"When do you want it, sir?"

"Yesterday," I said.

He laughed politely.

"I mean-"

"I know what you mean." I checked my watch-it was a shade past noon. "When can you have it?"

"Hard to say. Two hours, three hours, four hours-"

"Give me an outside time. I don't know where I'll be. I want to be able to call you and find out what you've got."

He thought a moment. "Call between five and six," he said. "We'll have the works by then."

That left me with five or six hours to kill. I didn't want to go back to my apartment. A man's home is his castle, but mine might very well be under siege by now. Carr was undoubtedly conscious and undoubtedly sending up a hue and cry, shrieking mightily for the b.l.o.o.d.y scalp of some private eye named London. For the next five or six hours I wanted to get away from the world. My own place seemed like a ridiculous place to hide.

I settled on a movie. I sat in the balcony of a 42nd Street movie house, puffed on my pipe, munched popcorn, and watched Ma Barker's Killer Brood Ma Barker's Killer Brood and and Baby Face Nelson. Baby Face Nelson. I saw both pictures twice, and if you think that's a pleasant way to spend an afternoon, it's only because you've never tried it. I saw both pictures twice, and if you think that's a pleasant way to spend an afternoon, it's only because you've never tried it.

It was five when I left the show. I had a quick dinner at a cafeteria and used their phone to make another call to Cleveland. My op was on hand and he told me everything I wanted to know. I listened quietly, thoughtfully. At the end he said he would send me a bill and I told him that was fine.

Nothing was fine, though.

I stayed in the phone booth, sitting, thinking. I made two more calls, local ones. I talked a little, listened a little, hung up. I went on sitting in that booth until a stern-faced man came over and rapped on the door. I apologized to him and left.

The sun was dying outside, dropping behind the Jersey mud flats. The air was still too warm. I walked for a block or two, checking now and then to see if anybody was following me. n.o.body was.

I thought about the way things can sneak up behind you from out of nowhere and slip you a rabbit punch. I thought about the way you can walk around wearing blinders, and then you can take the blinders off and still not believe what you see. But you see it, and sooner or later it sinks in and your world falls apart.

I hailed a cab and took a ride to a certain posh apartment house. I walked past a doorman, into an elevator. I rode up in silence. I got out and went to a door. I stood in front of it for a long time. Finally, I rang...I waited...I rang again.

TEN.

She had never looked better. Even nude, with a white sheet under that flawless full-blown body and a pillow beneath that ash blond head, she had never looked better wearing a skirt and sweater. She flowed toward me like a hot river and she came into my arms and stayed there.

I let her kiss me. I ran my hands over her back, felt the firmness of her body, and I waited for something to happen inside me, something I was afraid of: a shadow of response, a flicker of desire.

It never came.

"Oh, Ed," she was saying. "I was so worried. You didn't call me all day. I was afraid. I thought something had happened to you; I didn't know what to think."

I didn't say anything.

"I tried calling you. You weren't at your apartment. I must have called you a dozen times but you weren't there."

"No. I wasn't."

She turned coy, twisting in my arms and looking up at me. "You weren't with another girl, were you? I'll scratch her eyes out, Ed."

And then she turned kittenish again, burrowing her head in my chest and making little sounds.

I put my hands on her shoulders. I pushed, gently, easing her away. She looked at me, a question in her eyes.

They must have heard the slap in Canarsie. I hit her that hard, open-palmed, my hand against the side of her face. She stumbled and went down, started to get up, tripped, fell, then finally scrambled to her feet again. Her eyes said she didn't believe it.

"You dirty little liar," I snapped.

"Ed-"

"Shut up. I know the whole bit now, Rhona. All of it, from top to bottom. I got some of it here and some of it there and figured out the rest myself. It didn't take too much thinking on my part. It was all there. All I had to do was look for it."

"Ed, for heaven's sake-"

"Sit down." She looked at me, thought it over, plopped down on the orange couch.

"Jack Blake," I said, pacing like a caged tiger. "He was a card sharp, all right. And he stopped being a card sharp. Not to go straight, though. Just to change his line of work. He stopped cheating at cards but he found other ways to cheat.

"He opened a magic shop. It was a front, nothing more. I had a detective agency in Cleveland check the place out. Oh, the store was completely open and aboveboard, all right. Only the place ran at one h.e.l.l of a loss. Blake never made a nickel out of it."

