles in Spain which were a part of her legitimate heritage of childhood. The room was like a Nutting picture, with its rag carpet, old-fashioned, low cherry bed, covered with a pink and white calico patchwork quilt, its low cherry bureau, its rush-bottom chairs, its big walnut chest covered with a hand-woven coverlet gay with red roses and blue tulips. An old- fashioned room and an old-fashioned mother and daughter--the elder had seen life, knew its glories and its dangers, had tasted its sweetness and drained its cups of sorrow, but the child--in her eyes was still the star-dust of the "trailing clouds of glory."

"Mom," she asked suddenly as her mother unbraided the red hair and brushed it, "do you like Lyman Mertzheimer?"

"Why--yes---" Mrs. Reist hesitated.

"Ach, I don't mean that way, Mom," the child said wisely. "You always say abody must like everybody, but I mean like him for real, like him so you want to be near him. He's good lookin'. At school he's about the best lookin' boy there. The big girls say he's a regular Dunnis, whatever that is. But I think sometimes he ain't so pretty under the looks, the way he acts and all, Mom."

"I know what you mean, Amanda. Your pop used to say still that people are like apples, some can fool you good. Remember some we peeled to-night were specked and showed it on the outside, but some were red and pretty and when you cut in them--"

"They were full of worms or rotten!"

"Yes. It's the hearts of people that makes them beautiful."