I wanted a drink. Courvoisier, a lot of it, straight and in a hurry.

"So the shop lost money," I continued, "and Blake lived high off the hog. A big house out in Shaker Heights. Trips to Vegas and Hawaii. You don't pull that kind of money out of a successful magic shop, let alone a losing proposition like the one on Euclid Avenue.

"So Blake had another source of income. It's not hard to figure out what it was, Rhona. The record of deposits to Jack Blake's checking account makes it obvious. The two of you were working a string of blackmail dodges. You were on a dozen different payrolls for anywhere from a hundred to five hundred bucks a month. It was a sweet little setup. And you weren't his daughter, either. That was another little lie, wasn't it?"

"You can't be serious-"

"The h.e.l.l I can't. Jack Blake was never married. He never had a wife and he never had a kid. You were his mistress and his partner. His private wh.o.r.e."

She started to get up. She saw my eyes, and she must have guessed what I would do to her the minute she got to her feet. So she stayed where she was.

"His private wh.o.r.e." I liked the sound of it. "And his partner. The two of you were doing fine. Then you got hold of something that made all the little swindles look like small potatoes in comparison. You latched on to the prize pigeon of them all. You hooked a man named Abe Zucker."

I took a breath. "Five months ago Miltie Klugsman got in touch with Blake and told him he had the goods on Zucker. Zucker's been straight for years so he must have had something big on him, a rap the statute of limitations wouldn't cover. Something like murder.

"It doesn't much matter what it was. It was too big for Klugsman and he was scared to work it on his own. He knew Blake was doing a land-office business in blackmail. They worked out a split. Klugsman couldn't have done too well with it-his widow isn't exactly living in style. But that's how it went. Klugsman held on to the evidence and Blake set up the blackmail gambit and Zucker paid. There was a healthy deposit to your father's-pardon me, your keeper's account five months ago. The first payment from Zucker was something like ten thousand dollars.

"Zucker must have thought it was a one-shot deal. When it happened a second time he figured out that it would be cheaper to arrange an accident for Blake than to pay him that kind of money for any length of time. And that was the end of Jack Blake, at least as far as this world is concerned.

"You told that part of it straight enough, Rhona. A few thugs went to Cleveland and beat Jack Blake to death."

I took another deep breath and looked at her, all prim and proper on the bright orange couch, all schoolgirl-lovely in green sweater and black skirt, and I tried to make myself believe it. It was true, all of it. But it still seemed impossible.

"JACK BLAKE WAS DEAD," I went on. "But this didn't faze you much. You could live without him, but you weren't going to let a big fat fish like Zucker wiggle off the hook. He was too profitable a source of income. I went on. "But this didn't faze you much. You could live without him, but you weren't going to let a big fat fish like Zucker wiggle off the hook. He was too profitable a source of income.

"Klugsman was anxious to give up. When Blake was rubbed out, Klugsman got nervous. He didn't want to play blackmail games anymore. He wanted out. So you got in touch with him and offered him a fast five grand for the evidence on Zucker. That would put Klugsman out of the picture and give him a healthy piece of change for his trouble. He went for it. It looked like easy money.

"But it wasn't," I said. "Zucker's hirelings were already onto Klugsman. They picked us up when I met him in Canarsie and they shot a million holes in Miltie Klugsman. They didn't kill me. Maybe they didn't care much at that point. They just wanted Klugsman.

"That left you in a bind. Zucker wanted to see you dead, too, because as long as you were alive he had a murder rap hanging over his head like a Sword of Damocles. You had to stay away from him and you had to get me to dig up Miltie's package of evidence. You were too d.a.m.ned greedy to take your life and run with it. You couldn't let go of that pile of dough."

"It wasn't like that-" she started.

"The h.e.l.l it wasn't. It was like that all across the board. And you never came close to leveling with me. You started out as the woman-of-mystery and when that fell in you shifted gears as smooth as silk and turned yourself into the damsel-in-distress.

"You let me go to Brooklyn last night and almost get killed. You let me go up against Phillip Carr this morning. You never put your cards on the table and you never gave up the idea of bleeding that money out of Zucker." I paused. "You look great in a sweater. You look great out of one. And you put on one h.e.l.l of an act in bed. But you're just another deceitful crook, Rhona. Nothing more."

Then it was quiet. Neither of us said a word. Finally, she blurted: "Ed-what now?"

"Now I call the police," I said. "I don't care what happens after that."

She uncoiled from the couch like a serpent. She flowed toward me again, and her eyes were radiating s.e.x once more. She turned the stuff on and off like a faucet.

"Ed," she cooed. "Ed, I'm sorry."

"Stow it," I said.

"Ed, listen to me. I didn't trust you. I should have, I know it. And I'm sorry. But you don't have to call the police."

I stared at her.

"Listen to me, Ed. I didn't...didn't hurt anybody. I never murdered anyone. It's not my fault Klugsman was shot and I wasn't the murderer. It was Zucker and the men he hired. I just thought I could find a way to make a quick dollar.

"Don't you understand? Ed, I never killed anyone. I never hurt you-I lied to you but I never hurt you. And, Ed, when we were in bed together I wasn't acting. I don't care what you think of me. Maybe I deserve it-"

"Maybe?"

"I know I deserve it. But I wasn't acting. Not in bed, not when we were making love-"

I wish someone had filmed all this. She would have won the Oscar in a walk.

"You could let me go," she pleaded. "You could call the police and give them everything you want on Zucker and Carr and the rest of them. I'll even help you. I'll tell you what I know. With that much, the police won't need Klugsman's evidence. You can even tell them about me, Ed, if it will make you feel better. Just give me a few hours' head start. In a few hours I can be out of town and they won't ever find me. Just a few hours, Ed," she pleaded.

"Ed, you owe me that much. We meant that much to each other, Ed."

She was as persuasive as a loaded gun. "I'd have given you that much," I told her. "Except for one thing."

"What?"

"The dynamite," I said. "Did you forget the dynamite, Rhona? You tried to kill me!"

That time I didn't slap her. It would have been superfluous. She reacted as though someone had belted her but good.

"The dynamite," I said. "It didn't make any sense at the time. I couldn't figure out why Zucker would use a c.o.c.keyed routine like that to get you out of the way, or how he knew where you were, or any of it. The dynamite had to be all your idea. Maybe you were afraid I would sell you out for Carr's ten-grand reward. Maybe you thought I was guessing too much about you.

"Anyway, you decided to get rid of me. And you were cute about it, too. You knew I'd come over here sooner or later. You left the apartment, figuring I'd eventually wander over to the closet. Then the dynamite would go off and I'd be out of your hair.

"And you would be in the clear. You were subletting the place under a phony name, and once I blew myself to h.e.l.l you would just disappear, rent another apartment somewhere else. n.o.body could tie you to me. You'd be all alone in the clear."

"Ed, I must have been crazy-"

"You still are if you think you can talk your way out of this, Rhona."

"Ed, I'm sorry. Ed-"

She was making s.e.xy movements, slithering toward me. But I saw what she was really doing, moving toward the table next to the couch, heading toward her purse. I could have stopped her then and there, but I wanted to give her more rope to hang herself.

She got her hands on the purse. She was talking but I wasn't listening to a word she was saying. I watched her hands move behind her back, opening the purse, dipping inside.

She never managed to point her gun at me. My timing was too good. She dragged it out of the purse and I slapped it out of her hand and it sailed across the room and bounced around on the carpet. A .22, a woman's gun. They can kill you too.

Then she was beaten, and she knew it. I took out my own gun and pointed it at her, but I didn't even need it. She stayed put while I picked up the phone. It was too late to get Jerry Gunther at Headquarters. I called him at his home.

"Call downtown," I said. "Tell them to get a pickup order out for Phillip Carr and Abe Zucker. And get over here"-I gave him the address-"and make an arrest of your own."

He whistled softly.

"This is going to get a lot of unsolved ones off your books," I said. "Maybe I'll let you do the buying during our next vital conference."

He said something unimportant. I hung up. Then I stood pointing the gun at Rhona while we waited for him.

ELEVEN.

It was Thursday, and I was having dinner at McGraw's, a favorite steakhouse of mine. I wasn't eating alone. There was a girl across the table from me, a girl named Sharon Ross.

She chewed a bit of steak, washed it down with a sip of Beaujolais, and looked up at me with wide eyes.

"The girl," she said. "Rhona. What's going to happen to her, Ed?"

"Not enough."

"Will she go to jail?"